New England White

( 31 )


Lemaster Carlyle, the president of the country's most prestigious university, and his wife, Julie, the divinity school's deputy dean, are America's most prominent and powerful African American couple. Driving home through a swirling blizzard late one night, the couple skids off the road. Near the sight of their accident they discover a dead body. To her horror, Julia recognizes the body as a prominent academic and one of her former lovers. In the wake of the death, the icy veneer of their town Elm Harbor, a place...

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New England White

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Lemaster Carlyle, the president of the country's most prestigious university, and his wife, Julie, the divinity school's deputy dean, are America's most prominent and powerful African American couple. Driving home through a swirling blizzard late one night, the couple skids off the road. Near the sight of their accident they discover a dead body. To her horror, Julia recognizes the body as a prominent academic and one of her former lovers. In the wake of the death, the icy veneer of their town Elm Harbor, a place Julie calls "the heart of whiteness," begins to crack, having devastating consequences for a prominent local family and sending shock waves all the way to the White House.

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Editorial Reviews

From Barnes & Noble
Stephen L. Carter's first novel, The Emperor of Ocean Park, was published in 2002, but this Yale Law School professor had been writing significant, memorable nonfiction for more than a decade already. Like its predecessor, New England White touches on issues of race, class, and influence. At the center of the novel are college president Lemaster Carlyle and his wife, Julia, a deputy divinity school dean. This sympathetic couple represent a new breed of prominent, well-connected African Americans who navigate with ease in the mainly white power structure. Their security begins to wobble dangerously as Julia investigates the hidden motive behind a murder in their community. A well-crafted literary novel that grapples with serious social and ethical issues.
From the Publisher
“An absolute don't-miss . . . page-turning mystery." —The Plain Dealer

“Earthshaking. . . . Keeps us guessing . . . right up to the intricately deployed end.” —The New York Times Book Review

“Carter twists the plotlines like pretzels while wryly skewering America's wealthy intellectual elite.” —People

“A testament to [Carter's] formidable storytelling. The novel's satisfying conclusion also points out how irrelevant genre labels have become.” —The Washington Post

Jabari Asim
"Like a modern-day version of sociologist E. Franklin Frazier, Carter casts a critical light on the lifestyles of the black and privileged."
—The Washington Post
Christopher Benfey
"But in the 500-plus pages of New England White, he's up to more than suspense and the gothic apparatus — including coded anagrams and cracked mirrors — he wields with considerable aplomb. For one thing, he has spiked his thriller with wryly affectionate campus satire, somewhat in the vein of Randall Jarrell's Pictures From an Institution. ... The plot of New England White is also sufficiently expansive to allow room for some serious thinking about the progress of "the darker nation" at a time when neither political party has much time for the intractable challenges of race and poverty, and when “as far as white America knew, nobody black ever had money or education before, say, affirmative action.”"
—The New York Times
Publishers Weekly

Turpin's reading of Carter's second novel is sublime. In a book where each character's race is important, capturing that fact for the ear alone is a balancing act to be taken quite seriously. The story opens with a body found on the roadside by Julia Carlyle and her university president husband, Lemaster (both had minor roles in Carter's The Emperor of Ocean Park). It turns out to be an ex-lover of Julia's and a possible blackmailer of Lemaster. What ensues is a gripping tale of race, murder, politics, conspiracy theory and secret societies that revolves around a 30-year-old case involving a dead white girl and an accused, now dead, black attacker. Turpin's prowess in the aural world is apparent, not only when nailing regional accents but in much more subtle ways, like a conversation between two women of roughly the same age who are clearly distinguishable from each other by one's slight smoker's rasp. The story is literate and fast-paced, and Turpin's well-rounded characters keep the fire fueled. Simultaneous release with the Knopf hardcover (Reviews, May 7). (July)

