Never Coming Back (David Raker Series #4)

Never Coming Back (David Raker Series #4)

4.5 4
by Tim Weaver

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A bestseller in the UK, this gripping thriller of a family that vanishes into thin air is Tim Weaver’s American debut
Emily Kane arrives at her sister Carrie’s house to find the front door unlocked, dinner on the table, and the family nowhere to be found—Carrie, her husband, and two daughters have disappeared. When the police


A bestseller in the UK, this gripping thriller of a family that vanishes into thin air is Tim Weaver’s American debut
Emily Kane arrives at her sister Carrie’s house to find the front door unlocked, dinner on the table, and the family nowhere to be found—Carrie, her husband, and two daughters have disappeared. When the police turn up no leads, Emily turns to her former boyfriend David Raker, a missing persons investigator, to track the family down. As Raker pursues the case, he discovers evidence of a sinister cover-up, decades in the making and with a long trail of bodies behind it.
Tim Weaver’s thrillers have been hugely popular in the UK, and now Never Coming Back will introduce his beloved character David Raker to American audiences. Set in Las Vegas and a small fishing village in England, the novel is a smart, fast-paced thriller sure to keep readers guessing until the very end.

Editorial Reviews

Publishers Weekly
British author Weaver makes his U.S. debut with this darkly atmospheric mystery, the fourth to feature missing persons investigator David Raker (after Vanished). While on holiday to his childhood home in Devon, Raker agrees to help his high school girlfriend, Emily Kane, find her family. Ten months earlier, Emily entered the unlocked house of her sister, Carrie Ling, and discovered the TV on, dinner cooking on the stove, and the dog roaming around—but no sign of Carrie, husband Paul, or daughters Annabel and Olivia. Raker’s quest begins sluggishly, but the plot picks up speed after he learns that Carrie stumbled on the existence of a shadowy organization with sinister past associations. Weaver ramps up the tension through a series of well-executed twists. While Raker isn’t a particularly sympathetic character, his drive, fueled by a sense of responsibility for the missing, is infectious. Readers who brave the slow start will find their patience well rewarded. Agent: Camilla Wray, Darley Anderson Literary (U.K.). (July)
Kirkus Reviews
Weaver, author of the popular U.K.–based David Raker series, brings his missing person investigator to American readers for the first time.Raker was once a journalist but now devotes his life to investigating disappearances. His present case involves a missing family, Paul and Carrie Ling and their two daughters. Emily, Carrie’s sister, found the Lings’ home deserted, dinner still cooking on the stove, the dog wandering around and milk spilled on the floor. No one, including police, has seen them since. Emily contacts the self-styled investigator—her old flame—and enlists his help in finding her sister. Raker, recovering from wounds suffered in a previous case, soon discovers himself knee-deep in a conspiracy to quiet one of the family members, and he follows the trail from an English fishing village to the bright lights of Las Vegas and back to England. Along the way, he encounters another old friend, a rich and successful man and a shadowy figure who seems hellbent on eliminating witnesses—but Raker isn't sure why. Eventually he finds his answers, but not without accumulating enough dead bodies to fill a spacious morgue and so many plot twists that readers will wonder why the bad guys didn’t kill him at the beginning and be done with it. Weaver’s a good enough writer; his stories brim with atmosphere and plentiful action. His use of disconnected flashbacks proves disconcerting, however, and his writing is heavily invested in single-sentence paragraphs, which lends a breathless, artificial urgency to even the most mundane task or rumination.A promising debut that could have been better with defter editing.

Product Details

Penguin Publishing Group
Publication date:
David Raker Series , #4
Product dimensions:
6.40(w) x 8.90(h) x 1.40(d)
Age Range:
18 Years

Read an Excerpt

***This excerpt is from an advance uncorrected proof***

Copyright © 2014 Tim Weaver


When the night came, it came fast. The sky yellowed, like a week-old bruise, and then the sun began its descent into the desert floor, dropping out of the clouds as if it were falling. The further it fell, the quicker the sky changed, until the sun was gone from view and all that remained was a smear of red cloud, like a bloodstain above the Mojave.

