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Necessary Evil
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Necessary Evil

4.0 3
by Ian Tregillis

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12 May 1940. Westminster, London, England: the early days of World War II.


Raybould Marsh, one of "our" Britain's best spies, has travelled to another Earth in a desperate attempt to save at least one timeline from the Cthulhu-like monsters who have been observing our species from space and have already destroyed Marsh's timeline. In order to


12 May 1940. Westminster, London, England: the early days of World War II.


Raybould Marsh, one of "our" Britain's best spies, has travelled to another Earth in a desperate attempt to save at least one timeline from the Cthulhu-like monsters who have been observing our species from space and have already destroyed Marsh's timeline. In order to accomplish this, he must remove all traces of the supermen that were created by the Nazi war machine and caused the specters from outer space to notice our planet in the first place.

His biggest challenge is the mad seer Gretel, one of the most powerful of the Nazi creations, who has sent a version of herself to this timeline to thwart Marsh. Why would she stand in his way? Because she has seen that in all the timelines she dies and she is determined to stop that from happening, even if it means destroying most of humanity in the process. And Marsh is the only man who can stop her.
Necessary Evil is the stunning conclusion to Ian Tregillis's Milkweed series.

Editorial Reviews

Publishers Weekly
The satisfying third volume of Tregillis’s Milkwood Triptych successfully throws time travel into a mix that already included alternate history, spycraft, and mad science. Following the events of The Coldest War—with the other-dimensional demons called Eidolons, “the mortar between the bricks of the universe,” ready to destroy the world—sociopathic clairvoyant Gretel hatches a plan to send secret agent Raybould Marsh back in time to protect humankind. Landing in 1940, an older, scarred Marsh manipulates his younger self, his young wife, and novice wizard Will Beauclerk into courses of action that often parallel those of the first book. Naturally, complications ensue thanks to the new timeline’s own manipulative Gretel and Marsh’s younger self, just as stubborn as always. Tregillis neatly juggles two viewpoints from the same character (giving the future Marsh first-person narration), and plays with notions like free will and irony while wisely avoiding headache-inducing paradox discussions. He also keeps the tale grounded in its espionage roots, providing a thrilling spy novel as much as a science fiction story. (Apr.)
From the Publisher

“A combination of Alan Furst's brand of historical espionage with the fantastical characters of graphic novelist Alan Moore.” —New Mexico Magazine on Bitter Seeds

“Exciting and intense… The clash of magic and (mad) science meshes perfectly with the tumultuous setting.” —Publishers Weekly on Bitter Seeds

“A white-knuckle plot, beautiful descriptions, and complex characters—an unstoppable Vickers of a novel.” —Cory Doctorow on Bitter Seeds

“A striking first novel.” —Locus on Bitter Seeds

Bitter Seeds may rival Naomi Novik's Tales of Temeraire as a sustained historical fantasy.” —Booklist on Bitter Seeds

Kirkus Reviews
Independently intelligible final installment--Tregillis provides an ingenious summary while getting things under way--of the Milkweed Triptych (The Coldest War, 2012, etc.). In this bleak fantasy, World War II was fought between Nazis with devastating psychic powers and British warlocks employing Eidolons, irresistible demons beyond time and space--a struggle the British ultimately lost. In 1963, after the Soviets defeated the Nazis and took over their horrid experiments, Gretel, a psychic so powerful that she can not only view possible futures, but actually create them, escaped from Soviet captivity and fled to England. So terrified of the Eidolons was Gretel--they come to dominate and ultimately destroy reality--that she determined to create the only possible future free of the demons by conveying banged-up former spy chief Raybould Marsh back to an alternate 1940 where the war is in its infancy. Marsh, who fears the Eidolons more than he loathes the fiendish Gretel and doubts the possibility of outwitting her, cooperates while scheming to somehow defeat her and achieve his personal goals: to save his marriage and preserve the life of his infant daughter. Marsh, then, without revealing his identity, must guide his younger self and youthful colleagues along the necessary path. But can he resist the temptation of stealing his beloved wife away from--himself? This time, Tregillis gets many details of 1940s London wrong, though not fatally; what's more troubling is that one of the issues on which the plot depends probably doesn't work. Still, even this doesn't significantly detract from the intensity of the narrative, the torments of the protagonist or the deviously alluring storyline. Darkly fascinating, flaws and all: A thoroughly satisfying conclusion to an imaginative tour de force.