Copyright 2007 Reed Business Information
Library Journal
Murder splits apart a staid New England university town, where university president Lemaster Carlyle and his wife, dean of the divinity school, are African Americans in a sea of white folk. With a 14-city tour and a reading group guide. Copyright 2007 Reed Business Information.
Kirkus Reviews
A high-profile murder unsettles a New England college town in this eventful second novel from Carter (Law/Yale; The Emperor of Ocean Park, 2002, etc.). Economics professor and tireless lothario Kellen Zant, a charismatic black academic celebrity whose romantic conquests acknowledge no limits, is found dead on a remote back road. Suspicion falls among Zant's former lovers and their mates, his colleagues and the wealthy clients who shelled out big bucks for his advice-and even the (unnamed) college's president Lemaster Carlyle and his wife Julia (herself one of Zant's former paramours). The Carlyles were minor figures in Carter's debut novel, The Emperor of Ocean Park , but they occupy center stage in this beefy, neatly constructed melodrama, which distributes clues and juggles suspects with Grisham-like energy and efficiency. We're briskly introduced to the insular little world of the campus, a racially and ethnically mixed utopia whose sleek occupants nevertheless have secrets aplenty to conceal. And Carter expands the novel's scope with impressive assurance, as Zant's murder is connected to another (ostensibly accidental) death; the surpassingly odd behavior of the Carlyles' teenaged daughter Vanessa (who torches her dad's Mercedes for no discernible reason); and the 30-year-old murder of a white woman student (with which Vanessa has become obsessed), shock waves from which may reach as far as the White House-presently occupied by Lemaster's former college roommate. The embattled Julia Carlyle, a busy mother of four who's also dean of the college's divinity school, is obliged to perform some fairly intricate detective work of her own, as persons of interest and their histories glimpsedin old mirrors (a crucial clue) prove to be nearer than they appear. An overload of exposition and a truckload of involved characters aside, this is a virtually irresistible-and highly intelligent-thriller. Carter strikes again. First printing of 300,000. Agent: Lynn Nesbit/Janklow & Nesbit
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Product Details

  • ISBN-13: 9780375712913
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 5/27/2008
  • Series: Vintage Contemporaries Series
  • Edition description: Reprint
  • Pages: 640
  • Sales rank: 918,180
  • Product dimensions: 5.26 (w) x 8.02 (h) x 1.05 (d)

Meet the Author

Stephen L. Carter

Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale University, where he has taught since 1982. He is the author of the best-selling novel The Emperor of Ocean Park, and seven acclaimed nonfiction books, including The Culture of Disbelief: How American Law and Politics Trivialize Religious Devotion and Civility: Manner, Morals, and the Etiquette of Democracy. He and his family live near New Haven, Connecticut.


Stephen L. Carter has helped shape the national debate on issues ranging from the role of religion in American political culture to the impact of integrity and civility on our daily lives. The New York Times has called him one of the nation's leading public intellectuals.

Born in Washington, D.C., Stephen L. Carter studied law at Yale University and went on to serve as a law clerk, first on the U.S. Court of Appeals for the District of Columbia, and later for Supreme Court Justice Thurgood Marshall.

In 1982 he joined the faculty at Yale, where he is now William Nelson Cromwell Professor of Law. His critically acclaimed nonfiction books on subjects including affirmative action, the judicial confirmation process, and the place of religion in our legal and political cultures have earned Carter fans among luminaries as diverse as William F. Buckley, Anna Quindlen, and former President Bill Clinton.

Carter's first novel, The Emperor of Ocean Park, draws heavily on the author's familiarity with the law and the world of highly placed judges, but he didn't begin by attempting to write a "judicial" thriller -- Carter earlier tried the character of Judge Garland out as a White House aide, and also as a professor like himself. He has said that in the end "only the judicial role really fit."

With Emperor Carter has moved (for the moment) from writing nonfiction to fiction -- a shift which he downplays by noting "I have always viewed writing as a craft." But, while he has also indicated that another novel like this one is in the works, he sees himself as "principally a legal scholar and law professor" and plans to continue publishing nonfiction as well.

Good To Know

An avid chess player, Stephen L. Carter is a life member of the United States Chess Federation. Although he says he plays less now than he once did, he still plays online through the Internet Chess Club. For The Emperor of Ocean Park, Professor Carter says he had to learn about "the world of the chess problemist, where composers work for months or years to set up challenging positions for others to solve."

Carter lives with his wife, Enola Aird, and their two children, near New Haven, Connecticut.