The city limits emerged from the darkness about twenty minutes later: to start with just small, single-story satellite towns, street lights flickering in the shadows either side of the Interstate; then, as the 15 carved its way through the Southern Highlands, a brighter, more persistent glow. Housing estates, strip malls and vast tracts of undeveloped land, illuminated by billboards and the orange tang of sodium lights; and then the neon: casinos, motels and diners, unfurling beyond the freeway. Finally, as I came off the Interstate at Exit 36, I saw the Strip for the first time, its dazzling, monolithic structures rising out of the flatness of the desert, like a star going supernova.

Even a quarter of a mile short of its parking garage, I knew the Mandalay Bay would be a step up from the last time I’d stayed in Las Vegas. On my first trip to the city five years before, the newspaper had taken care of the booking and left me to rot in a downtown grind joint called The George. “George,” I later found out, was casino lingo for a good tipper. Except the only people doing the gambling at The George were the homeless, placing 25c minimum bets on the blackjack tables out front so they could scrape together enough for a bottle of something strong. This time, as I nosed the hired Dodge Stratus into a space on a huge rooftop parking lot, I passed eight-story signs advertising a televised UFC fight at the hotel in January, and I knew I’d made the right decision to book it myself: last time out, the only fighting I’d seen anywhere close to The George was of the fully drunk kind.

I turned off the ignition and as the engine and radio died, the sound of the Las Vegas Freeway filled the car; a low, unbroken hum, like the rumble of an approaching storm. Further off, disguised against the sky except for the metronomic wink of its taillight, was a plane making its final approach into McCarran. As I sat there, a feeling of familiarity washed over me, of being in this city, of hearing these same sounds, five years before. I remembered a lot from that trip, but mostly I just remembered the noise and the lights.

I opened the door of the Dodge and got out.

The night was cool, but not unpleasant. Popping the trunk, I grabbed my overnight bag and headed across the lot. Inside, the hotel was just as loud, the cars and planes and video screens replaced by the incessant ding, ding, ding of slot machines. I waited in line for the front desk, watching as a young couple in their twenties started arguing with one another. By the time I was handed my room card, I was ready for silence—or as close as I could get.

I showered, changed, and raided the minibar, then called Derryn to let her know I’d arrived okay. We chatted for a while. She’d found it hard to adapt to our new life on the West Coast initially: we had no friends here, she had no job, and in our Santa Monica apartment block our neighbors operated a hermetically sealed clique. Gradually, though, things were changing. Back home, she’d been an A&E nurse for twelve years before giving it up to come out to the States with me, and that experience had landed her a short-term contract at a surgery a block from where we lived. She was only taking blood and helping doctors patch up wounds—much more sedate than the work she’d been doing back in London—but she loved it. It got her out meeting people, and it brought in a little money, plus she got weekends off too, which meant she could go to the beach.

“You going to spend all our money, Raker?” she asked after a while.

“Not tonight. Maybe tomorrow.”

“Do you even know how to play cards?”

“I know how to play Snap.”

I could tell she was smiling. “I’d love to be a fly on the wall when you sidle up to the blackjack table pretending you know what you’re doing.”

“I do know what I’m doing.”

“You can’t even play Monopoly.”

“My biggest fan talks me up again.”

She laughed. “You’ll have to take me with you next time.”

“I will.”

“I’d love to see Vegas.”

I turned on the bed and looked out through the window. Millions of lights winked back through the glass. “I know. I’ll bring you here one day, I promise.”


At one-thirty, I was still awake, even if I didn’t understand why. I’d been up until four the previous night filing a story, was fried after the five-hour drive down from LA—but I just couldn’t drop off. Eventually, I gave up trying, got dressed and headed downstairs.

When the elevator doors opened, it was like time had stood still: the foyer, the sounds of the slots, the music being piped through speakers, it was all exactly the same as I’d left it. The only thing missing was the couple screaming at one another. This was the reason casinos didn’t put clocks up: day, night, it was all the same, like being in stasis. You came in and your body clock disengaged. I looked at my watch again and saw it was closing in on two—but it may as well have been midmorning. Men and women were wandering around in tracksuits and shorts like they’d just come from the tennis courts.

I headed to a bar next to the hotel lobby. Even at one-fifty in the morning I had plenty of company: a couple in their sixties, a woman talking on her phone in a booth, a guy leaning over a laptop, and a group of five men sitting at one of the tables, laughing raucously at something one of them had said. Sliding in at the stools, I ordered a beer, picked at a bowl of nuts and flicked through a copy of the Las Vegas Sun that had been left behind. The front-page story neatly echoed the one I’d been sent down to follow up: Las Vegas, the bulletproof city. While some analysts were predicting a recession inside the next twelve months, America’s gaming capital was set to make a record eight billion dollars.

