Napoleon the Little
"Napoleon the Little" by Victor Hugo – Summary (within 5000 characters)

Published in 1852, Napoleon the Little (Napoléon le Petit) is Victor Hugo's scathing political pamphlet criticizing Louis-Napoléon Bonaparte (Napoleon III), who seized power in France by orchestrating a coup d'état on December 2, 1851. Hugo, then a deputy in the National Assembly and a staunch republican, was exiled for his opposition. The pamphlet, written in exile, is a work of impassioned protest and biting satire, denouncing the rise of authoritarianism in the guise of populism.

Background and Context
Louis-Napoléon Bonaparte, the nephew of Napoleon I, was elected President of the French Second Republic in 1848. When his term neared its end and he was barred constitutionally from re-election, he staged a coup and later declared himself Emperor Napoleon III. Hugo, who had initially supported him, became one of his fiercest critics upon realizing Bonaparte's ambition and disregard for democracy.

Structure and Themes
Napoleon the Little combines polemic, historical reflection, philosophical inquiry, and literary attack. Hugo compares the greatness of Napoleon I—flawed, but a figure of destiny—to the mediocrity and cunning of his nephew, whom he labels an impostor, a manipulator of public opinion, and a destroyer of the Republic.

1. Moral and Political Condemnation
Hugo accuses Napoleon III of betraying the Republic and the people. He portrays the coup as an act of violence and deceit, achieved through repression, censorship, and false promises. He argues that tyranny often disguises itself as order and safety.

"This man has accomplished everything except good."

Hugo repeatedly contrasts the grandeur of democratic ideals with the smallness ("petiteur" as he puns in French) of Napoleon III's character and ambition. The pamphlet's title alone is a jab—"Napoleon the Little" versus "Napoleon the Great."

2. Satire and Irony
With withering irony, Hugo depicts Napoleon III as a shadow of his uncle—ambitious but uninspired, ruthless but petty. He mocks the pretensions and staged image of the new emperor, calling his reign an "empire of lies" and likening him to a caricature of power.

3. Defense of Democracy and the Republic
Hugo uses the pamphlet as a defense of republicanism, freedom of speech, and human dignity. He calls on the French people to recognize the importance of liberty, urging intellectual and moral resistance to tyranny.

"It is not easy to enslave men who think."

He sees the coup not merely as a French crisis but a universal warning against the rise of authoritarian rulers who manipulate democracy for personal gain.

4. The Power of Conscience and Literature
Hugo insists that the pen is mightier than the sword. Exiled but unbroken, he writes with the belief that truth will outlast despotism. Literature, for Hugo, is a force of conscience. He expresses a near-religious belief in justice and the eventual triumph of liberty. Napoleon the Little was banned in France but circulated clandestinely and became a rallying point for republican dissent. Its powerful language and moral clarity bolstered Hugo's reputation as both a literary giant and a political conscience.

Though Hugo was writing about a specific event in French history, the themes of demagoguery, the fragility of democracy, and the role of writers in resistance give the work enduring relevance.

Famous Quotes from Napoleon the Little:
"To vote is not to give oneself a master. It is to give oneself a servant."

"Tyranny is always small."

"Despotism is a crime which lives on fear and lies."

Conclusion

Napoleon the Little is more than a political attack—it is a moral document. With searing rhetoric, Hugo dissects the mechanisms of authoritarianism and calls for vigilance in preserving democratic values. It showcases his belief that literature can confront power and that exile cannot silence truth.

Would you like excerpts from the original French or comparisons with other political pamphlets Hugo wrote in exile?
1100688585
Napoleon the Little
"Napoleon the Little" by Victor Hugo – Summary (within 5000 characters)

Published in 1852, Napoleon the Little (Napoléon le Petit) is Victor Hugo's scathing political pamphlet criticizing Louis-Napoléon Bonaparte (Napoleon III), who seized power in France by orchestrating a coup d'état on December 2, 1851. Hugo, then a deputy in the National Assembly and a staunch republican, was exiled for his opposition. The pamphlet, written in exile, is a work of impassioned protest and biting satire, denouncing the rise of authoritarianism in the guise of populism.

Background and Context
Louis-Napoléon Bonaparte, the nephew of Napoleon I, was elected President of the French Second Republic in 1848. When his term neared its end and he was barred constitutionally from re-election, he staged a coup and later declared himself Emperor Napoleon III. Hugo, who had initially supported him, became one of his fiercest critics upon realizing Bonaparte's ambition and disregard for democracy.

Structure and Themes
Napoleon the Little combines polemic, historical reflection, philosophical inquiry, and literary attack. Hugo compares the greatness of Napoleon I—flawed, but a figure of destiny—to the mediocrity and cunning of his nephew, whom he labels an impostor, a manipulator of public opinion, and a destroyer of the Republic.

1. Moral and Political Condemnation
Hugo accuses Napoleon III of betraying the Republic and the people. He portrays the coup as an act of violence and deceit, achieved through repression, censorship, and false promises. He argues that tyranny often disguises itself as order and safety.

"This man has accomplished everything except good."

Hugo repeatedly contrasts the grandeur of democratic ideals with the smallness ("petiteur" as he puns in French) of Napoleon III's character and ambition. The pamphlet's title alone is a jab—"Napoleon the Little" versus "Napoleon the Great."

2. Satire and Irony
With withering irony, Hugo depicts Napoleon III as a shadow of his uncle—ambitious but uninspired, ruthless but petty. He mocks the pretensions and staged image of the new emperor, calling his reign an "empire of lies" and likening him to a caricature of power.

3. Defense of Democracy and the Republic
Hugo uses the pamphlet as a defense of republicanism, freedom of speech, and human dignity. He calls on the French people to recognize the importance of liberty, urging intellectual and moral resistance to tyranny.

"It is not easy to enslave men who think."

He sees the coup not merely as a French crisis but a universal warning against the rise of authoritarian rulers who manipulate democracy for personal gain.

4. The Power of Conscience and Literature
Hugo insists that the pen is mightier than the sword. Exiled but unbroken, he writes with the belief that truth will outlast despotism. Literature, for Hugo, is a force of conscience. He expresses a near-religious belief in justice and the eventual triumph of liberty. Napoleon the Little was banned in France but circulated clandestinely and became a rallying point for republican dissent. Its powerful language and moral clarity bolstered Hugo's reputation as both a literary giant and a political conscience.

Though Hugo was writing about a specific event in French history, the themes of demagoguery, the fragility of democracy, and the role of writers in resistance give the work enduring relevance.

Famous Quotes from Napoleon the Little:
"To vote is not to give oneself a master. It is to give oneself a servant."

"Tyranny is always small."

"Despotism is a crime which lives on fear and lies."

Conclusion

Napoleon the Little is more than a political attack—it is a moral document. With searing rhetoric, Hugo dissects the mechanisms of authoritarianism and calls for vigilance in preserving democratic values. It showcases his belief that literature can confront power and that exile cannot silence truth.

Would you like excerpts from the original French or comparisons with other political pamphlets Hugo wrote in exile?
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Napoleon the Little

Napoleon the Little

by Victor Hugo
Napoleon the Little

Napoleon the Little

by Victor Hugo

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Overview

"Napoleon the Little" by Victor Hugo – Summary (within 5000 characters)

Published in 1852, Napoleon the Little (Napoléon le Petit) is Victor Hugo's scathing political pamphlet criticizing Louis-Napoléon Bonaparte (Napoleon III), who seized power in France by orchestrating a coup d'état on December 2, 1851. Hugo, then a deputy in the National Assembly and a staunch republican, was exiled for his opposition. The pamphlet, written in exile, is a work of impassioned protest and biting satire, denouncing the rise of authoritarianism in the guise of populism.

Background and Context
Louis-Napoléon Bonaparte, the nephew of Napoleon I, was elected President of the French Second Republic in 1848. When his term neared its end and he was barred constitutionally from re-election, he staged a coup and later declared himself Emperor Napoleon III. Hugo, who had initially supported him, became one of his fiercest critics upon realizing Bonaparte's ambition and disregard for democracy.

Structure and Themes
Napoleon the Little combines polemic, historical reflection, philosophical inquiry, and literary attack. Hugo compares the greatness of Napoleon I—flawed, but a figure of destiny—to the mediocrity and cunning of his nephew, whom he labels an impostor, a manipulator of public opinion, and a destroyer of the Republic.

1. Moral and Political Condemnation
Hugo accuses Napoleon III of betraying the Republic and the people. He portrays the coup as an act of violence and deceit, achieved through repression, censorship, and false promises. He argues that tyranny often disguises itself as order and safety.

"This man has accomplished everything except good."

