“Delaney glides between scenes with ease. She uses a bare-bones style, without literary flash, to achieve artistry as sturdy and restrained as a Shaker chair. Warmth and menace, past and present, are nicely balanced, with a denouement that's equally plausible and startling. This confident performance is sure to win new fans to the series.” Publishers Weekly on Winter of Secrets
“Delaney explores the social dynamics of a small mountain community as well as deftly handling the plot's twists and turns as it builds to a pulse-pounding conclusion.” –Publishers Weekly on Valley of the Lost
“An exciting series debut from Delaney (Burden of Memory, 2006, etc.), featuring complex characters with plenty of room to grow.” –Kirkus Reviews on In the Shadow of the Glacier
Negative Image: A Constable Molly Smith Novelby Vicki Delany
As the mountain town of Trafalgar, British Columbia, shakes off a long hard winter, famous photographer Rudolph Steiner arrives to do a feature on mountain tourism. Steiner is accompanied by his assistant and sexy young wife, but he has another reason for the visit: to reconnect with the woman who left him twenty-five years ago to marry another
As the mountain town of Trafalgar, British Columbia, shakes off a long hard winter, famous photographer Rudolph Steiner arrives to do a feature on mountain tourism. Steiner is accompanied by his assistant and sexy young wife, but he has another reason for the visit: to reconnect with the woman who left him twenty-five years ago to marry another man.
Twenty-five years ago she was young, beautiful, naïve, and an internationally known supermodel. Today Eliza Winters is no longer young, and definitely not naïve, but still beautiful and married to Trafalgar City Police Sergeant John Winters.
When Steiner is found dead in his luxury hotel room, shot once in the back of the head, suspicion falls upon Eliza. John Winters is forced into the most difficult decision of his life: loyalty to his job or to his wife. As the RCMP dig into the secrets of both Steiner and Eliza, John Winters slowly comes to realize that he doesn’t know the woman to whom he has been married for twenty-five years as well as he thought he did.
Unable to help the Sergeant, Constable Molly Smith has her own troubles: a series of B&Es has the peaceful town in an uproar, her overprotective Mountie boyfriend is fighting with her colleagues, and a vengeful stalker is watching her every move. When tragedy strikes at the heart of her own family, Molly can’t even turn to her mother, Lucky, for help.
A pair of Trafalgar, Canada, coppers under stress.
After 25 years of marriage, Sergeant John Winters suddenly finds his wife Eliza, a former model, the leading suspect in the murder of fading fashion photographer Rudolph Steiner, who had an incriminating picture of her. If this sounds dire, consider that Constable Molly Smith has no less than three worries. Will her stalker Charlie Bassing stop before he kills her? Will her father survive a nasty fall and the ensuing hip surgery? And should she marry Adam Trocek of the Royal Canadian Mounted Police? Winters, shunted off the Steiner case by a possible conflict of interest, obsessively pursues a series of B&Es that steadily lead him back to possible persons of interest in the Steiner matter. These include the lensman's fifth wife, the daughter of a known Canadian mobster; his brawling assistant, a young woman who demands the return of certain photographs belonging to her; and Steiner's much less successful brother, now working as a handyman at the hotel where Steiner died. Tension escalates between Winters and Eliza. Bassing's behavior toward Molly turns more aggressive. And a member of the RCMP antagonizes the small Trafalgar police force by misassigning blame, leaving Winters to set the error straight while Molly subdues Bassing alone.
Delany (Winter of Secrets, 2009, etc.) combines the crisp plotting of the best small-town police procedurals with trenchant commentary on such universal problems as love and trust.
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Negative ImageA Constable Molly Smith Novel
By Vicki Delany
Poisoned Pen PressCopyright © 2010 Vicki Delany
All right reserved.
Chapter OneRachel Lewis knew she was pretty, but she also knew that being merely pretty wasn't good enough.
You needed a substantial dose of luck.
There were plenty of models and no-talent celebrities who were nothing special when you saw them without make-up, lighting, tousled hair arranged exactly so. They were simply women, ordinary women, whom the camera, with the right photographer behind it, transformed into something extraordinary. Rachel worked hard at keeping her body lean and in top shape, and although she was only five foot seven, short in the modeling world, she could walk with grace, and sex appeal, in the highest of heels. Her hair was mousy brown and thin, as common as dirt, but that's what wigs and extensions were for. All she needed was to be photographed by the right photographer, someone who had not only skill behind the camera, but who also had fame, a reputation, contacts, and she'd be heading straight up the ladder, on her way to the big-time.
At last Rachel Lewis' luck had turned. She'd found him.
She parked her cart in the hallway, and knocked loudly. When no one answered, she opened the door with her key. Tucking the small folder containing her even-smaller portfolio under her arm she eased the door open.
If the boss found out she'd approached a hotel guest on a personal matter, it would be enough to get her fired. To Rachel, that was a risk worth taking. She was tired of working here, anyway; the skiing season was over and she had no other reason to hang around.
"Housekeeping," she called. Still no answer. She walked into the room. It was a pig-sty, but then again, it always was. It didn't matter to her if he was a pig, all that mattered was that he was a fashion photographer and he'd agreed to look at her portfolio.
She'd been lucky, yesterday, to catch him coming out of his room. Although luck had little to do with it: she'd been waiting next door, listening to the sounds of a man getting ready for his day. When she heard the door open, she'd run into the hallway, and made her pitch.
She'd studied acting in school, and had rehearsed her lines as if she were going to be on the stage. He looked her up and down, with a lazy eye. The light in the hotel hallway wasn't good, much too bright, illuminating every flaw, but she'd put on a cap that came low over her forehead and designer sunglasses that cost three hundred bucks. She might look strange, a hotel maid wearing sunglasses indoors, but figured it was worth trying for the effect. Same with the four inch heels she'd stuffed into a pocket of the housekeeping cart for just that purpose, and the belt that cinched the waist of the hideous black and mustard uniform.
He'd moved his eyes up and down her body, while she posed, one leg in front of the other, hip slightly forward. He told her he was in a hurry, but she had good lines and he'd look at her portfolio. If he liked what he saw, he said, he'd invite her for a ... drink, and discuss her prospects. Leave it in his room, sometime. He walked away, and she'd gone back to the room she was supposedly cleaning and let her knees collapse underneath her. Today she'd brought the portfolio on which she'd spent every last penny of her savings with her to work.
Room service dishes. The food, cheese and pâté, bread and crackers, grapes and slices of melon, was untouched. She lifted the uncorked champagne bottle out of the pool of water in the silver bucket and was surprised at its weight. She held it to the light streaming in through the open drapes. Almost full. Lifting the bottle to her mouth she took a deep drink. Delicious. She held the champagne, bubbles gone, in her mouth for a few moments as she flicked through the detritus on the desk. Computer printouts, photographs of the mountains, tops still covered with snow but grass and trees coming back to life in the spring sunshine, shaking off the memory of a harsh winter. A few shots of people in town, women, young women, with jackets unzipped and pockets bulging with gloves and faces turned to the sun. Nothing, no one, special, she thought.
One old picture, yellowing and turning up at the edges, was pure porn, and not a very good photograph at that. She dropped it back on the desk. You saw a lot of secrets cleaning up after people. Her own portfolio, she would lay out carefully on the bed after making it.
Clothes littered the floor. Underwear, socks, a thick hand-knit sweater. No women's clothes. His wife—at first the staff thought she must be his daughter, perhaps even a granddaughter—had another room. Rachel took a quick glance at the door to the adjacent room. The lock was turned. Interesting that he'd shut his glamorous young wife out at night.
What did they say: the rich are different than you and me.
She popped a couple of grapes into her mouth and took another swig of champagne, Moët et Chandon, before settling down to work.
Someday she'd be the one discarding underwear on the floor for someone else to pick up, and leaving full bottles of Moët for the trash.
She took her cloths and bottles of cleaning supplies and pushed open the bathroom door.
The champagne and grapes rose up in her stomach.
Chapter Two"What have you got, Dave?"
"Man dead upstairs. Hotel guest. The maid found him when she went in to clean."
"Have you seen him?"
"Is this likely to be our business?"
"I'd say so, Sarge. Shot in the back of the head."
A small crowd had gathered in the lobby. Staff and hotel guests stood in silence, watching the police. Two paramedics stood by the elevator with their stretcher, the sheets clean and crisply folded.
Sergeant John Winters recognized the hotel manager. "I'm going upstairs for a quick look, Peter. Can you and your people remain here?" It was phrased like a request. It wasn't.
He headed for the elevator. Constable Dave Evans followed.
"Is anyone upstairs?"
"Molly's guarding the door."
"Who was first on the scene?"
"You stay here. No one in or out of the hotel, and no one unofficial upstairs until I get back. When Detective Lopez and the coroner arrive, send them up."
He nodded to the paramedics. The elevator door opened as soon as he pressed the button.
