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| Ian Dury | Primary Artist, Drums, Vocals |
| Geoff Castle | Moog Synthesizer, Moog Bass |
| Kuma Harada | Bass |
| Chaz Jankel | Bass, Guitar, Piano, Keyboards, Vocals, Background Vocals |
| Malcolm Mortimer | Drums |
| Davey Payne | Saxophone |
| Edward "Ted" Speight | Guitar |
| Peter Van Hooke | Drums |
| Norman Watt-Roy | Bass |
| Steve Nugent | Guitar |
| Charley Charles | Drums |
| Giorgi Dionisiev | Bass |
| Will Birch | Liner Notes |
| Peter Jenner | Producer, Engineer |
| Laurie Latham | Producer, Engineer |
| Rick Walton | Producer, Engineer |
| Val Jennings | Tape Research, Label Design |
| Johnny Chandler | Cover Design |
| Alchemy | Mastering |
| Paul Phear | Cut |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Ian Dury's primary appeal lies in his lyrics, which are remarkably clever sketches of British life delivered with a wry wit. Since Dury's accent is thick and his language dense with local slang, much of these pleasures aren't discernible to casual listeners, leaving the music to stand on its own merits. On his debut album, New Boots and Panties!!, Dury's music is at its best, and even that is a bizarrely uneven fusion of pub rock, punk rock, and disco. Still, Dury's off-kilter charm and irrepressible energy make the album gel, with the disco pulse of "Wake Up and Make Love With Me" making perfect sense next to the gentle tribute "Sweet Gene Vincent," the roaring...