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    1. Hometown:
    1. Date of Birth:
      October 26, 1954
    2. Place of Birth:
      Washington, D.C.
    1. Education:
      B.A. Stanford University, 1976; J.D., Yale Law School, 1979

Read an Excerpt

Chapter One: Shortcut


On Friday the cat disappeared, the White House phoned, and Jeannie’s fever—said the sitter when Julia called from the echoing marble lobby of Lombard Hall, where she and her husband were fêting shadowy alumni, one or two facing indictment, whose only virtue was piles of money—hit 103. After that, things got worser faster, as her grandmother used to say, although Granny Vee’s Harlem locutions, shaped to the rhythm of an era when the race possessed a stylish sense of humor about itself, would not have gone over well in the Landing, and Julia Carlyle had long schooled herself to avoid them.

The cat was the smallest problem, even if later it turned out to be a portent. Rainbow Coalition, the children’s smelly feline mutt, had vanished before and usually came back, but now and then stayed away and was dutifully replaced by another dreadful creature of the same name. The White House was another matter. Lemaster’s college roommate, now residing in the Oval Office, telephoned at least once a month, usually to shoot the breeze, a thing it had never before occurred to Julia that Presidents of the United States did. As to Jeannie, well, the child was a solid eight years into a feverish childhood, the youngest of four, and her mother knew by now not to rush home at each spike of the thermometer. Tylenol and cool compresses had so far defeated every virus that had dared attack her child and would stymie this one, too. Julia gave the sitter her marching orders and returned to the endless dinner in time for Lemaster’s closing jokes. It was eleven minutes before ten on the second Friday in November in the year of our Lord 2003. Outside Lombard Hall, the snow had arrived early, two inches on the ground and more expected. As the police later would reconstruct the night’s events, Professor Kellen Zant was already dead and on the way to town in his car.


After. Big cushy flakes still falling. Julia and Lemaster were barreling along Four Mile Road in their Cadillac Escalade with all the extras, color regulation black, as befitted their role as the most celebrated couple in African America’s lonely Harbor County outpost. That, at least, was how Julia saw them, even after the family’s move six years ago out into what clever Lemaster called “the heart of whiteness.” For most of their marriage they had lived in Elm Harbor, largest city in the county and home of the university her husband now led. By now they should have moved back, but the drafty old mansion the school set aside for its president was undergoing renovation, a firm condition Lemaster had placed on his acceptance of the post. The trustees had worried about how it would look to spend so much on a residence at a time when funds to fix the classrooms were difficult to raise, but Lemaster, as always with his public, had been at once reasonable and adamant. “People value you more,” he had explained to his wife, “if it costs more to get you than they expected.”

“Or they hate you for it,” Julia had objected, but Lemaster stood his ground; for, within the family, he was a typical West Indian male, and therefore merely adamant.

They drove. Huge flakes swirled toward the windshield, the soft, chunky variety that signals to any New Englander that the storm is moving slowly and the eye is yet to come. Julia sulked against the dark leather, steaming with embarrassment, having called two of the alums by each other’s names, and having referred half the night to a wife named Carlotta as Charlotte, who then encouraged her, in that rich Yankee way, not to worry about it, dear, it’s a common mistake. Lemaster, who had never forgotten a name in his life, charmed everybody into smiling, but as anyone who has tried to raise money from the wealthy knows, a tiny sliver of offense can cut a potential gift by half or more, and in this crowd, half might mean eight figures.

Julia said, “Vanessa’s not setting fires any more.” Vanessa, a high-school senior, being the second of their four children. The first and the third—their two boys—were both away at school.

Her husband said, “Thank you for tonight.”

“Did you hear what I said?”

“I did, my love.” The words rapid and skeptical, rich with that teasing, not-quite-British lilt. “Did you hear what I said?” Turning lightly but swiftly to avoid a darting animal. “I know you hate these things. I promise to burden you with as few as possible.”

“Oh, Lemmie, come on. I was awful. You’ll raise more money if you leave me behind.”

“Wrong, Jules. Cameron Knowland told me he so enjoyed your company that he’s upping his pledge by five million.”

Julia in one of her moods, reassurance the last thing she craved. Clever wind whipped the snow into concentric circles of whiteness in the headlights, creating the illusion that the massive car was being drawn downward into a funnel. Four Mile Road was not the quickest route home from the city, but the Carlyles were planning a detour to the multiplex to pick up their second child, out for the first time in a while with her boyfriend, “That Casey,” as Lemaster called him. The GPS screen on the dashboard showed them well off the road, meaning the computer had never heard of Four Mile, which did not, officially, exist. But Lemaster would not forsake a beloved shortcut, even in a storm, and unmapped country lanes were his favorite.

