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A luminous, true story, Name All the Animals is an unparalleled account of grief and secret love: the tale of a family clinging to the memory of a lost child, and of a young woman struggling to define herself in the wake of his loss. As children, siblings Alison and Roy Smith were so close that their mother called them by one name, Alroy. But when Alison was fifteen, she woke one day to learn that Roy, eighteen, was dead.
Heartbreaking but hopeful, this extraordinary memoir explores the after-math of Roy's death: his parents' enduring romance, the faith of a deeply religious community, and the excitement and anguish of Alison's first love — a taboo relationship that opens up a world beyond the death of her brother.
First-Place Winner of the 2004 Discover Great New Writers Award, Nonfiction
An engaging storyteller, Smith crafts her memoir to read like a novel, interspersing moving flashbacks of the times she spent with her brother with amusing portraits of the nuns at her parochial school, who sneak out of the infirmary to play cards and make autumnal visits to a secret swimming pool. As a child, Smith wonders why her father blesses her and Roy every morning, touching a relic to their foreheads, mouths, and hands, mentioning each individual body part. "He's got to name us, like Adam named the animals," Roy explained. "To keep track of them." The near impossibility of "keeping track," and the changing nature of faith are just two of the poignant messages in this unforgettable debut. (Winter/Spring 2004 Selection)
The girls at the Rochester Skating Academy in 1984 were a hardy bunch -- great jumpers, who raced around the rink backwards at high speeds. I was the one in the corner by the sidewall pushing my wire-rim glasses up my nose, my stockings bunched at the knees. I did not jump. My spins were slow and careful. But I did have one thing going for me. I was good at Patch.
Patch was named for the sectioning of the ice into six-by-eight-foot strips or patches. The first thing to do when you get to your assigned patch is carve two adjacent circles, using an instrument called a scribe (which looks like an overgrown compass). On that huge number eight you try to skate the perfect figure. It's harder than it looks -- keeping the cut line of the blade arced, the skate moving at a good clip, never straying from the two circles. It was my favorite part of the day: the collective silence of concentration, drilling over and over a single blade turn, the subtle weight shifts, from front to back, right to left. This measured intricacy, the repetitive devotion it required -- it was the closest you could get to praying on ice.
In late July, three months after I started my indoor skating career, I had an accident during morning Patch Hour. While practicing the 180-degree turn in the center of the eight, I slipped and fell. Sixteen pairs of eyes looked up from their patches and stared at me. I tried to stand up. My leg warmers slid down over my heels. I moved to adjust them, and then I saw it. In the center of the eight, at the fulcrum of the north and south circles, lay a spot of blood. A darkening stain ran across the crotch of my skating dress. I crossed my legs.
Moments later, in the bathroom at the Rochester Skating Rink, dark flowers of blood spread across the toilet water. I called Mother from a pay phone in the hall.
"It's your first," she whispered into the phone. She was at the architecture firm where she worked as a secretary.
"I've got blood all over me!"
"All right. I'll meet you in the bathroom, the one by the soda machine."
"Bring a bucket."
"Oh stop," she said. "It's not that bad."
I waited for Mother in the stall farthest from the door. When she entered, her low heels clip-clopped across the floor. She went straight for the last stall and opened the door. My skates were still on, the laces loosened. I had crammed half a roll of toilet paper between my legs. She slouched, one hand on her hip. "Alroy," she whispered as she shook her head. It's not my name. It's ours, my brother's and mine. A pet name she made up, combining Roy's name and mine into a single shorthand. "That bad, Alroy?" she asked.
I nodded and gazed up at her.
My mother stood in her homemade wraparound skirt with the blue flowers. She had tucked a white summer blouse into its ribboned waist. She wore her hair short, in a Dorothy Hamill cut, and in the humidity it curled out around her ears like wings. She slid her purse off her shoulder, pulled out a pack of extrathick sanitary pads, a bottle of pills, and a collapsible camping cup. She crossed over to the sink, filled the cup with water, and thrust both her hands under my nose. One held the cup, the other two pink pills.
"Take these."
I swallowed the pills. She ran her hand over my forehead. I pushed her away. She handed me a pad and backed up. Through the metal door I heard her sigh. She tapped her foot. I leaned back. The flusher jabbed me in the kidneys. I peeled the white adhesive strip off the back of the pad and slid my skating dress down.
Mother drove me home. After she set me up in bed with a bottle of Midol and a copy of the Psalms, she made no proud speech about my initiation into womanhood, offered no advice on the prevention of menstrual cramps or the application of sanitary pads. She cleared her throat, ran her fingers through her hair, and said, "I'll tell Daddy. You tell Roy."
And with that she left me and returned to work.
When Roy showed up outside my bedroom door later that afternoon, he was holding a portable radio. He had just come from his morning job as a groundskeeper at a local country club and was already dressed for his second summer job as a cashier at Tops Supermarket. The stiff red uniform vest, boxy and oversized, hung on his narrow frame. Wrapping a leg around the door, he leaned into the room. "Hey, little sister, who's your superman? Hey, little sister, who's the one you want?" he crooned along with Billy Idol. Then he pulled back, hit his head against the doorframe, and tumbled to the ground, moaning in mock pain.