About ten minutes later, as I got to the sports pages, a guy sat down beside me at the bar and ordered another round of drinks. I looked up, he looked back at me, and then he returned to his table with a tray full of shots. A couple of seconds later, a faint memory surfaced, and—as I tried to grasp at it—a feeling of recognition washed over me: I knew him. I turned on my stool and glanced back over my shoulder. The man placed the tray down on the table—and then looked back at me. He knows me too. There was a moment of hesitation for both of us, paused at each end of the room—but then it seemed to click for him, a smile broke out on his face and he returned to me.


As soon as he spoke, the memory became fully formed: Lee Wilkins. We’d grown up together, lived in the same village, gone to the same school—and we’d left the same sixth-form college and never spoken since. Now, almost twenty years later, here he was: different from how I remembered, but not that different. More weight around his face and middle, hair shaved, dark stubble lining his jaw, but otherwise the same guy: five-ten, stocky, a scar to the left of his nose where he’d fallen out of a tree we’d been climbing.


“Yes!” An even bigger smile spread across his face and we shook hands. “Bloody hell,” he said. “I thought when I saw you, ‘He looks familiar,’ but I just never figured . . .”

“Are you on holiday here?”

“No,” he said, perching himself on the stool next to me. “I live here now. Been in Vegas for two years; been in the States for seven.”

“Doing what?”

“You remember I wanted to be an actor?”

“I remember that, yeah.”

He stopped; smiled. “Well, it didn’t work out.”


“No, I mean it didn’t work out in the way I thought it would. I spent my first five years in LA trying to catch a break, waiting tables and turning up at auditions. Got some minor roles here and there but nothing anyone would have seen me in. Then I started compering at this comedy club in West Hollywood, and things got a little crazy. Ended up going down so well, I became the act. That went on for a year, then I was offered a job down here in Vegas, as the main compere at this big comedy club just off the Strip. A few months back, I was offered an even better job by the guy who runs the entertainment in the MGM hotels, so now I travel between here, the Luxor, New York, the Mirage, the Grand, all of them. It’s been pretty amazing.”

“Wow. That’s incredible, Lee. Congratulations.”

“Right place, right time, I guess.”

“Or you’re just really good at it.”

He shrugged. “I can’t believe it’s you. Here.”

“I know.”

“So what are you doing in Vegas?”

“You remember I wanted to be a journalist?”


“Well, that did work out.”

“Fantastic. Are you working now?”

“Yeah.” I looked around me. “Well, I’m working tomorrow.”

“You live here?”

“No. I’m just down from LA for the night.”

“Doing what?”

I tapped the front page of the Sun. “Writing about money.”

“Are you a correspondent or something?”

“Just until the elections are over next year, and then I head back to London. The paper’s pretty excited about the idea of Obama, which is why I’m out here so early.”

“Anyone’s better than Bush, right?”

“I guess we’ll see next year.”

“How come you’re based on the West Coast?”

“I was based in DC last time I was out, but this time I’m here for much longer. So, I’m spending six months in LA to cover the buildup from California, and then I move to DC to cover the last six months from Capitol Hill.” I nodded at the Sun again. “Thing is, at the moment, it’s still early days, so there’s nothing to talk about. Which is why I’m down here trying to justify my existence.”

“Not a bad place to come for a night.”


He laughed. “Yeah, I guess it is.”

We ordered more beers and sat at the bar and talked, covering the nineteen years since we’d left home. I’d grown up on a farm, in the hills surrounding our village, but when I headed to London and it dawned on my parents that I wasn’t going to be taking over the running of it anytime soon, they started winding it down and paying into a cottage.

“And then Mum died.”

Lee gave a solemn nod of the head.

I shrugged. “It was pretty much all downhill from there: I helped Dad get the farm sold and moved him into the village, but he could never really handle it on his own.”

“Is he still around?”

“No. He died almost two years ago.”

I hadn’t been back home since.

