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Nature and Culture: American Landscape and Painting, 1825-1875 / Edition 3

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Overview


In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling.
Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form.

"An impressive achievement."
--Barbara Rose, The New York Times Book Review

"An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole."
--Robert Hughes, Time Magazine

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Product Details

  • ISBN-13: 9780195305869
  • Publisher: Oxford University Press, USA
  • Publication date: 1/1/2007
  • Edition description: Revised Edition
  • Edition number: 3
  • Pages: 352
  • Product dimensions: 9.30 (w) x 6.30 (h) x 1.20 (d)

Meet the Author

Barbara Novak is Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University. She is the acclaimed author of American Painting of the Nineteenth Century ("surely the best book ever written on the subject"-Hilton Kramer, The New York Times Book Review) and Nature and Culture ("awesomely good"-Anatole Broyard, The New York Times). She has been a Commissioner of the Smithsonian's National Portrait Gallery for the last twenty-five years.

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Table of Contents

I Introduction: The Nationalist Garden and the Holy Book 3
II Grand Opera and the Still Small Voice 18
III Sound and Silence: Changing Concepts of the Sublime 34
IV The Geological Timetable: Rocks 47
V The Meteorological Vision: Clouds 78
VI The Organic Foreground: Plants 101
VII The Primal Vision: Expeditions 137
VIII Man's Traces: Axe, Train, Figure 157
IX Arcady Revisited: Americans in Italy 203
X America and Europe: Influence and Affinity 226
Notes 275
Selected Bibliogrpahy 305
List of Illustrations 315
Index 319
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