NANE: New-Generation African Poets: A Chapbook Box Set

by Kwame Dawes (Editor), Chris Abani (Editor)

Overview

This fourteen-piece, limited-edition box set—an African Poetry Book Fund (APBF) project—features the work of thirteen new African poets.

“Dawes and Abani have taken on the vital project of publishing short collections by contemporary poets from Africa, packaged together in beautiful boxed sets.” —New York Times Magazine

The limited-edition box set is a project started in 2014 to ensure the publication of up to a dozen chapbooks every year by African poets through Akashic Books. The series seeks to identify the best poetry written by African poets working today, and it is especially interested in featuring poets who have not yet published their first full-length book of poetry.

The thirteen poets included in this box set are: Selina Nwulu, Ayan M. Omar, Jeremy Teddy Karn, Ajibola Tolase, Hauwa Shaffii Nuhu, Sara Elkamel, Precious Arinze, Lameese Badr, Qutouf Yahia, Edil Hassan, Kolawole Adebayo, Cynthia Amoah, and Saradha Soobrayen

Product Details

ISBN-13:	9781617759505
Publisher:	Akashic Books, Ltd.
Publication date:	10/26/2021
Pages:	350
Product dimensions:	6.20(w) x 9.50(h) x 2.30(d)

About the Author

KWAME DAWES is the author of numerous books of poetry and other works of fiction, criticism, and essays. His most recent poetry collection, Sturge Town, was published by Peepal Tree Press in the UK and W. W. Norton in the US. Dawes is a professor of Literary Arts at Brown University. He also teaches in the Pacific MFA Program and is the series editor of the African Poetry Book Series, director of the African Poetry Book Fund, and artistic director of the Calabash International Literary Festival. He is a Chancellor for the Academy of American Poets and a Fellow of the Royal Society of Literature. Dawes is the winner of the prestigious Windham-Campbell Prize for Poetry and was a finalist for the 2022 Neustadt International Prize for Literature. In 2022, Kwame Dawes was awarded the Order of Distinction Commander Class by the Government of Jamaica, and in 2024, he was appointed Poet Laureate of Jamaica.

CHRIS ABANI’s prose includes The Secret History of Las Vegas, Song for Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections include Smoking the Bible, Sanctificum, There Are No Names for Red, Feed Me the Sun, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He holds a BA and MA in English, an MA in gender and culture, and a PhD in literature and creative writing. Abani is the recipient of a PEN America Freedom to Write Award, a Prince Claus Award, a Lannan Literary fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond Margins Award, a PEN/Hemingway Award, and a Guggenheim fellowship. He won the prestigious 2024 UNT Rilke Prize and was a finalist for the 2024 Neustadt International Prize for Literature. He is also a member of the American Academy of Arts and Sciences. Born in Nigeria, he is currently on the board of trustees, a professor of English, and director of African Studies at Northwestern University.

Editorial Reviews

"The African Poetry Book Fund’s New-Generation African Poets: A Chapbook Box Set is one of the most important annual literary projects, presenting to a wide audience the work of fresh and promising poets in the continent and its diaspora."

Open Country Magazine

"An ambitious, vital project that delivers exactly what it promises . . . As a group, the chapbooks dispel stereotypes about African writing. They also illustrate what editors Dawes and Abani note about the many ways poets can understand or redefine their ties to Africa. These insights are poignant and valuable, especially at a time when millions around the globe find themselves somewhere between new countries and ancestral lands they’ve left behind."

Washington Post

Critical Praise for Previous New-Generation African Poets Box Sets:

"Chris Abani and Dawes also edited Tatu, a collection of contemporary poetry by African poets due out in the spring, as part of their yearly New-Generation African Poets Series." —the Root

"The chapbooks gathered here are almost overflowing with voice . . . . Each of these chapbooks is so worthy of praise and attention that it is not possible to do them justice in the space afforded this review. They deserve, and hopefully will receive, the specific and individual attention of critics and readers, and their authors deserve to enjoy long and noted careers." —Untucked Magazine, on Eight New-Generation African Poets

"I've been spending time with Eight New-Generation African Poets, a chapbook set edited by Kwame Dawes and Chris Abani. In particular, I recommend the selection of poems by Vuyelwa Maluleke, full of devastating pronouncements." —Kenyon Review

"We live in a curated world; the beauty of this collection is not just in the interplay of cover art and text, of preface and poem, but especially in its overall optimistic effect. This isn't a curatorial project solely focused on refining our world, cutting it down to manageable size, reflecting the literary interests of its editors. Though it does this, it simultaneously opens up a whole new emergent modern trajectory of African poetry, adding to it words that are surprising not in their existence—we know that with greater funding, similar projects, changing patterns of readership, more than eight, more than ten new African poetry chapbooks of this quality could reach us each year—but in their specific, trenchant voices. Start clearly off a set of shelves—this is something to make space for, year after year. " —Africa in Words, on Eight New-Generation African Poets

From the Publisher