The conversation moved on and got brighter, Lee telling me how his mum had remarried and now lived in Torquay, how his sister was a teacher, how he was still single and loving it, even if his mum wanted him to settle down. “They flew out earlier in the year, and Mum

basically asked me when I was going to get married, once a day for three weeks.” He rolled his eyes, and then asked, “So how long have you been married to Diane?” He was busy polishing off his fifth bottle of beer, so I forgave him the slip-up. We were both a little worse for wear: him— two bottles ahead of me—on alcohol, me on a lack of sleep.


“Shit.” He laughed. “Sorry. Derryn.”

The bar was quieter now, all the men he’d been drinking with earlier off in the casino somewhere. “It’ll be thirteen years this year.”’


“Yeah, it’s been good.”

He nodded. “I admire you, man. Envy you too.” He nodded a second time and then sank the rest of his beer. “And now I’ve got to use the can.”

He rocked from side to side slightly as he shifted away from the bar, and patted me gently on the shoulder as he passed. Then he headed to the toilets.

And I never saw him again.

Meet the Author

Tim Weaver has published three novels in the UK and has developed a successful career as a magazine journalist, writing about films, TV, sports, and technology. He lives near Bath, England with his wife and daughter.

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Never Coming Back 4.5 out of 5 based on 0 ratings. 4 reviews.
QueenJody More than 1 year ago
I am being generous in giving this book 4 stars. To me, it's more of a 3.5 star book. I say this because it took me almost 125 pages to really get into this book. What I was not aware of when I started reading this book was that it was the fourth in a series of David Raker books. Although it does stand on it's own, there are some characters and references that made me feel as though I was missing information. Once I realized that that this book was the fourth in a series I wasn't so critical while I was reading. The beginning of the book jumps around a bit, making it difficult to really get into. As the timeline stopped jumping around it was easier to to follow and get into. Having said that, the jumps in the timeline was necessary as you end the book and tie up loose ends. The basic story line is that a family has gone missing and David Raker is asked to locate them. As he begins his investigation he uses the police and hakers to guide his way. The closer he gets to locating the family, the more complex the web becomes as their disappearance is tied to a warden of a Nazi concentration camp in World War II. There are numerous twist and turns through out. Some you might see coming, if you're paying attention, some you may not. I would recommend this book to any that like thrillers or mysteries, but be aware that the it is the fourth in a series and although good on it's own, you may still want to read it after reading books one through three.
tjd25 More than 1 year ago
One is led down a number of roads literally and figuratively in an intriguing journey.
Twink More than 1 year ago
Tim Weaver is a best selling author in the UK, but Never Coming Back is his first release in North America. Never Coming Back is actually the fourth book in Weaver's David Raker series. Raker, a former journalist, is now a missing persons investigator - indeed, he is driven by the need to 'find the lost.' While visiting family in Devon, Raker is approached by an old girlfriend. She's heard about Raker's talents and wants to hire him as her sister and family have gone missing. More than missing - it's like they've disappeared. Everything in the house was left, including dinner on the table and the family dog - and not a trace of them since. The police investigation seems to have hit a dead end. Raker is intrigued by the case and agrees to look into it. I admit to feeling slightly lost in the first few chapters as there are two seeming protagonists. Colm Healy is a retired Met officer who is living with Raker. Reference is made to past cases and occurrences in the beginning. However as the book progressed, I quickly caught up with who was who and realized that Raker was the lead. (But I found Healy obnoxious and abrasive and I wasn't quite sure of his role in this book. It would be interesting to read the past three books to see what has gone on before) I too was hooked by the missing family. Where could they have gone? Taken or gone by their own decision? Weaver tantalizingly includes italicized chapters from the past, starting eighteen months ago and moving forward until past and present meet. The first entry had me wondering how in the world this would tie in with the family's disappearance. The who is revealed, but the why is the largest part of the plot and definitely kept me guessing. Weaver's plot is big and far reaching - the novel has two settings - England and Las Vegas. Weaver does a great job with bringing his settings to life. (I was fascinated with the abandoned village in England) Weaver's tale is dark and gritty, with a violent antagonist who is particularly chilling I thought a few of the plot twists were a bit far-fetched, but this didn't detract from my rapid page turning. The ending was great, with a last turn that I did not see coming. I appreciate being surprised in the final pages of a book. I like Raker as a character, as well as the missing persons idea. I wouldn't hesitate to pick up another book by this author. The fifth in the series, Fall From Grace, releases in the UK mid August
IdaMaeLouise More than 1 year ago
Excellent book - smart, fast paced, riveting story line. Best book I've read in a while.