- Alberta
- That's All Right
- Malaguena
- When They Ring Them Golden Bells
- Remember Me
- Fly Right Back Baby
- I Don't Know
- Mean Old World
- I Must See Jesus
- She's One Black Rat
- Don't You Lie to Me
- Well, I Had My Fun (Goin' Down Slow)
- Brown Skin Woman
- Mama, Don't You Tear My Clothes
- Who's Been Foolin' You
- When Shadows Fall
- One More Drink
- I Got a Woman
- Come Back, Baby
- Trouble in Mind
- I Got My Questionnaire
- The Drifter Blues
- Every Day I Have the Blues
- A Thousand Miles from Home
- I'm Looking for a Woman
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0717101802326
Lucius Bridges Guitar,Vocals
Percy Randolph Washboard
Aaron Walker Composer
Arthur "Big Boy" Crudup Composer
Snooks Eaglin Composer
Clarence Williams Composer
Charles Brown Composer
Walter Davis Composer
Chris Olesen Artwork,Layout Design
Jimmy McCracklin Composer
Fats Domino Composer
Eddie Williams Composer
Gene Austin Composer
Harry Oster Engineer,Producer,Photography
Sam Hopkins Composer
Rudy Toombs Composer
Richard M. Jones Composer
Karl Emil Knudsen Reissue Producer,Release Production
Nathaniel Shilkret Composer
Mercy Dee Walton Composer
Memphis Slim Composer
Armand Piron Composer
Shifty Henry Composer
Paul Oliver Liner Notes


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Overview
Ford "Snooks" Eaglin's first released recordings, the ones collected here, suggested to the world that Eaglin was a great lost country blues player when he was, in fact, an excellent electric guitar player and a gospel-influenced singer who much preferred playing R&B with a band. When folklorist Harry Oster heard Eaglin busking with his guitar on a street in the French Quarter in 1958, he whisked him over to Louisiana State University and recorded the tracks collected here, either assuming that Eaglin was a folk artist or possibly even asking him to portray one for the sake of the recording. Either way, New Orleans Street Singer was a revelation when it was released by Folkways Records a year later in 1959, presenting to the world a gifted guitar player and a naturally soulful singer who brought a kind of jazzy New Orleans feel and groove to the folk-blues standards he was covering. The album is no less a revelation in the 21st century, although hindsight allows listeners to realize that the folk stance was probably more Oster's preference than Eaglin's. The guitar work is quick and fluid, with lead bursts that surprise and delight, continually settling on unexpected but highly effective chordal resolves, and the singing throughout is steady and informed, sounding a bit like Ray Charles, with tinges of both gospel and jazz phrasing. In Eaglin's hands traditional fare like "Mama, Don't You Tear My Clothes" (a variant of "Baby, Let Me Follow You Down") become reborn and re-formed into definitive versions. ~ Steve Leggett
Product Details
Release Date: | 11/01/1994 |
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Label: | STORYVILLE RECORDS |
UPC: | 0717101802326 |
Tracks
Album Credits
Performance Credits
Snooks Eaglin Primary Artist,Guitar,Vocals,SoloistLucius Bridges Guitar,Vocals
Percy Randolph Washboard
Technical Credits
Dave Bartholomew ComposerAaron Walker Composer
Arthur "Big Boy" Crudup Composer
Snooks Eaglin Composer
Clarence Williams Composer
Charles Brown Composer
Walter Davis Composer
Chris Olesen Artwork,Layout Design
Jimmy McCracklin Composer
Fats Domino Composer
Eddie Williams Composer
Gene Austin Composer
Harry Oster Engineer,Producer,Photography
Sam Hopkins Composer
Rudy Toombs Composer
Richard M. Jones Composer
Karl Emil Knudsen Reissue Producer,Release Production
Nathaniel Shilkret Composer
Mercy Dee Walton Composer
Memphis Slim Composer
Armand Piron Composer
Shifty Henry Composer
Paul Oliver Liner Notes
From the B&N Reads Blog
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