A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein

A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein

by Joan Richardson
     
 

ISBN-10: 0521694507

ISBN-13: 9780521694506

Pub. Date: 12/28/2006

Publisher: Cambridge University Press

Joan Richardson provides a fascinating and compelling account of the emergence of the quintessential American philosophy: pragmatism. She demonstrates pragmatism's engagement with various branches of the natural sciences and traces the development of Jamesian pragmatism from the late nineteenth century through modernism, following its pointings into the present

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Overview

Joan Richardson provides a fascinating and compelling account of the emergence of the quintessential American philosophy: pragmatism. She demonstrates pragmatism's engagement with various branches of the natural sciences and traces the development of Jamesian pragmatism from the late nineteenth century through modernism, following its pointings into the present. Richardson combines strands from America's religious experience with scientific information to offer interpretations that break new ground in literary and cultural history. This book exemplifies the value of interdisciplinary approaches to producing literary criticism. In a series of highly original readings of Edwards, Emerson, William and Henry James, Stevens, and Stein, A Natural History of Pragmatism tracks the interplay of religious motive, scientific speculation, and literature in shaping an American aesthetic. Wide-ranging and bold, this groundbreaking book will be essential reading for all students and scholars of American literature.

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Product Details

ISBN-13:
9780521694506
Publisher:
Cambridge University Press
Publication date:
12/28/2006
Series:
Cambridge Studies in American Literature and Culture Series, #152
Edition description:
New Edition
Pages:
346
Product dimensions:
5.98(w) x 8.98(h) x 0.83(d)

Table of Contents

1. Introduction: frontier instances; 2. In Jonathan Edwards's room of the idea; 3. Emerson's moving pictures; 4. William James's feeling of if; 5. Henry James's more than rational distortion; 6. Wallace Stevens's radiant and productive atmosphere; 7. Gertrude Stein, James's Melancthon/a; Bibliography; Index.

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