New American Haggadah

Jonathan Safran Foer is one of the most acclaimed young writers of his generation. His books have received numerous awards including a National Jewish Book Award and a Guardian First Book Award, and have been translated into thirty-six languages. He garnered remarkable praise for his first two novels, Everything Is Illuminated (adapted for film in 2005) and Extremely Loud and Incredibly Close (adapted for film in December 2011), and for his New York Times bestselling work of nonfiction, Eating Animals.

Nathan Englander is the author of The Ministry of Special Cases and For the Relief of Unbearable Urges, which earned him a PEN/Malamud Award and the American Academy of Arts and Letters Sue Kauffman Prize. His short fiction has appeared in The Atlantic Monthly, The New Yorker, and numerous anthologies including The Best American Short Stories, The O. Henry Prize Anthology, and The Pushcart Prize. He was a Guggenheim Fellow in 2003 and a Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library in 2004. He lives in Manhattan.

Biography

Recent literary history is rife with auspicious debuts, and Jonathan Safran Foer's arrival was one of 2002's brightest and most media-friendly. After all, the backstory was publicist-ready: Everything Is Illuminated began as a thesis at Princeton under advisers Joyce Carol Oates and Jeffrey Eugenides, and Houghton Mifflin reportedly paid somewhere around half a million dollars for the rights.

Foer achieved a fresh, creative approach to the English language by viewing it through the eyes of his foreign narrator, a young Ukranian man named Alex who works in a family tour operating business targeted toward American Jews seeking their family roots. Alex's comical, dictionary-aided writing consists of not-quite-right sentences such as "He is always promenading into things. It was only four days previous that he made his eye blue from a mismanagement with a brick wall." Alex's client, an American Jew named Jonathan Safran Foer, wants to find a woman who hid his grandfather from the Nazis. The two set out -- with an old picture, and the name Augustine -- to find the woman, bringing Alex's grandfather and an odiferous seeing-eye dog.

The story unfolds both through Alex's eyes and in a later correspondence with Jonathan, who reveals chapters of a fictionalized version of Augustine's story. Despite the novel's decidedly earnest and serious themes, what's most striking about it is its strange, resonant humor. Publishers Weekly saw "demented genius" in it; and Francine Prose, who also used the adjective "demented" for Foer's writing, noted in the New York Times Book Review, "The problem [with the book] is, you keep laughing out loud, losing your place, starting again, then stopping because you're tempted to call your friends and read them long sections of Jonathan Safran Foer's assured, hilarious prose."

Since Foer admitted to doing little research (although he did take a trip similar to the fictional Foer's, inspiring the book), and the historical fiction sections earned some critical gripes for being uneven (Salon called them "dime-store García Márquez"), the chief strength of Everything Is Illuminated lies in a scope and wit that are stunning from an author who was still finishing up college at the time he began it. The paperback rights for Everything Is Illuminated later went for reportedly close to $1 million.

Foer has had an undergrad's dream experience when it comes to consorting with eminent forbears: Russell Banks -- a professor in Foer's senior year -- came to his aid when he assembled A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell, which was published in 2001.

If Foer follows in the footsteps of fellow critical debut darlings Eugenides and Donna Tartt, it will be another ten years before we see a second novel. Fans will hope that instead he follows Oates's more prolific example.

Good To Know

According to a Princeton publication, Foer has been a "math tutor, archivist, ghost writer, farm sitter, advertising consultant and receptionist."

One of the many projects on Foer's "Project Museum" Web site is the Empty Page Project, a collection of blank paper from various authors -- the paper they normally use to write (anything) on. Nothing is on display yet, but according to a Guardian article, Foer has acquired pages from Paul Auster, Susan Sontag and Isaac Bashevis Singer.

Both of Foer's brothers are editorial types: Franklin is an editor at the New Republic, and Joshua is a recent Yale grad and a contributor to Slate.