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Siri HustvedtNetherland doesn't turn on plot. In both form and content, it questions the idea that a life can be told as a coherent story. It is organized not chronologically but as a series of memories linked by associations…At times, the novel's exacting descriptions felt less like a man's memory than a tour of his consciousness, and I wondered why a particular scene merited such detail, but Hans is a person who has lost his bearings after a shock and his myriad perceptions bear the stamp of this estrangement. Always sensitive and intelligent, Netherland tells the fragmented story of a man in exile—from home, family and, most poignantly, from himself.
—The Washington Post