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| About the Authors | vii | |
| Series Introduction | ix | |
| Acknowledgements | xi | |
| Introduction | 1 | |
| Chapter 1 | Early Career | 3 |
| Chapter 2 | Angel (1982) | 17 |
| Chapter 3 | The Company of Wolves (1984) | 37 |
| Chapter 4 | Mona Lisa (1985) | 57 |
| Chapter 5 | High Spirits (1988) | 73 |
| Chapter 6 | We're No Angels (1989) | 93 |
| Chapter 7 | The Miracle (1991) | 103 |
| Chapter 8 | The Crying Game (1992) | 127 |
| Chapter 9 | Interview with the Vampire (1994) | 143 |
| Chapter 10 | Michael Collins (1996) | 163 |
| Chapter 11 | The Butcher Boy (1997) | 179 |
| Chapter 12 | In Dreams (1999) | 205 |
| Chapter 13 | The End of the Affair (1999) | 223 |
| Chapter 14 | The Good Thief (2002) | 239 |
| Chapter 15 | Production and Exhibition Contexts | 259 |
| Neil Jordan Filmography | 281 | |
| Neil Jordan Bibliography | 293 | |
| General Bibliography | 296 | |
| Index | 301 |
Overview
Neil Jordan is unquestionably Ireland's most versatile, prolific and successful film director whose work, both in terms of his fiction writing and film, has achieved international acclaim and recognition. His films include The Company of Wolves, Mona Lisa, The Crying Game (for which he won an Oscar), Interview with the Vampire, Michael Collins and The Butcher Boy. Though Jordan lives in Ireland, and while his work often engages with Irish subjects, he addresses at once more universal and more intimate themes such as the interrelation of private sexuality and politics or society, obsession and the nature of desire, and transformation and identity. As the book's title suggests, Emer and Kevin Rockett argue that central to