Negara: The Theatre State in 19th Century Bali
Bali, owing to its relative isolation and to a long tradition of observation and scholarship, has become a rich source of information about the traditional Indic state in Southeast Asia. Here Clifford Geertz applies his well-known cultural analysis to the social organization of nineteenth-century Bali. He offers a vivid portrait of the symbols, myths, rituals, and ceremonies -- in short, the drama -- that essentially constituted the precolonial negara, the Balinese state.

The negara was neither a tyranny nor a hydraulic bureaucracy, nor even very much of a government. It was instead an organized spectacle, a theatre state designed to dramatize the ruling obsessions of Balinese culture: social inequality and status pride. Nowhere is the theatre state more clearly displayed than in the master image of political life, namely, the kingship. The author shows how the king, as both a ritual object and a political actor, was a paradox of active passivity, forceful stillness, violent benevolence. The closer he came to being an image of power, the further removed he was from the machinery that controlled this power.

Professor Geertz finds, therefore, that the Balinese state defies easy conceptualization by any of the familiar models or commonplace terms of Western political theory. To reduce it to such categories allows most of what is uniquely interesting about it to escape from view. By analyzing the organizational principles of the Balinese state, through its various levels and functions, he demonstrates the limitations of any attempt to distinguish the "practical" from the ritual character of this organization. In this way the author remedies the deficiencies and distortions of modern Western notions that reduce "politics" simply to "power," the state to an organizational device understandable in purely instrumental terms, and symbolic or cultural processes to an incidental role in statecraft.

1119783089
Negara: The Theatre State in 19th Century Bali
Bali, owing to its relative isolation and to a long tradition of observation and scholarship, has become a rich source of information about the traditional Indic state in Southeast Asia. Here Clifford Geertz applies his well-known cultural analysis to the social organization of nineteenth-century Bali. He offers a vivid portrait of the symbols, myths, rituals, and ceremonies -- in short, the drama -- that essentially constituted the precolonial negara, the Balinese state.

The negara was neither a tyranny nor a hydraulic bureaucracy, nor even very much of a government. It was instead an organized spectacle, a theatre state designed to dramatize the ruling obsessions of Balinese culture: social inequality and status pride. Nowhere is the theatre state more clearly displayed than in the master image of political life, namely, the kingship. The author shows how the king, as both a ritual object and a political actor, was a paradox of active passivity, forceful stillness, violent benevolence. The closer he came to being an image of power, the further removed he was from the machinery that controlled this power.

Professor Geertz finds, therefore, that the Balinese state defies easy conceptualization by any of the familiar models or commonplace terms of Western political theory. To reduce it to such categories allows most of what is uniquely interesting about it to escape from view. By analyzing the organizational principles of the Balinese state, through its various levels and functions, he demonstrates the limitations of any attempt to distinguish the "practical" from the ritual character of this organization. In this way the author remedies the deficiencies and distortions of modern Western notions that reduce "politics" simply to "power," the state to an organizational device understandable in purely instrumental terms, and symbolic or cultural processes to an incidental role in statecraft.

47.0 In Stock
Negara: The Theatre State in 19th Century Bali

Negara: The Theatre State in 19th Century Bali

by Clifford Geertz
Negara: The Theatre State in 19th Century Bali

Negara: The Theatre State in 19th Century Bali

by Clifford Geertz

eBook

$47.00 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Bali, owing to its relative isolation and to a long tradition of observation and scholarship, has become a rich source of information about the traditional Indic state in Southeast Asia. Here Clifford Geertz applies his well-known cultural analysis to the social organization of nineteenth-century Bali. He offers a vivid portrait of the symbols, myths, rituals, and ceremonies -- in short, the drama -- that essentially constituted the precolonial negara, the Balinese state.

The negara was neither a tyranny nor a hydraulic bureaucracy, nor even very much of a government. It was instead an organized spectacle, a theatre state designed to dramatize the ruling obsessions of Balinese culture: social inequality and status pride. Nowhere is the theatre state more clearly displayed than in the master image of political life, namely, the kingship. The author shows how the king, as both a ritual object and a political actor, was a paradox of active passivity, forceful stillness, violent benevolence. The closer he came to being an image of power, the further removed he was from the machinery that controlled this power.

Professor Geertz finds, therefore, that the Balinese state defies easy conceptualization by any of the familiar models or commonplace terms of Western political theory. To reduce it to such categories allows most of what is uniquely interesting about it to escape from view. By analyzing the organizational principles of the Balinese state, through its various levels and functions, he demonstrates the limitations of any attempt to distinguish the "practical" from the ritual character of this organization. In this way the author remedies the deficiencies and distortions of modern Western notions that reduce "politics" simply to "power," the state to an organizational device understandable in purely instrumental terms, and symbolic or cultural processes to an incidental role in statecraft.


Product Details

ISBN-13: 9781400843381
Publisher: Princeton University Press
Publication date: 05/11/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 312
File size: 20 MB
Note: This product may take a few minutes to download.

Table of Contents

Illustrationsix
Prefacexi
Introduction Bali and Historical Method3
Chapter 1Political Definition: The Sources of Order
The Myth of the Exemplary Center11
Geography and the Balance of Power19
Chapter 2Political Anatomy: The Internal Organization of the Ruling Class
Descent Groups and Sinking Status26
Clientship34
Alliance39
Chapter 3Political Anatomy: The Village and the State
The Village Polity45
The Perbekel System54
The Politics of Irrigation68
The Forms of Trade87
Chapter 4Political Statement: Spectacle and Ceremony
The Symbology of Power98
The Palace as Temple109
Cremation and the Struggle for Status116
Conclusion Bali and Political Theory121
Notes137
Glossary259
Bibliography267
Index289
From the B&N Reads Blog

Customer Reviews