Product Details

Tom Doherty Associates
Publication date:
Milkweed Series , #3
Edition description:
First Edition
Product dimensions:
6.54(w) x 9.34(h) x 1.22(d)

Read an Excerpt

Necessary Evil

Volume Three of the Milkweed Triptych

By Ian Tregillis

Tom Doherty Associates

Copyright © 2013 Ian Tregillis
All rights reserved.
ISBN: 978-1-4299-4302-4


12 May 1940 Westminster, London, England

I crouched in the painful embrace of a hawthorn hedge, the screams of a dying world still echoing in my ears.

Hot sweat tickled my scalp. But I shivered from chills, nausea, and the lingering touch of the Eidolons. I hadn't realized just how ill I felt until those demons took me apart and reassembled me twenty-three years in the past.

I was a time traveler. A refugee from the world's end. The sole survivor of a cataclysm that I had caused.

The western sky blushed orange and pink beyond a swath of royal parkland. The last traces of gloaming silhouetted lampposts in St. James'. All dark, all unlit. The only other light came from a narrow gap in the opaque curtain covering the window overhead; a shaft of pale light speared through the shadows above my hiding spot. London itself was a hulking presence sensed but unseen in the night. The Admiralty building loomed behind me, cloaked in blackout. I could smell the dampness from a recent rainstorm and woody sap from where I'd cracked a few hawthorn branches in my hasty exit through the window. Everything was silent but for the occasional distant hum of a car along Whitehall.

The darkness lent an unexpected familiarity to this place and time. Like encountering an old lover after leaving her behind long ago, and discovering she hadn't changed a jot.

This was the spring of 1940. Those early days of the Second World War, before France had fallen and we'd lost an army on the beaches of Dunkirk. Before the first dominoes had toppled in that long chain of events culminating decades later in a demonic apocalypse.

My job was to break that chain. Somehow.

The suffocating weight of that task left me breathless. I couldn't take in the sheer enormity of it all without becoming dizzy. A spasm cramped my gut.

I took a steadying breath and tried to ground myself in the here and now. In a previous life I had been a gardener, and so I concentrated on my immediate surroundings.

Long thin shoots poked randomly from the top of the unkempt hedge. They broke the clean, level lines of the shrubbery. The slender branches had just begun to swell with white May blossoms, and my shivering caused green thorns to skitter against the window glass of the Admiralty. Thorns like those had pierced my shirt when I leaped from the window. They raked my skin from waist to armpit.

It was probably a quickset hedge, a century old or more. But now there was a war on, and people had more pressing concerns than keeping the hedges tidy.

That simple observation, more than anything else, even more than the blackout, forced me to accept the reality of it all. Will had done it. He'd sent me back.

Picture this, if you will: A man, not quite fifty-three years old, a bit heavier than he ought to be, plagued with a bad knee and a worse temper, his face and voice ruined by fire. Make him nauseated, feverish, alone. Now watch his back bend, his shoulders slump with despair, as he grapples with the enormity of his impossible task.

That was me.

Footsteps rattled floorboards inside the Admiralty, approaching the window where I'd made my escape. I retreated deeper into the hawthorn, clamping my jaw as thorns pierced me in a dozen new places. I put the cold, unyielding stone of the Admiralty building at my back and tried not to breathe. My muscles ached with the effort not to tremble lest somebody heard the bramble rattling against the windowsill. My stomach gurgled.

Somebody fixed the blackout curtains. Darkness engulfed me.

And then a woman's voice floated through the shadows. She had to be standing in the room where I'd landed, just a few feet from where I now hunched in the cold and dark. What she said was muffled by the window and the curtains, but I could still make it out. I think she intended that.


I knew that voice. Another spasm twisted my gut.

A man said, gruffly, "What?"

Of course, I recognized his voice as well. But I wasn't ready to think about that yet.

"It worked," said the woman.

God as my witness, I could hear the corner of her mouth curling up as she said it. Only two words, but more than enough to send another volley of chills rattling through me.

Gretel. The clairvoyant who manipulated the world for decades — and killed my daughter and destroyed my marriage — in her paradoxical bid to elude the Eidolons on the last day of history. I and the people I cared for had been nothing more than unwitting pieces in Gretel's long, elaborate chess game. As had Great Britain itself, and the Third Reich, and the Soviet Union. Puppets all. I trembled again, this time with rage.

It worked.