"Roy-dee," I hollered, from under the covers.
"Little Sister," he hollered back, pulling himself up.
Billy Idol was not his music of choice. He was more a fan of the Police and the Who, but he knew this song drove me crazy. Whenever the local station played it, he rushed toward me, his arms out, singing at the top of his lungs.
I yelled over the sound of the radio. "I'm sick!"
"What?" he yelled back.
I pointed at the radio. He turned it down.
"I'm sick."
He walked into the room. "How do I look?" Under the uniform vest he wore an orange Hawaiian shirt and maroon running pants.
"Terrible. Everything clashes."
"Good!" His head bobbed up and down. "It's your turn to do the dishes."
"Will you do them?"
He glanced over at me. "What's wrong with you?"
"Nothing."
His hands thrummed out a beat against the door. "I thought you said you were sick."
I could feel the blood rushing to my head. My face grew hot. "I have my period."
"Your what?"
"My period!"
The thrumming stopped. I could hear him breathing; his lungs were congested. "Oh," he said.
He became engrossed in the pattern of his Hawaiian shirt. His hair was long; he had let it grow now that he was not in school. It ran over his ears and scrolled out around the base of his skull. The sun was shining in the window over the porch, and the evergreens' bright needles shimmered in the windless afternoon. He stepped into the room, picked up my skates, and started swinging them by the laces.
"Don't touch those," I said. I reached across the bed, grabbed them from him, and shoved them under the blankets.
He cleared his throat. "It's supposed to rain tonight," he said.
"What do you want, Alroy?"
"It's your turn to do the dishes."
"You do them."
"No, you."
"No, you."
"No, you."
"Loser," I said.
"Dweeb."
"Mutant."
"Moron!" And then he lost it. He broke into a grin. Paper white teeth, three dimples -- one on either side and a little dent in his chin.
"Alroy," I said.
He disappeared behind the door again. He coughed once. The breath rattled in and out of him. He had just recovered from a nasty bout of bronchitis. One hand on the door, the other on the doorframe, he leaned back into the room and smiled. From my position on the bed I saw only half of him. A slice of brown hair, tan skin, and the hideous orange and red.
Outside a mourning dove cooed. The sun beat down on us through the back window, no trace of the coming storm. It was four in the afternoon. I looked away. I felt a slip in the air, a nearly imperceptible change in temperature. I turned to catch him, but he had already left.
I fell asleep, my hands wrapped around my skates. I slept straight through without eating supper, without going to my evening job at the Sisters of Mercy Convent. And as I slept a storm gathered over Lake Ontario, ten miles to the north. At one o'clock the sky broke open. Rain pelted the ground, rivered into the gullies along Penfield Road. It rained all night, and it was raining the next morning when Roy left for work. Friday, July 27, 1984. Father stopped him at the front door.
"What are you going to do," Father asked, "in the rain?"
Roy tossed the keys to the van from his right hand to his left and hitched up his shorts. "We'll wash the golf carts," he said.
At 5:51 a.m. Father opened the front door for him. Roy ducked into the driving storm. He was gone. It was not for another two hours, when it was too late, that I would walk into the kitchen and see. He had done the dishes after all.
This fracturing of reality and memory comes in Name All the Animals to stand for the impermanence -- the mysteriousness -- of existence itself. This is one of the great and overarching themes of this memoir, one that allows the author's hard-won wisdom an authority beyond the bounds of her family. Grief, although immense and deeply destructive of the ordinary world, also grants the suffering person access to new, sometimes revelatory ways of seeing reality. Book clubs will find that throughout Name All the Animals, death, mourning, and recovery are only the "plot" of the story -- its meaning is much more complex, indeed, resisting all the names readers may try to give it.
Throughout the book, Smith uses flashbacks to explore not just her grief but also the unique and wonderful nature of the bond that can be forged between a brother and sister (the pair were so close that they sometimes went by the shared name "Alroy"). But she also uses these scenes to open up the question of how we understand ourselves and how we define our identities in the turbulence of adolescence. We see how defining oneself as part of a pair or a team can be a way of both standing apart and belonging to something larger than oneself. Reading groups may wish to use this facet of the book to open discussions of their adolescent years, and the difficulties of "finding oneself" in that time.