“Cameron Knowland,” Julia said distinctly, “is a pig.” Her husband waited. “I’m glad the SEC people are after him. I hope he goes to jail.”

“It isn’t Cameron, Jules, it’s his company.” Lemaster’s favorite tone of light, donnish correction, which she had once, long ago, loved. “The most that would be imposed is a civil fine.”

“All I know is, he kept looking down my dress.”

“You should have slapped his face.” She turned in surprise, and what felt distantly like gratitude. Lemaster laughed. “Cameron would have taken his pledge back, but Carlotta would have doubled it.”

A brief marital silence, Julia painfully aware that tonight she had entirely misplaced the delicate, not-quite-flirty insouciance that had made her, a quarter-century ago, the most popular girl at her New Hampshire high school. Like her husband, she was of something less than average height. Her skin was many shades lighter than his blue-black, for her unknown father had been, as Lemaster insisted on calling him, a Caucasian. Her gray eyes were strangely large for a woman of her diminutive stature. Her slightly jutting jaw was softened by an endearing dimple. Her lips were alluringly crooked. When she smiled, the left side of her wide mouth rose a little farther than the right, a signal, her husband liked to say, of her quietly liberal politics. She was by reputation an easy person to like. But there were days when it all felt false, and forced. Being around the campus did that to her. She had been a deputy dean of the divinity school for almost three years before Lemaster was brought back from Washington to run the university, and her husband’s ascension had somehow increased her sense of not belonging. Julia and the children had remained in the Landing during her husband’s year and a half as White House counsel. Lemaster had spent as many weekends as he could at home. People invented delicious rumors to explain his absence, none of them true, but as Granny Vee used to say, the truth only matters if you want it to.

“You’re so silly,” she said, although, to her frequent distress, her husband was anything but. She looked out the window. Slickly whitened trees slipped past, mostly conifers. It was early for snow, not yet winter, not yet anything, really: that long season of pre-Thanksgiving New England chill when the stores declared it Christmas season but everybody else only knew it was cold. Julia had spent most of her childhood in Hanover, New Hampshire, where her mother had been a professor at Dartmouth, and she was accustomed to early snow, but this was ridiculous. She said, “Can we talk about Vanessa?”

“What about her?”

“The fires. It’s all over with, Lemmie.”

A pause. Lemaster played with the satellite radio, switching, without asking, from her adored Broadway show tunes—Granny Vee had loved them, so she did, too—to his own secret passion, the more rebellious and edgy and less commercial end of the hip-hop spectrum. The screen informed her in glowing green letters that the furious sexual bombast now assaulting her eardrums from nine speakers was something called Goodie Mobb. “How do you know it’s over?” he asked.

“Well, for one thing, she hasn’t done it in a year. For another, Dr. Brady says so.”

“Nine months,” said Lemaster, precisely. “And she’s not Vincent Brady’s daughter,” he added, slender fingers tightening ever so slightly on the wheel, but in caution, not anger, for the weather had slipped from abhorrent to atrocious. She glanced his way, turning down the throbbing music just in case, for a change, he wanted to talk, but he was craning forward, hoping for a better view, heavy flakes now falling faster than the wipers could clean. He wore glasses with steel rims. His goatee and mustache were so perfectly trimmed they might have been invisible against his smooth ebon flesh, except for the thousand flecks of gray that reshaped to follow the motion of his jaw whenever he spoke. “What a mistake,” said Lemaster, but it took Julia a second to work out that he was referring to the psychiatrist, and not one among the many enemies he had effortlessly, and surprisingly, collected during his six months as head of the university.

Julia had been stunned when the judge ordered the choice of intensive therapy or a jail sentence. Vanessa cheerily offered to do the time— “You can’t say I haven’t earned it”—but Julia, who used to volunteer at the juvenile detention facility in the city, knew what it was like. She could not imagine her vague, brainy, artistic daughter surviving two days among the hard-shelled teens scooped off the street corners and dumped there. As her grandmother used to say, there are our black people and there are other black people—and all her life Julia had secretly believed it. So Lemaster had chosen Brady, a professor at the medical school who was supposed to be one of the best adolescent psychiatrists in the country, and Julia, who, like Vanessa, would have preferred a woman, or at least someone from within the darker nation, held her peace. She had never imagined, twenty years ago, growing into the sort of wife who would.

