New Chinese Cinemas: Forms, Identities, Politics / Edition 1

New Chinese Cinemas: Forms, Identities, Politics / Edition 1

by Nick Browne
     
 

This analysis of the changing forms and significance of Chinese filmmaking considers conservative as well as progressive stances on modernization. It reveals how film comments on the profound social changes that have occurred in East Asia over the past two decades. See more details below

Overview

This analysis of the changing forms and significance of Chinese filmmaking considers conservative as well as progressive stances on modernization. It reveals how film comments on the profound social changes that have occurred in East Asia over the past two decades.

Product Details

ISBN-13:
9780521448772
Publisher:
Cambridge University Press
Publication date:
04/28/2003
Edition description:
New Edition
Pages:
255
Product dimensions:
5.98(w) x 8.98(h) x 0.63(d)

Related Subjects

Table of Contents

List of illustrations; List of contributors; Acknowledgments; Note on the Romanisation of Chinese; Introduction Nick Browne; Part I. Film in the People's Republic: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period Ma Ning; 2. Society and subjectivity: on the political economy of Chinese melodrama Nick Browne; 3. Huang Jianxin and the notion of post-socialism Paul G. Pickowicz; 4. Neither one thing nor another? Towards a study of the viewing subject and Chinese cinema in the 1980s Chris Berry; Part II. Film in Taiwan and Hong Kong: 5. Remapping Taipei Fredric Jameson; 6. The Ideology of initiation: the films of Hou Hsiao-hsien William Tay; 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s Li Cheuk-To; 8. Border crossing: mainland China's presence in Hong Kong cinema Esther Yau; 9. Two films from Hong Kong: parody and allegory Leo Ou-Fan Lee.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >