New York Calling: From Blackout to Bloomberg

Paperback (Print)
Used and New from Other Sellers
Used and New from Other Sellers
from $2.48
Usually ships in 1-2 business days
(Save 90%)
Other sellers (Paperback)
  • All (19) from $2.48   
  • New (8) from $15.85   
  • Used (11) from $2.48   


“Anyone who knew New York in the 1970s knows it was a different city from
that of today. New York Calling is like a Rough Guide to a city receding into
a dim past but now brought startlingly, evocatively to life by the amazing
group of writers assembled by Marshall Berman and Brian Berger.”
––Francis Morrone, author of The Architectural Guidebook to New York City

New York City in the 1970s was the setting for Taxi Driver, Annie Hall, and Saturday Night Fever, the nightmare playground for Son of Sam and The Warriors, the proving grounds for graffiti, punk, hip-hop, and all manner of other public spectacle. Musicians, artists, and writers could subsist even in Manhattan, while immigrants from the world over were reinventing the city in their own image. Others, fed up with crime, filth and frustration, simply split.

Fast-forward three decades and today New York can appear a glamorous metropolis, with real estate prices soaring higher than its skyscrapers. But is this fresh-scrubbed, affluent city really an improvement on its grittier––and more affordable––predecessor? Taking us back to the streets where eccentricity and anomie were pervasive, New York Calling unlocks life in the unpolished Apple, where, it seemed, anything could happen. All five boroughs­­––the Bronx, Brooklyn, Manhattan, Queens, and Staten Island––comprising hundreds of neighborhoods and the interlaced worlds of politics, crime, drugs, sex, and mischief, are explored with a love of the city unclouded by romance yet undimmed by cynicism.

Acclaimed historianMarshall Berman and journalist Brian Berger gather here a stellar group of writers and photographers who combine their energies to weave a rich tale of struggle, excitement, and wonder. John Strausbaugh explains how Uptown has taken over Downtown, as Tom Robbins examines the mayors and would-be mayors who have presided over the transformation. Margaret Morton chronicles the homeless, while Robert Atkins offers a personal view of the city’s gay culture and the devastating impact of aids. Anthony Haden-Guest and John Yau offer insiders’ views of the New York art world, while Brandon Stosuy and Allen Lowe recount their discoveries of the local rock and jazz scenes. Armond White and Leonard Greene approach African-American culture and civil rights from perspectives often marginalized in so-called polite conversation.

Daily life in New York has its dramatic moments too. Luc Sante gives us glimpses of a city perpetually on the grift, Jean Thilmany and Philip Dray share secrets of Gotham’s ethnic enclaves, Richard Meltzer walks, Jim Knipfel rides the subways, and Robert Sietsema criss-crosses the city, indefatigably tasting everything from giant Nigerian tree snails to Fujianese turtles.

It’s a long way from old Brooklyn to the new Times Square. But New York Calling reminds us of what has changed––and what’s been lost ––along the way.


Read More Show Less

Editorial Reviews

Harper's Magazine

“An exacting look at the state of the city after thirty-five excruciating years of civil war. . . . We emerge with a terrific sense of immigrant muscle, ethnic flavor, and multicultural diversity as a big city’s jumping beans.”—John Leonard, Harper’s

— John Leonard

Financial Times

"A mind-opening collection. . . . Through the lens of New York politics, music, art and counterculture, we hear several, often fascinating takes on essentially the same story: how the squalor, struggles, crime, drugs, and free expression of the 1970s and 1980s gave way to a cleaner and safer city in the subsequent two decades, but one in which commercial development has often trumped protecting existing residents and preserving a rich past. . . . The essays, whether read discretely or as a complete work, offer a near unforgettable impression of an era."—Financial Times

— Jason Warshof

Arthur Magazine

"This new book that he and Marshall Berman edited, New York Calling (Reaktion Books) is really a great anthology. Everybody we talk to who remembers New York before it became a fucking Disney subsidiary moans about the current lack of soul on Gotham''s streets. It''s not easy to say exactly why we loved the place more when it was a mess and a disaster, but it''s clear we do. There was a crazy vibrancy to the town that has clearly gone missing in the new Trump era. New York Calling collects essays by a swell bunch of writers - from Jim Knipfel to Richard Meltzer to Tom Robbins to Robert Sietsema - all of whom memorialize things and people and places that seem to have been lost forever. It''s a wonderful read, and brings the scent of five day old garbage to our snoots like nothing else we can think of. Breathe deep."--Byron Coley and Thurston Moore, Arthur Magazine

