New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond

by Robert Stam (Editor)

Overview

First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.

Product Details

ISBN-13:	9780415065948
Publisher:	Taylor & Francis
Publication date:	03/26/1992
Series:	Sightlines Series
Pages:	256
Product dimensions:	6.12(w) x 9.19(h) x (d)
Age Range:	18 Years

About the Author

Robert Stam is Professor of Cinema Studies at New York University. Robert Burgoyne is Associate Professor of English at Wayne State University. Sandy Flitterman-Lewis is Associate Professor of English and Cinema Studies at Rutgers University.

Table of Contents

Notes on the contributors, Preface, Part I The Origins of Semiotics, Part II Cine-semiology, Part III Film-narratology, Part IV Psychoanalysis, Part V From realism to intertextuality, Bibliography, Index of terms