Yes, it had. She'd tricked me into unleashing the Eidolons. And then, as the world had ended around us, she'd dangled an irresistible carrot before me: the chance to save my dead daughter. Because she knew Agnes was the only lure strong enough to yank me out of my apathy; by that point, I didn't much care the world was ending.

And now she knew I was here. Knew that she'd won.

Or had she?

For my Gretel, my bête noire — the Gretel who instigated the bombing raid that killed Agnes; the Gretel whose specter had haunted every day of my life in the decades since war's end — had perished along with everybody else when the Eidolons ended the world. But, of course, she didn't care. For though she was mad, she wielded the power of the gods. Thus her long game amounted to nothing more than a convoluted self-sacrifice. A feint at the Eidolons, a bit of supernatural sleight of hand, so that another version of herself could thrive. So that a different Gretel, the Gretel of this new splinter time line, could live free of the Eidolons.

What a privileged perspective I enjoyed. A sickening thing, this insider's view of her cold-blooded machinations. Revolting, the extent of that madwoman's psychosis. Terrifying.

I doubled over and retched while the footsteps receded and he took the prisoner back to her cell. I knew he was doing that because I had been there.

I am there. Right now. But so is he.

Was this me, shivering and sweating and bleeding in the darkness? Or was I that other person, safe and warm inside the Admiralty? I had his memories, but he didn't share mine. Didn't share my wounds. Didn't share my disfigurement, didn't feel the constant pain in my throat. He hadn't endured two failed attempts to start a family.

Tears squeezed through the corners of my clenched eyelids when I thought of family. My darling daughter, Agnes, dead so young. My son, John, a soulless vessel carved by the Eidolons to facilitate the eradication of humanity. And my wife, Liv, with her freckles, cutting wit, and poisonous resentment.

A new realization hit me in the gut so sharply that it threatened to loose my watery bowels. This was 1940. None of that had happened yet. Liv still loved him. Loved him in a way that had long since withered and died for me. Loved him in a way he didn't deserve. It wasn't fair. I hated him for it.

But the seed of an idea lodged in the fertile soil at the back of my mind. I couldn't dislodge it. Nor did I want to.

I waited until I was certain Gretel and her escort had gone downstairs and nobody inside would hear me shaking the hedge. An owl hooted in St. James' while I extricated myself from the hawthorn. Several minutes of cursing earned my freedom along with a bevy of fresh scratches. They bled freely as I staggered across Horse Guards to the park.

Footing was precarious; many of the city's parks had been turned over to gardening and home defense. I took a tumble in a trench that had probably been dug for the sake of filling sandbags.

My head throbbed in time with the pulse of sweat down my temples. Another wave of nausea rippled through me. The watery churning lent an urgency to my wanderings. But I knew the park had no public loo. Not in 1940. And I couldn't spare the time to find one.

As I squatted in the mud beside the lake, it occurred to me that I'd once seen this shoreline studded with tents. A staging area. That memory dredged up others in its wake, most particularly of a strange and frightening encounter. But my thoughts skittered away again; I was reluctant to dwell on that, though I couldn't put my finger on why.

My relief was short-lived. I had just pulled up my trousers when a light shone in my face. The mild throbbing in my temples flared into a mature headache.

"Oy now, what are you about?"

Oh, dear God, no. Not now.

I couldn't see for the light in my eyes. Something pale fluttered in the shadows outside the torchlight. Possibly a handkerchief. A second voice with a plugged nose said, "Christ. I think he shitted in the lake."

"I'm ill," I mumbled. Each word a fire in my throat.

The full extent of the humiliation slowly dawned on me, easily the worst in all my miserable life. The possibility Gretel knew about this made it even worse. At that moment I didn't care about saving the world. I wanted it all to go away.

"Maybe so," said the second voice, "but the royal parks aren't your personal toilet. That's rotten disgusting."

The first man tipped his electric torch so that it wasn't aimed directly into my eyes. I made out the glint of a badge and the silhouette of a bobby's helmet.

"I'd like to see your identity card, sir."

And that's when I realized I was in trouble. The dread lay so heavy upon me I thought I might sink into the mud.

HMG had issued ID cards to all its citizens at the start of the war, back in 1939. We'd carried them until the early 50s, when the wretched National Registration program was finally scrapped.

But none of that mattered. Because today, in 1940, in wartime, I was required by law to produce my ID card for the coppers. I was required by law to never venture outside the house without the card on my person. But ID cards had been far from my mind as the Eidolons devoured the world.

I started to shiver again. "Lost it," I rasped.