The Hudson House Hotel was the best hotel in Trafalgar, British Columbia. It was an old building, old by western North America standards, built in the late 1800s. For most of the twentieth century, it had been lodging for itinerant loggers and miners. It turned into a backpackers' hostel when young people discovered the area's skiing and climbing opportunities. At the beginning of this century, as tourists got older and more affluent, less inclined to rough it, the hotel attached a new wing, underwent major renovations, and the old building was refurbished to a degree of luxury it had never before known.
Sergeant John Winters of the Trafalgar City Police looked at himself in the spotless glass paneling of the elevator. He and his wife had been reversing down the driveway, heading for a much-needed few days of hedonism in San Francisco, when his cell phone rang. He'd taken the call, and driven back up the driveway. Eliza had not been pleased at this change in plans. She'd taken it quite badly, and that surprised him. It wasn't as if this was the first time in their long marriage plans had been canceled at the last minute. She was scarcely mollified when he said it would probably turn out to be nothing important and they'd catch the next flight. She slammed the door getting out of the car and dragged her suitcase to the house with shoulders set in anger while her boots, and the wheels of the suitcase, made the ground shake. He made a mental note to call her once he'd seen the body. Young police officers had been known, in their enthusiasm, to mistake an accidental death for a deliberate one. Nevertheless, he'd already called the forensic guys.
He stepped out of the elevator. The thick beige carpet muffled his footsteps.
Constable Molly Smith looked up at the sound of the elevator doors opening. Her face was pale under her skier's winter tan, and she looked pleased to see him.
"Anyone been in there?" he said, without a greeting.
"The chambermaid, the hotel manager, me and then Dave, but no one else, far as I know. I took the call. All I was told was that someone was dead. Soon as I saw him, I shut the door behind me and called for backup."
"Who found him?"
"A hotel maid. She ran out of here screaming her head off and the manager came up and went in. He's the one who called us."
"Where's the maid?"
"Taken to hospital. Shock."
"Let's see it then."
"In the bathroom."
The room was beautifully, and expensively, decorated in shades of green and peach with heavy wooden furniture, thick drapes, deep carpet. Winters noted the disarray, the uneaten food, the dirty clothes, papers scattered across the desk and spilling onto the floor.
Smith didn't need to tell him where to go. The scent of death, of blood and bodily waste and vomit, came from the bathroom.
The man was kneeling over the toilet, his face planted into the bowl. Worshiping the porcelain god, some people called throwing up into the toilet after a night's drunk. The back of the head was matted with dried blood and gray matter. Blood had spattered across the walls around him. About a foot inside the door a puddle of vomit, fresh by the look and smell, lay on the floor.
"Whose is that?" he asked Smith, without turning around.
"You touch anything?"
"Only the side of his neck, not that it was necessary to check if he was dead, but, I thought ... I guess I thought I should."
"Not a problem."
"That footprint there, I think it's mine." The faint marks of the edge of a boot tread were beside the body.
"Okay," he said, "I've seen enough for now. Let's wait for Ron."
As they left the hotel room, the elevator bell pinged and the doors opened to let out Ron Gavin, the forensic investigator, with his partner and their equipment. The Trafalgar City Police was small, and Winters relied on the RCMP for forensic assistance in major cases.
"You stay on the door," Winters said to Smith. "Keep the log. Ron, Alison, we've got work for you. This way."
Molly Smith pulled out her notebook, and jotted down the time and who had gone into the room.
The elevator pinged again. This time it was a Mountie in uniform. He was tall and handsome and the edges of his mouth turned up when he saw her standing in the hall.
He sauntered toward her. She bent her head back to her notebook.
"Guys inside?" he said.
"Yes. Wouldn't have thought this would need the dog."
"It doesn't. Norman's in the car. Thought I'd drop by, see if anyone needs a hand, or something."
The door to the hotel suite was open, low voices came from inside. Winters laughed. The Mountie grabbed her arm and pulled her to one side. He bent and kissed her, full on the mouth, and his right hand grabbed the seat of her uniform trousers.
She pulled away, both angry and pleased. "Adam. Stop that."
He reached for her again, and she swatted at his hand. "I mean it."
"No one's watching," he said with a wicked laugh.
"The sergeant catches us having a grope, I'll really be in for it."
"The sergeant should be so lucky." He ran one finger down the length of her nose. "I can't stop thinking about that thing you do."
He jumped back at the sound of footsteps.
"Molly, have the station contact Doctor Lee at KBRH and tell her we're bringing someone for her careful attention." John Winters looked at her. "Your hat is crooked. Straighten it. Adam, if you're not here to see Corporal Gavin, get back downstairs."