She had never imagined a lot of things.

“Cameron told me something interesting,” said Lemaster when he decided she had stewed long enough. They passed two gray horses in a paddock, wearing blankets against the weather but not otherwise concerned, watching the sparse nighttime traffic with their shining eyes. “He had the strangest call a couple of weeks ago.” That confident, can-do laugh, a hand lifted from the wheel in emphasis, a gleeful glance in Julia’s direction. Lemaster loved being one up on anyone in the vicinity, and made no exception for his own wife. “From an old friend of yours, as a matter of fact. Apparently—”

“Lemmie, look out! Look out!

Too late.


Every New Englander knows that nighttime snowy woods are noisy. Chittering, sneaking animals, whistling, teasing wind, cracking, creaking branches—there is plenty to hear, except when your Escalade is in a ditch, the engine hissing and missing, hissing and missing, and Goodie Mobb still yallowing from nine speakers. Julia pried herself from behind the air bag, her husband’s outstretched hand ready to help. Shivering, she looked up and down the indentation in the snow that marked Four Mile Road. Lemaster had his hands on her face. Confused, she slapped them away. He patiently turned her back to look at him. She realized that he was asking if she was all right. There was blood on his forehead and in his mouth, a lot of it. Her turn to ask how he was doing, and his turn to reassure her.

No cell-phone service out here: they both tried.

“What do we do now?” said Julia, shivering for any number of good reasons. She tried to decide whether to be angry at him for taking his eyes off the road just before a sharp bend that had not budged in their six years of living out here.

“We wait for the next car to come by.”

“Nobody drives this way but you.”

Lemaster was out of the ditch, up on the road. “We drove ten minutes and passed two cars. Another one will be along in a bit.” He paused and, for a wretched moment, she feared he might be calculating the precise moment when the next was expected. “We’ll leave the headlights on. The next car will see us and slow down.” His voice was calm, as calm as the day the President asked him to come down to Washington and, as a pillar of integrity, clean up the latest mess in the White House; as calm as the night two decades ago when Julia told him she was pregnant and he answered without excitement or reproach that they must marry. Moral life, Lemaster often said, required reason more than passion. Maybe so, but too much reason could drive you nuts. “You should wait in the car. It’s cold out here.”

“What about Vanessa? She’s waiting for us to pick her up.”

“She’ll wait.”

Julia, uncertain, did as her husband suggested. He was eight years her senior, a difference that had once provided her a certain assurance but in recent years had left her feeling more and more that he treated her like a child. Granny Vee used to say that if you married a man because you wanted him to take care of you, you ran the risk that he would. About to climb into the warmth of the car, she spotted by moonlight a ragged bundle in the ditch a few yards away. She took half a step toward it, and a pair of feral creatures with glowing eyes jerked furry heads up from their meal and scurried into the trees. A deer, she decided, the dark mound mostly covered with snow, probably struck by a car and thrown into the ditch, transformed into dinner for whatever animals refused to hibernate. Shivering, she buttoned her coat, then turned back toward the Escalade. She did not need a close look at some bloodstained animal with the most succulent pieces missing. Only once she had her hand on the door handle did she stop.

Deer, she reminded herself, rarely wear shoes.

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Reading Group Guide

“An absolute don't-miss . . . page-turning mystery.” —The Plain Dealer

The introduction, questions, and suggestions for further reading that follow are designed to enhance your group's discussion of New England White by Stephen L. Carter. Set in a New England university town, it begins with the murder of an eminent African-American professor and explodes into a gripping investigation of race, power, and politics in America.

1. What does the portrayal of the Carlyle family reveal about the complexities of the African-American community? In what ways does their life represent the historical divide between the entrenched upper class and immigrants and other strivers in American society? What do the beliefs and attitudes Julia grew up with reflect about the specific history and traditions of wealthy, successful blacks? Do they differ from the attitudes of upper-class whites? If so, why do you think this is the case?

2. When the police question him, Lemaster says that although he had berated Kellen for spending more time consulting with private corporations than on serious scholarship, reports of a feud between them “was media silliness, hunting for stories to make African Americans look bad” [p. 24]. Do you think this is a fair claim about the media? If you are familiar with the much-examined controversy between the noted African-American writer and critic Cornel West and Harvard University president Lawrence Summers, discuss the parallels between the two situations. Can you think of other examples of the media's tendency to focus on the racial aspects of events they are covering?

