New York, 1960: Architecture and Urbanism between the Second World War and the Bicentennial

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Overview

This is the third volume (and the fourth chronologically) in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism. New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century.

The post-World War II era witnessed New York's reign as the unofficial but ...

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Overview

This is the third volume (and the fourth chronologically) in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism. New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century.

The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir. The architectural history of the period offered an exceptionally abundant and varied mix of building styles and types, from the faltering traditionalism of the 1940s through the heyday of International Style modernism in the 1950s and 1960s to the incipient postmodernism of the 1970s.

Organized geographically, New York 1960 provides an encyclopedic survey of the city's postwar architecture as well as relating a coherent story about each of its diverse neighborhoods. Primary sources are emphasized, including the commentaries of the preeminent architecture critics of the day; the text is illustrated exclusively with a rich collection of period photographs.

Following the well-received New York 1900 and New York 1930, New York 1960 presents a massive, in-depth study of the city during a period of unprecedented change. New York's post-war period offers an exceptionally abundant and varied mix of building types and styles. Lavishly illustrated with more than 1,000 period photographs and illustrations.

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Editorial Reviews

Publishers Weekly - Cahners\\Publishers_Weekly
Documenting New York City's transformation from manageable metropolis into sprawling megalopolis, this magnificent, panoramic volume sweeps from early 1940s' New York, a world capital of culture, sophistication and commerce, to the mid-'70s, when crime and near economic collapse had tarnished its image. Stunningly illustrated with some 1500 duotone period photographs, the absorbing text focuses on the 1960s and is organized geographically, from the metamorphosis of stretches of midtown into corporate America's headquarters to development projects in Harlem, the construction of Lincoln Center and the United Nations complex and efforts to preserve neighborhoods ranging from Greenwich Village to those in the other boroughs. We also get commentaries by Philip Johnson, Jane Jacobs, Lewis Mumford, Robert Moses, Ada Louise Huxtable and others reflecting on battles over architectural styles and urban-planning philosophies. An unprecedented record of New York City's dynamism and continual adaptation, this study also looks at portrayals of the city in films, paintings, sculpture, music, plays.
Publishers Weekly - Publisher's Weekly
Documenting New York City's transformation from manageable metropolis into sprawling megalopolis, this magnificent, panoramic volume sweeps from early 1940s' New York, a world capital of culture, sophistication and commerce, to the mid-'70s, when crime and near economic collapse had tarnished its image. Stunningly illustrated with some 1500 duotone period photographs, the absorbing text focuses on the 1960s and is organized geographically, from the metamorphosis of stretches of midtown into corporate America's headquarters to development projects in Harlem, the construction of Lincoln Center and the United Nations complex and efforts to preserve neighborhoods ranging from Greenwich Village to those in the other boroughs. We also get commentaries by Philip Johnson, Jane Jacobs, Lewis Mumford, Robert Moses, Ada Louise Huxtable and others reflecting on battles over architectural styles and urban-planning philosophies. An unprecedented record of New York City's dynamism and continual adaptation, this study also looks at portrayals of the city in films, paintings, sculpture, music, plays. Apr.
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Product Details

  • ISBN-13: 9781885254856
  • Publisher: The Monacelli Press
  • Publication date: 10/28/1997
  • Pages: 1376
  • Sales rank: 1,415,250
  • Product dimensions: 8.77 (w) x 11.11 (h) x 2.91 (d)

Meet the Author

Robert A. M. Stern, principal partner of Robert A. M. Stern Architects, founded in 1969, is also dean of the Yale School of Architecture. In addition to the series on New York, which includes New York 1880: Architecture and Urbanism in the Gilded Age, New York 1900: Metropolitan Architecture and Urbanism, 1890-1915, and New York 1930: Architecture and Urbanism Between the Two World Wars, Stern has published numerous books, including monographs on his firm's work, such as Robert A. M. Stern: Houses and Robert A. M. Stern: Buildings and Projects, 1999 -- 2003.

Thomas Mellins is an architectural historian and writer educated at Columbia University and the City University of New York. He is a coauthor of New York 1880, New York 1930, and a script collaborator on Pride of Place, the PBS documentary series on American architecture hosted by Stern.

David Fishman, a graduate of Columbia College, collaborated with Stern on New York 1880, New York 1930, Pride of Place, and the exhibition "42nd Street Theaters."

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Sort by: Showing 1 Customer Reviews
  • Posted February 16, 2013

    Highly recommend

    Beautifully pictured, very nostalgic - hugh volume

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