Name All the Animals is also a story about first love, and the awakening of the author's identity as a gay woman -- an event fraught with terrors for a religious girl attending a strict Catholic school. Smith's experience of both joyous discovery and confused pain, made more intense by the aftershocks of her brother's death -- is rendered in Name All the Animals with a delicate touch, marking the writer's later understanding of the chaotic emotions she experienced at the time. Smith uses her own story to explore problems faced by many gay teens -- internalized shame and institutional, social, and familial hostility -- but she renders them not as cardboard examples of a stereotyped identity but as unique, poetically illuminated moments that ultimately resonate on a truly universal level. It's a sensitive yet unflinching treatment of desire, shame, and confusion, and Smith leaves readers with a wonderful opportunity to discuss both our society's attitudes toward same-sex relationships and our own difficulties in grasping and articulating the power that love has to shape our lives. Bill Tipper
Discussion Questions from the Publisher
Anonymous
Posted February 23, 2004
This is a true story, which is why it's described as a memoir. But it could just as easily have been published as a novel. It has all the character development, suspense, narrative arc, and beautiful writing of the best literary fiction. So don't dismiss it if you're not a big memoir fan. It should appeal to fiction and nonfiction readers equally. But regardless of how it's categorized, I could NOT put this book down. I read it every second I could and couldn't bear to be away from it when I was at work. The grief made my heart break, but the love story, and Alison's success in figuring out who she is, just made my heart swell. It's such a gorgeous, moving portrait of a family, both in grief and in love. It's told through the 15-year-old eyes of the author, and she just GETS adolescence. I was sent spiralling back to my own memories of high school, and the unique, electric, unforgettable experience of first love. It's one of those unforgettable books that only come along every so often. I highly recommend it to readers everywhere.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.tchrreader
Posted May 28, 2010
This is a true story about a family and their tragedy. The story is about fifteen year old Allison who loses her brother, Roy in a car accident. She ends up going to an all girls Catholic school. The story is the family living through this tragedy. It is a good book, there are some slow spots (I guess that is how real life is) :) I felt badly for Allison, being the sibling who lost a sibling is very difficult. This is a good, true life story that you will enjoy reading.
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Posted January 14, 2010
Name all the Animals, was such an inspiring and touching story to my heart. I can't believe all Alison has went through, it really does show how strong one can be to get through all the beef that life throws at you. Alison and her brother Roy, were very close as kids. There mother called them Alroy because of how often she found them together. Alison faces, being the "The sister of her brother who died", finding her first true love, losing everything she cared for, but yet she still lives on. I recommend this book for anyone to read, and also anyone out there that has emotional troubles and would like to have a different perspective on how to deal with it. I guarantee you'll enjoy this book, and it will change your life.
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Posted March 25, 2008
I realize this book has won an award, but it was boring for me. After I got throught the first 100 pages I was tired. You dont even get to the point of the book until the end and then you dont care because it took so long. It was an easy read, but I'll pass it along and not keep it in my book collection.
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Posted May 17, 2005
I started this book with the knowledge that it was a memoir and thought it would be about the author dealing with the death of her brother. Not true. The book is about how the author was/is dealing with being a lesbian. Not what I expected and not a topic I'm interested in. Her style of writing is easy and pleasant to read though, thus the 3 stars.
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Posted July 7, 2005
A wonderful memoir about a family in distress and their so called 'survival tactics'. I was Especially interested in the book as I live in the area where the author lived and was able to relate to her surroundings. I am also from a very close knit Catholic family and I understand the faith we were raised with and how easily it is misplaced and/or shattered when you lose a loved one.
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Posted April 14, 2005
This book is great! It lured me away from the outside world and I had to finish it at all costs! Burning eyes and fatigue did not stop me- I was unable to put the book down.
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Posted March 18, 2005
I love this book. It was wonderfull written. It's one of the only books that made me want to cry. I kept wishing it wasn't real and that Roy was still alive. Wonderful book.
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Posted November 4, 2004
I was highly recommended to read this book, and I would pass the recommendation along to anyone else! It took me awhile to get throught it, but if you keep on, it's rewarding. And I loved the ending...it's worth it to get all the way through!
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Posted February 27, 2004
I truly loved this book. I could not put it down. The book was so captivating and well written. I felt her grief and heartrendering family relationship so completely. It was a very moving book and I look forward to anything Ms. Smith writes in the future.
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Posted March 8, 2004
Think you have experienced troubles? Do you feel sorry for yourself at times? Pick up this heart warming book and come to the realization that nothing is as bad as you may think it is. This book forces you to think about things that we all very carefully file away into the back of our minds under 'it happens to other people'. Too many of us need to face these kind of issues head on. Alison Smith takes a difficult topic and stays true....to the truth. How refreshing! She had me laughing, crying, thinking...and that was all within the first 30 minutes of reading this fantastic book. If you are tired of books having no substance, no ability to reach deep into your senses....then buy this book. I am confident that you will not be sorry! Thanks Alison for a great read. What a wonderful first book! You touched my heart and my mind....for that I thank you.
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Posted December 11, 2010
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Posted August 11, 2010
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Posted October 4, 2009
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Posted April 26, 2010
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Posted April 20, 2011
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Overview
A luminous, true story, Name All the Animals is an unparalleled account of grief and secret love: the tale of a family clinging to the memory of a lost child, and of a young woman struggling to define herself in the wake of his loss. As children, siblings Alison and Roy Smith were so close that their mother called them by one name, Alroy. But when Alison was fifteen, she woke one day to learn that Roy, eighteen, was dead.
Heartbreaking but hopeful, this extraordinary memoir explores the after-math of Roy's death: his parents' enduring romance, the faith of a deeply religious community, and the excitement and anguish of Alison's first love — a taboo ...