3. Boris Gibbs remarks to Julia “the racism your people have to face these days is depressing” [p. 29], and her best friend Tessa forgives her own ex-husband's unfaithfulness by saying it was “simply a need all black males possessed, born of centuries of racial oppression, to liberate themselves from the repressive strictures of bourgeois sexual custom” [p. 62]. What do these “sympathetic” statements show about the assumptions made by whites? Do you agree that many white intellectuals are guilty of “quick, sloppy racial judgment” [p. 62]?

4. Mona disdains both Kellen and Lemaster because “neither of them [is] really quite one of us” and also objects to Julia's raising her kids in an all-white suburb [p. 35]. Is her criticism hypocritical, given the choices she has made in her own life?

5. How would you describe the Carlyles' marriage? What is the significance of Julia's explanation of their relationship-“He forced me to fall in love with him . . . I didn't have a choice” [p. 18]? Based on their conversations, as well as the descriptions of life in their household, is Julia justified in “wondering if her husband even liked her, or viewed their marriage, as he did most of life, through the stultifying lens of duty” [p. 96]?

6. Despite her assertion that Kellen “had no right to drag her back into his life, even by dying and leaving a puzzle behind” [p. 65], Julia is soon caught up in the mystery. What particular people or which events convince her to pursue her own investigation? Discuss the cumulative effects of her conversations with Mary Mallard [pp. 44-47, pp. 113-16], Seth Zant [p. 55-59], Frank Carrington [p. 81], Tony Tice [pp. 142-45], Cameron Knowland [pp. 225-28], and Senator Whisted and his wife [pp. 302-304].

7. What elements of a traditional mystery novel help drive New England White? Consider Carter's use of such conventions as cleverly coded messages, misleading statements by witnesses or suspects, and false conclusions about the motives and interests of various characters.

8. Compare and contrast the way Julia and Bruce Vallely conduct their investigations. What advantages does each one have in gathering information and putting the pieces of the puzzle together? Why is Julia reluctant to share her findings and feelings with Bruce? Could either of them have solved the case alone?

9. How valid is Lemaster's perception that “both parties [have] moved . . . far from any real interest in the future of African America” [p. 117]? What was your reaction to his saying, “You know what the trouble is? The Caucasians aren't afraid of us any more” [p. 117]? Compare this to Astrid's argument that “the best of our people reach a certain level of success, and they decide that they have moved beyond politics” [p. 102]. Which statements most accurately reflect your own impressions or opinions?

10. Is Carter's portrait of a top-notch university realistic? How does he use humor and satire to bring various aspects of the academic community to life? Discuss, for example, Bruce's meetings with Trevor Land and his interview with Arthur Lewin [pp. 177-91], as well as Julia's encounters with her dean and other colleagues at the divinity school.

11. In addition to her obsession with Gina Joule, what role does Vanessa play in the novel? How and why does her relationship with Julia change over the course of the book? What insights do her attitudes and behavior provide, either implicitly or explicitly, into the confusion and ambiguities that upper-class African Americans face in white America? What do the portraits of Preston and Jeannie reflect about the same issues?

12. Mitch Huebner says, “You look at any town in New England, Mrs. Carlyle, and you'll find a line down the middle. On one side are the people who don't know the secrets. On the other are the people who've always been there, who hold on to the town's history like the roots that keep the trees standing” [pp. 346]. Discuss how the division between those who know the secrets and those who don't applies not just to the events in Tyler's Landing, but to the novel as a whole.

13. Byron Dennison is proud that he taught Lemaster and other protégés “about power. How to use it. When” [p. 379], and goes on to say that power should not be used in pursuit of justice. Do the events in the novel support his point of view? Are there instances that contradict it? In light of both historical and contemporary race relations in this country, is the way the Empyreals use their power understandable? Is it ethical or is it a corruption of the values, however elusive, that define a civilized society?

14. Miss Terry represents a part of the African-American community far removed from the world Julia knows. Do her attitudes and opinions [pp. 423-27] express a reality the majority of African Americans-including those who have “made it”-experience? If, as Miss Terry maintains, “the white folks get to set the rules,” does the responsibility for changing this lie within the African-American community [p. 426]? Talk about the different ways prominent public figures, both black and white, have approached this issue and how they relate to questions raised in New England White.