Hot flames rushed up Smith's neck into her face. Goddamnit, no one would think anything less of Adam for fooling around on the job; they'd probably give him a wink and a nudge. But her, they'd say she was too unprofessional, too wrapped up in emotions. She lifted a hand to her hat. It was not crooked.
"Thought I'd see if you need a hand, Sarge," Adam said.
"I don't. Molly, contact Ray and ask if he's got the coroner yet."
"Catch you later." Adam headed for the elevator.
Everyone knew they were dating, Molly Smith and Constable Adam Tocek of the RCMP, nothing wrong with that. Many, if not most, police women dated and married fellow officers. Men outside the job just didn't understand. But to be caught in public, it would be the woman who was called on the carpet. Why if ...
The door at the end of the hall opened. The heat rose again in Smith's face. If that woman had been two minutes earlier she would have gotten a nice picture for the front page. Constable Smith necking while supposedly guarding a murder scene.
Meredith Morgenstern, reporter with the Trafalgar Daily Gazette, pasted on a smile as fake as her boobs and marched down the corridor as if she had a right to be here. The photographer, a weedy young guy, working part time while finishing college, slunk along behind her. He lifted his camera to take a picture of the constable guarding the scene.
"I don't think you're allowed up here, Meredith," Smith said.
"Sure I am. The people want to know."
"Constable Smith," said a voice from behind the door. "This is a restricted area. If Ms. Morgenstern won't leave, she will be escorted out."
"Once you've made a quick statement, Sergeant Winters, I'll leave you to your work."
"Constable, call a car to take Ms. Morgenstern to the station." He stood in the door, blocking the way.
"All right, all right. We're going."
The photographer took another picture. Fortunately there was nothing to be seen from the doorway. All the action, past and present, was in the bathroom.
"Christ, I can't stand that woman," Winters said once the stairwell door had closed behind the reporters. He spoke into his radio as he returned to the room. "Evans, if I'd wanted you to let people up the back stairs I would have told you."
Smith let out a puff of air. Winters' attention was shifting to Dave Evans. That was good.
This time the elevator doors opened to reveal Detective Ray Lopez, Winters' partner, and the coroner.
Smith wrote their names in her notebook.
* * *
"She ran into the hall, screaming and crying. Maria, who was working the other end of the corridor, along with a good number of guests, came to see what was wrong. Maria ran downstairs and got me. When I arrived, people were standing around outside the door. Two women were trying to calm Rachel. I don't think anyone else went into the room, but I can't be sure. I ..." He turned away and swallowed. "I went inside. Took one look and called 911. Then, or maybe it was before I made the call, I shut the door, and told everyone to go back to their rooms. I doubt if anyone did."
"Probably not," John Winters said. They were in the hotel manager's office. Splotches of bright red covered Peter Wagner's normally ruddy face, his ample jowls shook, and he tugged at the wedding ring, buried in fat, on his left hand. Upstairs, Ron Gavin was hard at work, itemizing everything in the dead man's hotel room while his partner crawled around the bathroom floor. The coroner had declared the death, and the medics had been allowed to remove the body. It would be taken to Kootenay Boundary Regional Hospital in Trail for autopsy. The cause of death couldn't be much clearer, single gunshot to the back of the head, but the formalities had to be followed. You never knew what stories that gunshot might hide unless you looked. Winters had immediately ruled out suicide. Not only was the wound at a bad angle, there was no sign of the gun.
"What can you tell me about the dead man? Is he staying here alone?"
"Name's Rudolph Steiner. He's with his wife and assistant. I don't know where they are. I went to their rooms but no one answered, and I checked the restaurant and gym." Wagner was hugely overweight and breathing much too heavily. Rivers of sweat poured down his cheeks and forehead. Winters hoped he wouldn't have to call the ambulance back. Wagner held his hand to his mouth. "Oh, no. Do you think ...?"
Winters pulled out his cell phone. "What room numbers? Send someone with a set of keys to meet Detective Lopez there. Steiner's wife doesn't share a room with him?"
"Mrs. Steiner has the adjoining room, and his assistant is at the end of the hall." He reached for his phone and gave the order before dabbing at the sweat on his face with a cheerful yellow polka-dot handkerchief.
Excerpted from Negative Image by Vicki Delany Copyright © 2010 by Vicki Delany . Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
Having taken early retirement from her job as a systems analyst in the high-pressure financial world, Vicki Delany is settling down to the rural life in bucolic, Prince Edward County, Ontario where she rarely wears a watch. Negative Image is the fourth in her traditional village mystery series featuring Constable Smith, Sergeant Winters and the town in the shadow of the glacier Trafalgar, British Columbia.
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