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| Bruce Springsteen | Primary Artist, Guitar, Harmonica, Keyboards, Vocals |
| Nils Lofgren | Guitar, Vocals, Soloist |
| Clarence Clemons | Vocals |
| Patti Scialfa | Background Vocals |
| Roy Bittan | Synthesizer, Piano |
| Jennifer Condos | Bass |
| Danny Federici | Organ, Accordion, Keyboards |
| Lisa Lowell | Background Vocals |
| Chuck Plotkin | Keyboards |
| Marty Rifkin | Pedal Steel Guitar |
| Garry Tallent | Bass |
| Max Weinberg | Percussion, Drums |
| Gary Mallaber | Percussion, Drums |
| Jim Hanson | Bass |
| James Wood | Harmonica |
| Tim Hardin | Composer |
| Bruce Springsteen | Composer, Sound Effects, Producer |
| Jon Landau | Producer, Management |
| Bob Ludwig | Mastering, Mastering Consultant |
| Stephen Marcussen | Mastering Consultant |
| Chuck Plotkin | Producer |
| Toby Scott | Engineer |
| Dennis King | Mastering |
| Sandra Choron | Art Direction |
| Eric Dinyer | Cover Art |
| Harry Choron | Producer |
| Mike Batlin | Engineer |
| Gary Myerberg | Technical Maintenance |
Editorial Reviews
All Music Guide - Steve Leggett
This three-disc Bruce Springsteen set combines 1982's bleak and startling Nebraska with 1987's Blood on the Tracks-like treatise on the heart's miscommunications, Tunnel of Love, and 1995's survey of blue collar dreams gone bad, The Ghost of Tom Joad, into one package, and taken together, these three albums have surprisingly little to say to each other, although on the surface they may appear to be cut from the same cloth. What all three share, perhaps, is their insularity. At any rate, Springsteen fans will already have all three albums, as well as undoubtedly strong opinions about each one. It makes sense to pick up each of these separately and not spend a whole lot of ...