15. A variety of mirrors turn up as clues during Julia's investigation. Using Mona's argument that “the people in the mirror aren't free at all. . . . They just do what the people on this side of the mirror let them do” [p. 489] as a starting point, why is the mirror an appropriate symbol for the themes the novel explores?

16. Julia ultimately recognizes that Lemaster's “politics were the politics of pure and perfect righteousness” [p. 608]. What do Julia's decisions regarding her future reveal about what she has learned of the ways in which power, idealism, and purely practical considerations affect both personal lives and politics realities?

17. In addition to racism, both blatant and subtle, what other biases do the characters confront? What light does the novel shed on how gender, economic status, and professional stature distort our perceptions of ourselves and others?

18. In his widely discussed nonfiction book, Reflections of an Affirmative Action Baby, Carter addressed the impact of programs designed to promote racial equality in this country, including the pressure on black professionals to behave in a “politically correct” manner. In what ways is this thesis revisited in New England White? Do you think fiction is an effective tool to explore-and help clarify-real-life issues?

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See All Sort by: Showing 1 – 20 of 31 Customer Reviews
  • Anonymous

    Posted October 27, 2007

    A reviewer

    I could not put this book down. Stephen Carter does a wonderful job of providing detail and background about a segment of our population that is often regarded as elitist and exclusive. For those of us who are not familiar with 'darker nation - new england elitism', the New Englad White invites imagination into a world that is unknown by most readers. Issues of class, race, greed, and secrecy are the core problems that play out daily in American history.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 16, 2007

    Absolutely Terrble Book

    This is the worst book I've read in many years. I should have known better after being so disappointed in The Emperor of Ocean Park. The author obviously knows little of the black elite and his telling of it rings false. The author may write well for academic journals but has no authentic writing voice for fiction. What a waste of my money and time. I couldn't even finish the book which is a rarity for me.

    2 out of 3 people found this review helpful.

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  • Posted December 9, 2008

    more from this reviewer

    A reviewer

    In Elm Harbor, New England, Lemaster Carlyle is president of a highly regarded New England university his wife Julia is dean of the college's divinity school. This is a normal Friday night in which they host alumni, the cat vanishes, their youngest child of four kids eight years old Jeannie has a high grade fever and the president of the US calls to shoot the breeze with his former college roommate. However this nasty snowy night turns different when on their drive they see the murdered body of Economics Professor Kellen Zant, Julia's former lover.----------- While the police consider several suspects including the Carlyles, Julia and Lemaster are at each other¿s throat with accusations. Their troubled daughter Vanessa does not handle the war between her parents very well, but neither Lemaster nor Julia can call a halt as anger and fear have control of both of them. The police rule the death caused by a random robbery that turned ugly, but Julia thinks otherwise and keeps digging for the truth, which outrages Lemaster even more as repercussions from anything this power couple do impacts as high as the presidential contest.--------------- Using the same location as the highly regarded The Emperor of Ocean Park and starring tertiary players from that novel, Stephen L. Carter paints a deep NEW ENGLAND WHITE landscape that digs into the racial past of New Hampshire through Julia¿s inquiry. The story line is driven by the power couple who seem so real especially by how they react to the Zant death as minor things that previously would not blip on their personal radar screens set off alarms. Julia¿s investigation is a cleverly designed amateur sleuth story that is so much more as the audience understands the tenuous strength of African Americans in the previous generation and present power structure. Mr. Carter provides a terrific look the past, present, and future through Julia¿s widening investigation.---------- Harriet Klausner

    2 out of 3 people found this review helpful.

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  • Posted November 8, 2012

    OMG! I ONLY finished this overlong book because of hurricane Sa

    OMG! I ONLY finished this overlong book because of hurricane Sandy & was stuck in the house & couldn't get to the library.I agree with other reviewers who said they almost tossed it. I actually said "thank god" when I finished. Even Steven King's Under the Dome was better.

    1 out of 1 people found this review helpful.

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  • Posted January 21, 2011

    more from this reviewer

    A Tedious read.