Hugo repeatedly contrasts the grandeur of democratic ideals with the smallness ("petiteur" as he puns in French) of Napoleon III's character and ambition. The pamphlet's title alone is a jab—"Napoleon the Little" versus "Napoleon the Great."

2. Satire and Irony
With withering irony, Hugo depicts Napoleon III as a shadow of his uncle—ambitious but uninspired, ruthless but petty. He mocks the pretensions and staged image of the new emperor, calling his reign an "empire of lies" and likening him to a caricature of power.

3. Defense of Democracy and the Republic
Hugo uses the pamphlet as a defense of republicanism, freedom of speech, and human dignity. He calls on the French people to recognize the importance of liberty, urging intellectual and moral resistance to tyranny.

"It is not easy to enslave men who think."

He sees the coup not merely as a French crisis but a universal warning against the rise of authoritarian rulers who manipulate democracy for personal gain.

4. The Power of Conscience and Literature
Hugo insists that the pen is mightier than the sword. Exiled but unbroken, he writes with the belief that truth will outlast despotism. Literature, for Hugo, is a force of conscience. He expresses a near-religious belief in justice and the eventual triumph of liberty. Napoleon the Little was banned in France but circulated clandestinely and became a rallying point for republican dissent. Its powerful language and moral clarity bolstered Hugo's reputation as both a literary giant and a political conscience.

Though Hugo was writing about a specific event in French history, the themes of demagoguery, the fragility of democracy, and the role of writers in resistance give the work enduring relevance.

Famous Quotes from Napoleon the Little:
"To vote is not to give oneself a master. It is to give oneself a servant."

"Tyranny is always small."

"Despotism is a crime which lives on fear and lies."

Conclusion

Napoleon the Little is more than a political attack—it is a moral document. With searing rhetoric, Hugo dissects the mechanisms of authoritarianism and calls for vigilance in preserving democratic values. It showcases his belief that literature can confront power and that exile cannot silence truth.

Would you like excerpts from the original French or comparisons with other political pamphlets Hugo wrote in exile?

Product Details

BN ID: 2940184644646
Publisher: Victor Hugo
Publication date: 04/22/2025
Sold by: Barnes & Noble
Format: eBook
File size: 438 KB

About the Author

About The Author
Victor Hugo (1802–1885) was a towering figure of 19th-century French literature—a poet, novelist, playwright, and political thinker. Best known internationally for his epic novels Les Misérables and The Hunchback of Notre-Dame, Hugo was also a passionate advocate for human rights, democracy, and social justice.

Though his literary fame was already well established by the mid-1800s, it was his political courage and outspoken opposition to tyranny that defined his public legacy.

Early Life and Rise to Fame
Born in Besançon, France, Hugo was the son of a Napoleonic general and showed early brilliance in poetry and prose. By the 1830s, he became a leading voice of the Romantic movement in French literature. His drama Hernani (1830) famously challenged neoclassical norms and helped usher in literary Romanticism.

Hugo’s novels combined dramatic storytelling with deep social commentary, highlighting the struggles of the poor, the failures of justice, and the abuses of power.

Political Awakening
Originally a royalist, Hugo's politics evolved. By the 1840s, he had become a strong supporter of liberal democracy and the French Republic. Elected to the National Assembly in 1848, he initially supported Louis-Napoléon Bonaparte—until the latter betrayed the Republic with his 1851 coup.

Horrified by this authoritarian turn, Hugo became one of Bonaparte’s most powerful enemies. He fled into exile, first to Brussels, then to Jersey and Guernsey, where he wrote Napoleon the Little (1852), a fierce and eloquent protest against dictatorship. Hugo spent nearly 20 years in exile, writing prolifically. This period saw the creation of his most political and prophetic works, including Les Misérables (1862), which fused storytelling with a profound moral vision.

He refused to return to France until the fall of Napoleon III in 1870, after which he was welcomed as a national hero. Victor Hugo was more than a writer—he was a voice of conscience. His words defended the poor, the imprisoned, and the oppressed. He championed abolition of the death penalty, freedom of the press, and universal suffrage. Upon his death in 1885, he was buried in the Panthéon in Paris, mourned by millions.

To this day, Hugo stands as a symbol of the power of literature to confront injustice—and a reminder that even in exile, one voice can challenge an empire.

Date of Birth:

February 26, 1802

Date of Death:

May 22, 1885

Place of Birth:

Besançon, France

Place of Death:

Paris, France

Education:

Pension Cordier, Paris, 1815-18
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