"Is that so? How'd you lose it, then?"

I couldn't tell the copper that I tossed it during a bout of spring cleaning ten or twelve years ago. But the second copper sensed my hesitation before I could concoct a plausible lie.

"I won't ask again. Where's your identity card, sir?"

"I ... I haven't got it."

"Right," he said. "You do know we could haul you in for that? And for that." He gesturing at the lakeshore with his truncheon. "Bloody public indecency, that is."

"Francis," said the first copper. "C'mere a sec. You," he said, pointing to me, "stay put."

I'd been hauled in by the coppers enough times to recognize when a difference of opinion was brewing. I eavesdropped and considered making a run for it. The still night air carried their whispered conversation to me. I had to strain to hear it over the lapping of the lake, but I knew they were arguing.

"We're taking him in," said Francis, still holding the handkerchief over his nose.

"He needs a hospital," said the other copper.

"You can't be serious."

"You can tell the poor old duffer is confused. Look at his eyes. Probably half senile. Could be somebody's da."

"Maybe that's what the Jerries want us to think."

"Look at his scars. He's seen some action. Bet he fought in the Great War."

"Maybe he fought for the Boche."

"Being a bit extreme, aren't you?"

"No. You're being a bit lazy."

"Let me try to sort the poor fellow out, what?"

They returned. I hadn't moved. I knew I was in no state to make a proper fugitive. They'd catch me, and that would spike my mission before it ever started.

In my younger days I might have considered taking them both by surprise. And on a very lucky day I might have succeeded. But I was older and wiser now, which is to say slower, so I knew it would take but one well-placed truncheon to make an even bigger hash of things.

The first copper took the lead again, and that gave me hope. "What's your name, sir?"

His speculation about me being a vet of the Great War gave me an idea. I said, "John Stephenson, officer."

"Where do you live, Mr. Stephenson?"

"St. Pancras." I gave him the old man's address. Still knew it by heart; I'd been married there.

"Haven't you got any ID on you? A billfold, perhaps?"

The sense of dread lifted, leaving behind a damp layer of sweat. I tried not to let my relief show. I'd been through this with the coppers enough times to know when I was off the hook. They might haul me to a hospital, but that wasn't a problem. Any hospital was a damn sight better than jail.

"Yeah," I told him. "I've got a billfold."

"May I see it?"

I nodded, and reached for my coat pocket. I used one hand, moving slowly and deliberately so that I didn't startle him. I dug out the billfold and offered it to him. He handed the torch to Francis, who kept the beam trained on me. He held the billfold in the edge of the torch beam and flipped through it. He frowned. Then he looked at me again.

Now it was his turn to hesitate.

"What did you say your name is?"

"Stephenson," I repeated.

"Right. So you did." He said it kindly, calmly. But his free hand fell gently to the truncheon hanging at his waist. Right then I knew I was well and truly buggered.

His eyes didn't leave the billfold. "Thing is, if that's the case, mind telling me who William Beauclerk is?"

"Shit," I said.

Francis chuckled. "Well. You've already seen to that, haven't you?"

Somewhere in the darkness, I heard the rattle of cuffs.

12 May 1940 Milkweed Headquarters, London, England

Blinding agony lanced through the stump of Will's severed finger. He'd never known such pain, never could have imagined such pain, as when Marsh had snapped shut the gardening shears. But the cauterization was worse because it never seemed to end. Pain like white-hot lava erupted from his mangled hand. It filled his veins, reduced his heart to charcoal, his brain to ash.

Will flinched, hard enough to yank his hand from the doctor's grasp. The doctor scowled.

"Sorry," Will managed. It came out as a hoarse whisper. The ravages of Enochian, combined with mindless screaming through the wooden bit clenched in his teeth, had torn his throat raw. His teeth felt loose.

The doctor aimed a pointed look at Stephenson. Will didn't know the man's name. He was a naval medic, but probably attached to SIS rather than the Admiralty. That was a guess, but the doctor and Stephenson clearly knew each other. And the doc hadn't asked about the cause of Will's dismemberment, nor shown interest in anything other than treating the wound. Or so Will had gathered during the scant moments when pain wasn't threatening to drive him mad. He'd passed out just after the ceremony and felt like he might again any moment.

Stephenson grumbled, "For God's sake, Beauclerk. You've nothing to prove. Take the bloody morphine. Or at the very least let brandy dull the worst of it."

He tried to push a full tumbler into Will's free hand, but Will waved it away. The effort left his head spinning.