    This book is an interesting story. The characters were well developed and the wife of the university president, Julia Carlye being portrayed as a sleuth to uncover a murder was a intriguing twists. Overall I thought the book was way too long. At least 100 pages could have been deleted, because about half way through I was about to toss it in the trash can. It was so boring. The story did perk up, but it never really held my interest and wouldn't say the book was a real page turner. It was an average but interesting mystery tale.
    I doubt I would recommend it to any of my friends.

    1 out of 1 people found this review helpful.

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  • Posted September 12, 2009

    more from this reviewer

    very thought provoking

    would love to discuss with others - good in depth look at racism in polite society - not being so polite.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 14, 2008

    New England Horrible

    This is a horrible, ponderous book. Two hundred pages could have been cut out of it - it wouldn't have made it a better book, I just would have finished reading it a lot sooner. The writing is repetitious - how many times do we have to be reminded that Julia drives an Escalade or that black people are the 'darker nation'? Or that not all black people dwell in the ghetto -some are actually wealthy and in positions of power? Note to the author - not all white people stereotype blacks. Not all white people, as he seems to think, look at blacks suspiciously when they enter a restaurant or place of business. There are some of us who live in the 21st century. Having said all that, the book itself is boring,the plot convoluted and the characters two-dimensional Either I have more or less sophisticated taste that the reviewers who liked this book but my advice - if you want to read a thick tome and be more entertained, grab the phone book

    1 out of 1 people found this review helpful.

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  • Posted July 27, 2012

    Very thought-provoking understory. Many twists and turns, expos

    Very thought-provoking understory. Many twists and turns, exposed as the peeling of an onion. I, personally, would have preferred a shorter book. At times I considered the arrogance of an author who demanded such an investment of the reader's time to find out "who done it?" but, once hooked, I couldn't stop turning page after page. I am very glad I stuck with it.

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  • Posted October 9, 2011

    GRE words, incongruous plot and characters

    I read the book and really wanted it to be better than it actually was. I recommend a re write. The book has alot of potential, but lacks the sort of professional polish that allows the reader to read as a rapt spectator and instead i found myself editing ideas as i went along. In a word-frustrating. JULIA, the major character was simply inconsistent. Character typing was messy for many of the major characters. Characters can be multidimensional and yet be congruent. Please re work and reduce the noise from unnecessary subplots. Please decrease the unnecessary flowery prose that constantly interrupt this otherwise promising novel.

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  • Posted August 29, 2009

    Complicated plot

    I really did not like this book. It started out fine, I thought it was really going to be a good book. The complicated plot meandered all over and I just became bored and didn't really care how it ended. It was a struggle to finish it.

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  • Anonymous

    Posted November 1, 2007

    Another Tour De Force

    I am blown away by Stephen Carter's excellently contructed mystery. His mastery of the English language, descriptions of the 'darker nation', and involvement of economic theory create a novel that is engrossing, edifying, and satisfying. Although it is long book (over 500 pages), I am enjoying each page and will be saddened at its conclusion. Thank you Stephen Carter for filling a large gap in today's best-sellers by providing an intellectually challenging tour-de-force.

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  • Anonymous

    Posted November 6, 2007

    A reviewer

    I had the pleasure of meeting Mr. Carter at the National Book Festival in Washington, DC prior to reading the novel. Though I was very unsure about mysteries because this is my first, I thought this was a great story. I thought it told a wonderful tale and was very well paced. I thoroughly enjoyed this novel and look forward to beginning The Emperor of Ocean Park.

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  • Anonymous

    Posted August 27, 2007

    This Book Will Keep You Awake Nights!!

    Having been a fan of 'The Emperor of Ocean Park,' I checked this book out of the library early, read 75 pages, and went out and bought it, knowing I HAD to have it for my own library!! A great story with sensational characters, a plot that grabs you from Page One, and, guarentted to keep you awake nights. I could NOT put this book down!! Superb writing, dialogue, plot--simply, it has it all!! An instant classic in my opinion!! Buy it today!!

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  • Anonymous

    Posted January 23, 2010

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  • Anonymous

    Posted January 21, 2012

    No text was provided for this review.

  • Anonymous

    Posted November 6, 2008

    No text was provided for this review.

  • Anonymous

    Posted April 29, 2011

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  • Anonymous

    Posted October 10, 2011

    No text was provided for this review.

  • Anonymous

    Posted December 13, 2008

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  • Anonymous

    Posted November 6, 2008

    No text was provided for this review.

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