Natalie Howard

Editorial Reviews

All Music Guide - Marisa Brown
If there's one thing listeners should have learned by now about country music, it's that you don't have to be American to sing it. Shania Twain, Kasey Chambers, and Keith Urban have all hit it big singing pop songs with slightly twanged vocals, steel guitars, and fiddles, and Aussie newcomer Natalie Howard takes the same approach with her U.S. self-titled debut. Howard, however, is decidedly more pop than country. If it weren't for the pedal steel and the fiddle that make their way into some of the songs, that label would be all but indiscernible. Even the drawl that country music begs for can be confused with Howard's own Australian accent although the decisively ...
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Editorial Reviews

All Music Guide - Marisa Brown
If there's one thing listeners should have learned by now about country music, it's that you don't have to be American to sing it. Shania Twain, Kasey Chambers, and Keith Urban have all hit it big singing pop songs with slightly twanged vocals, steel guitars, and fiddles, and Aussie newcomer Natalie Howard takes the same approach with her U.S. self-titled debut. Howard, however, is decidedly more pop than country. If it weren't for the pedal steel and the fiddle that make their way into some of the songs, that label would be all but indiscernible. Even the drawl that country music begs for can be confused with Howard's own Australian accent although the decisively dialectically American "ain't" she occasionally throws in is most certainly not and "I Can't" and "I Want to Get Out" are straight off an easy listening radio station. Like many albums in the genre, Natalie Howard has an extremely produced sound, but it's coupled with earnestness and sincerity in Howard's voice that can't be produced in the studio, and it brings a nice element to the record. Even if she sometimes seems like an overly dramatic teenage girl in the breakup anthem "You Never Knew Me," for example, she has a few truly catchy hooks, and "Don't Be That Way Baby" could've come straight off a later Sheryl Crow album. Nashville should watch out: the Australians have arrived.
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Product Details

  • Release Date: 2/28/2006
  • Label: GO GRRL
  • UPC: 829569064427
  • Catalog Number: 644

Tracks

Disc 1
  1. 1 Is It Just Me (3:54)
  2. 2 I Can't (4:38)
  3. 3 Don't Be That Way Baby (3:43)
  4. 4 I Don't to Live Like That (3:44)
  5. 5 I Want to Get Out (4:42)
  6. 6 Are You for Real (3:40)
  7. 7 What Do You Want from Me (4:10)
  8. 8 You Never Knew Me (3:29)
  9. 9 Intoxicated (4:10)
  10. 10 The Long Night - James Dean Hicks (4:10)
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Album Credits

Performance Credits
Natalie Howard Primary Artist, Vocals, Background Vocals, Hand Clapping
Rob Crosby Vocals, Guest Appearance
Mike Fix Acoustic Guitar
Michael Flanders Guitar, Mandolin
Matt Harrison Fiddle, Mandolin
Todd Gilmour Bass
Jason Millhouse Banjo, Guitar, Bongos
Robert Wilson Black Guitar, Guest Appearance
Marty Smith Drums
Nyree Clip Background Vocals
James Dean Hicks Vocals, Background Vocals, Guest Appearance
Michael Hoad Background Vocals
Vaughn Jones Piano, Keyboards
Jo Lack Violin
Dallas Southan Pedal Steel Guitar
Marty Smith Drums
Technical Credits
Rob Crosby Composer
Terry McBride Composer
Brian Dean Maher Composer
Michael Flanders Producer, Audio Production
Kris Bergsnes Composer
R. McCormack Composer
Jason Millhouse Engineer
Natalie Howard Composer, Art Direction
Marty Smith Loop
James Dean Hicks Vocal Engineer, Vocal Mixing
Jim McCormick Composer
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