The New Woman International: Representations in Photography and Film from the 1870s through the 1960sby Elizabeth Otto
Pub. Date: 03/02/2011
Publisher: University of Michigan Press
"In The New Woman International, editors Elizabeth Otto and Vanessa Rocco have gathered a group of intellectually stimulating and provocative essays that present the emergence, both tentative and triumphant, of this new global icon and her increasingly multicultural image. Written largely by historians of art and film, these essays emphasize visual analysis/i>
"In The New Woman International, editors Elizabeth Otto and Vanessa Rocco have gathered a group of intellectually stimulating and provocative essays that present the emergence, both tentative and triumphant, of this new global icon and her increasingly multicultural image. Written largely by historians of art and film, these essays emphasize visual analysis of the photographic and film media that carried the new woman's influential message."
---Norma Broude, American University
"The New Woman International focuses on the New Woman not simply as an image to be analyzed but also as a producer of images and text. This groundbreaking anthology represents a theoretically sophisticated set of essays that thoroughly examine the phenomenon of the New Woman in previously unexplored ways."
---Sarah E. Chinn, Hunter College, CUNY
Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky---all embodiments of the dashing New Woman---symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world.
The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages.
With a foreword from the eminent feminist art historian Linda Nochlin, this collection includes contributions by Jan Bardsley, Matthew Biro, Gianna Carotenuto, Melody Davis, Kristine Harris, Karla Huebner, Kristen Lubben, Maria Makela, Elizabeth Otto, Martha H. Patterson, Vanessa Rocco, Clare I. Rogan, Despina Stratigakos, Brett M. Van Hoesen, Kathleen M. Vernon, and Lisa Jaye Young.
DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library
- University of Michigan Press
- Publication date:
- Product dimensions:
- 6.30(w) x 9.10(h) x 1.50(d)
Table of Contents
Introduction: Imagining and Embodying New Womanhood Elizabeth Otto Vanessa Rocco 1
Part 1 The First New Women: Photography, Politics, and the Public Place of Women from the 1870s Through the First World War
1 The New Woman in American Stereoviews, 1871-1905 Melody Davis 21
2 The New Woman Exposed: Redefining Women in Modern Japanese Photography Jan Bardsley 39
3 Female Firsts: Media Representations of Pioneering and Adventurous Women in the Early Twentieth Century Despina Stratigakos 56
4 Domesticating the Harem: The New Woman in Colonial Indian Photography, 1895-1915 Gianna Carotenuto 71
Part 2 Art and Identity: Gender Constructions in Photography and Photomontage of the 1920s
5 Postcolonial Cosmopolitanism: Constructing the Weimar New Woman out of a Colonial Imaginary Brett M. Van Hoesen 95
6 Hannah Höch's New Woman: Photomontage, Distraction, and Visual Literacy in the Weimar Republic Matthew Biro 115
7 Acting the Lesbian: Les Amies by Germaine Krull Clare I. Rogan 135
8 Paris-Dessau: Marianne Brandt and the New Woman in Photomontage and Photography, from Garçonne to Bauhaus Constructivist Elizabeth Otto 153
Part 3 Mass Media Icons: The New Woman as Embodiment of Transnational Modernity
9 Mistaken Identity in Fritz Lang's Metropolis Maria Makela 175
10 "Chocolate Baby, a Story of Ambition, Deception, and Success": Refiguring the New Negro Woman in the Pittsburgh Courier Martha H. Patterson 194
11 Bad Girls: The New Woman in Weimar Film Stills Vanessa Rocco 213
12 Girl, Trampka, or Zába? The Czechoslovak New Woman Karla Huebner 231
13 Girls and Goods: Amerikanismus and the Tiller-Effect Lisa Jaye Young 252
Part 4 Girls and Crisis: The New Woman in the 1930s and Beyond
14 Women, Fashion, and the Spanish Civil War: From the Fashion Parade to the Victory Parade Kathleen M. Vernon 273
15 A New American Ideal: Photography and Amelia Earhart Kristen Lubben 291
16 Modern Mulans: Reimagining the Mulan Legend in Chinese Film, 1920s-60s Kristine Harris 309
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >