New Orleans Stomp

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All Music Guide - Arwulf Arwulf
Past Perfect presents 20 classic jazz sides recorded between 1926 and 1940, featuring the New Orleans-cum-Chicago-styled clarinet of Johnny Dodds. This tasty sampler includes several fine collaborations with young cornetist Louis Armstrong, a majestic trio involving Lil Hardin Armstrong and New Orleans bassist Bill Johnson, and various ensembles driven by some seriously funky jug and washboard players. Each performance is well chosen and tidily restored. One that stands out from the rest is "Melancholy," a swinging jam on the blues recorded in 1938 at the beginning of the clarinetist's all-too-brief comeback. With trumpeter Charlie Shavers, pianist Lil Hardin Armstrong, ...
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Editorial Reviews

All Music Guide - Arwulf Arwulf
Past Perfect presents 20 classic jazz sides recorded between 1926 and 1940, featuring the New Orleans-cum-Chicago-styled clarinet of Johnny Dodds. This tasty sampler includes several fine collaborations with young cornetist Louis Armstrong, a majestic trio involving Lil Hardin Armstrong and New Orleans bassist Bill Johnson, and various ensembles driven by some seriously funky jug and washboard players. Each performance is well chosen and tidily restored. One that stands out from the rest is "Melancholy," a swinging jam on the blues recorded in 1938 at the beginning of the clarinetist's all-too-brief comeback. With trumpeter Charlie Shavers, pianist Lil Hardin Armstrong, guitarist Teddy Bunn, bassist John Kirby, and drummer O'Neill Spencer, this was by far the most modern-sounding band that Dodds ever got to record with. Bunn's solo is a marvel that might very well need to be heard twice. While any of various chronologically complete retrospectives can provide a more detailed history of Dodds and the music he lived for, Past Perfect's New Orleans Stomp and its companion volume, Blue Clarinet Stomp, are warmly recommended for seasoned listeners and newcomers alike. Packed with hot stomps, syncopated licks, and gully low slow drags, this compilation closes, quite sensibly, with Johnny Dodds' very last recordings: "Red Onion Blues" and "Gravier Street Blues."
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Product Details

  • Release Date: 12/5/2002
  • Label: PAST PERFECT
  • EAN: 4011222203908
  • Catalog Number: 220390

Tracks

Disc 1
  1. 1 Drop That Sack (2:49)
  2. 2 Gatemouth (3:04)
  3. 3 Too Tight (2:57)
  4. 4 Flat Foot (3:24)
  5. 5 I Can't Say (3:11)
  6. 6 Idle Hour Special (2:54)
  7. 7 Someday, Sweetheart (2:53)
  8. 8 Carpet Alley -- Breakdown (2:44)
  9. 9 Memphis Shake (3:16)
  10. 10 New Orleans Stomp (2:46)
  11. 11 Weary Way Blues (3:07)
  12. 12 After You've Gone (3:14)
  13. 13 Joe Turner Blues (2:41)
  14. 14 Lady Love (2:47)
  15. 15 Pencil Papa (2:53)
  16. 16 Forty and Tight (2:51)
  17. 17 Indigo Stomp (3:07)
  18. 18 Melancholy (2:41)
  19. 19 Red Onion Blues (2:52)
  20. 20 Gravier Street Stomp (2:43)
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Album Credits

Performance Credits
Johnny Dodds Primary Artist, Clarinet
Lonnie Johnson Guitar
Cal Smith Banjo
Paul Barbarin Drums
Earl Hines Piano
John Kirby Bass
King Oliver Cornet
Kid Ory Trombone
Charlie Shavers Trumpet
Luis Russell Piano
Natty Dominique Cornet
Frank Melrose Piano
Roy Palmer Trombone
Jimmy Blythe Piano
Clifford Hayes Violin
Johnny St. Cyr Banjo, Speech/Speaker/Speaking Part
Harold B. Clifford Jug
Teddy Bunn Guitar
Louis Armstrong Cornet
Lil Armstrong Piano
Baby Dodds Drums, Washboard
Jimmy Bertrand Washboard
Barney Bigard Tenor Saxophone
Joe Clark Alto Saxophone
Bert Cobb Double Bass
Honore Dutrey Trombone
Darnell Howard Clarinet, Alto Saxophone
Preston Jackson Trombone
R.J. Jones Piano
John Lindsay Bass
Earl McDonald Jug
Punch Miller Trombone
Herb Morand Cornet
Bud Scott Banjo
Bob Shoffner Cornet
O'Neill Spencer Drums, Washboard
Stump Evans Soprano Saxophone
Curtis Hayes Banjo
Lockwood Lewis Alto Saxophone, Vocals
Freddy Smith Banjo
Charlie Alexander Piano
Bill Johnson's Louisiana Jug Band Bass, Drums
John Thomas Trombone
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