"No." The pain threatened to make him sick up. But he'd endure anything to avoid the danger of becoming his grandfather. He'd never let himself follow in the footsteps of that wretched, twisted old drunk. Will had sworn off alcohol long ago. No amount of physical agony could make him relent. Not even this torture. He'd be a better man than grandfather, even if the effort destroyed him.

Will realized that sooner or later he'd have to explain the injury to Aubrey. Was it too severe for a plausible gardening mishap? That at least had a patina of truth to it. The shears had belonged to one of Bestwood's gardeners, long ago. Back in their grandfather's day.

Will almost passed out when he extended his arm to put his bad hand back within the doctor's reach. He managed to say, "Please continue, doctor."

The doctor sighed, looking wistfully at the morphine syrette lying unused on the desk. Stephenson leaned over Will's chair and used his weight to pin Will's forearm to the armrest. The one-armed man had a grip like bands of steel. The doctor hefted the iron again.

Will gritted his teeth. Yes, definitely loose.

A faint sizzle accompanied the wave of incandescent pain, hotter than the soul of the earth, that flooded Will's body. Delicate curlicues of blue-black smoke wafted around the stump, tracing greasy tendrils across the back of his hand. The stink of burnt flesh filled the old man's office.

Will cast about for a mental diversion lest the pain overwhelm him again. The few threads of his mind capable of conscious thought flailed for something upon which to focus. How did he get here?

The gypsy waif. Eidolons. Marsh.


Excerpted from Necessary Evil by Ian Tregillis. Copyright © 2013 Ian Tregillis. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Necessary Evil is the third title in Ian Tregillis's alternate history series, the first of which, Bitter Seeds, was highly praised. Tregillis lives near Santa Fe, New Mexico, where he works as a physicist at Los Alamos National Laboratory. In addition, he is a member of the George R. R. Martin Wild Cards writing collective.

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Necessary Evil 4 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
It probably says something about the series that returning to a WWII era England under attack by the Luftwaffe is actually a much more cheerful experience than the last outing. The miserable home life of our protagonist has been left behind, so we can focus for the most part on the various different secret organizations that are trying to destroy each other, and insure victory of the war for their side. We even get a rather nice super powered brawl, which is something I feel like we were promised from the get go of the series but would never actually get given the restrictions of the setting. My only major complaints was that this should have come sooner. I feel like this didn't need the whole of the second book to set up this ending. How bad can this one be if my one problem with it is that it made me hate another book in its series more?
Anonymous More than 1 year ago
AWESOME CONCLUSION TO A BRILLIANT SERIES (No spoilers) I really loved this series and it was fun to read the third and concluding novel of the Milkweed Triptych, Necessary Evil by Ian Tregillis. The plot threads were nicely tied up, and I was constantly surprised with the direction of the book. The first two, Bitter Seeds and Coldest War were amazingly good (see my reviews of both) and Necessary Evil kept up the tension. I won’t ruin the first two books here, as the beauty of the series relies heavily on not knowing what’s coming. Overall, I think the first two books had me more worried about the characters and their fates, but Necessary Evil was excellent. I still never knew what was going to happen. Gretel, the character who can see the future is back and the interludes from her point of view were brilliant. The chapters when we get into her mind were my favorites. The turn her character takes later in the book was unexpected for me, but I can totally understand why it happened. I don’t know what else the writer could have done with a goddess like character to make the rest of the novel work, but I wasn’t expecting the series of events involving her shift. Never trust Gretel is still the best advice anyone can give. This was a very unique and ambitious series, and book one, Bitter Seeds was an incredible achievement. Book two, The Coldest War blew my mind, especially the ending, and I wondered how the third novel would compare. For me, the second book was probably the peak of the series as far as high drama and tension, and Necessary Evil was not as epic in some ways, though it was a worthy conclusion. I think reading the three books back to back to back would be best, as there are clues in book one and especially two that will improve the experience of the reader in book three. All the books are so interdependent with each other it’s hard to separate them. Having book two fresh in your mind when reading book two would be best. The author created such a complicated web that little things mean a lot, and small events change the course of history. Pulling it all together in the finale was a fantastic achievement and the epilogue had a lot of heart. I was so glad to read the last chapter, as some writers fail to deliver there, but Tregillis pulled it off perfectly. If you’re a fan of alternate history, spies, characters with super-powers, and great writing, read this series for sure. Highly Recommended 5/5 Stars Paul Genesse