— Byron Coley and Thurston Moore

Time Out New York

"With Rudy running for President and Hilly Kristal dead, the timing couldn’t be better for New York Calling: From Blackout to Bloomberg. This fascinating, enlightening and sometimes irritating collection of essays pokes through the rubble of the past three decades and asks: What is the Apple without its worms—without its grifters, goombahs, B-boys, bohos and bums?"—Time Out New York

— Brian Braker

Metropolis Magazine

"Berman does an excellent job narrating the spectacular decline and just as spectacular resurgence of his hometown and the subsequent essays, mostly by fellow New Yorkers, grapple with the many contradictions inherent in this story. The dirty, drug-addled, debt-ridden Gotham of 30 years ago is gone--thankfully--but in its place is a city that feels a little less vital, a little more ordinary, and a lot more expensive."--Metropolis Magazine

— Mason Currey

Daily Telegraph

"Fascinating collection of essays . . . The essays often suggest that the real New York is to be found in Brooklyn or Queens, but prefer to focus on Manhattan, usually in tones of rueful melancholy or savage disgust. . . . The deregulated, liberatingly anonymous city to which generations of outsiders flocked in order to lose themselves is morphing into something altogether safer and tidier. It makes for comfortable living. But at what cost to New York''s soul?"--Daily Telegraph

— Sukhdev Sandhu

New York Times

"Many of the 28 contributors to New York Calling: From Blackout to Bloomberg seesaw between lionizing the lunacy that characterized the city during those years—some of us euphemistically described the mood as ''vibrant''—and dismissing the latest incarnation of New York as antiseptic. . . . Often revealing and almost always poignant."—Sam Roberts, New York Times

— Sam Roberts

Publishers Weekly

Berman (On the Town: One Hundred Years of Spectacle) establishes the personal tone of this collection of original essays in his introduction, recalling how New York City's "very special form of peace, harmony, and democracy... had unraveled" in the 1970s and '80s. The bonding of firsthand recollection to broader historical issues continues throughout the anthology, co-edited by poet, critic and photographer Berger. Joe Anastasio uses his morning subway commute to reflect on his former life as a graffiti artist, while Leonard Levitt's journalistic background informs his account of the lack of transparency in the city's police department. For every quirky "only in New York" moment, like Jim Knipfel's subway crazies or Luc Sante's East Village commerce (both legitimate and not), there's hefty political discussion, such as Leonard Greene's un-nostalgic look back at Ed Koch's record on race relations. Not every contribution works: Richard Meltzer's rant about the "North American Calcutta" has a creaky, outdated feel, and Meakin Armstrong's essay about New York's literary culture is little more than a string of authors and book titles. But with 230 photographs sprinkled throughout, this multivoiced collection establishes itself as a unique document of the city's last three decades. (Sept.)

Copyright 2007 Reed Business Information
Read More Show Less

Product Details

  • ISBN-13: 9781861893383
  • Publisher: Reaktion Books, Limited
  • Publication date: 9/15/2007
  • Edition description: New Edition
  • Pages: 400
  • Sales rank: 1,533,221
  • Product dimensions: 7.50 (w) x 9.80 (h) x 1.00 (d)

Meet the Author

Marshall Berman is the Distinguished Professor of Political Science at City College of New York and CCNY Graduate Center, where he teaches political theory and urban studies. He is also the author of On The Town: One Hundred Years of Spectacle in Times Square and All That Is Solid Melts into Air: The Experience of Modernity. Born and raised in the Bronx, he lives in Manhattan with his family.
Brian Berger is a poet, journalist, and photographer who remembers the view of Playland from the terrace of his grandparents’ apartment in Rockaway Beach, Queens. He’s written about music for Forced Exposure, the Austin Chronicle and Geek Weekly, and his verse has appeared at and elsewhere. His own dark hollow is

Read More Show Less

Table of Contents

Introduction   Marshall Berman     9
Openers   Brian Berger
Public Spaces     39
Subterranean Vaudeville   Jim Knipfel     42
From Wise Guys to Woo-Girls   John Strausbaugh     53
Staten Island: The Forgotten Borough   Steve Maluk     62
There's Hope for the Bronx   C. J. Sullivan     76
My Life in Graffiti   Joseph Anastasio     90
Commerce   Luc Sante     102
Who Walk in Brooklyn   Brian Berger     113
Everyone-and-Everything in Queens   Kevin Walsh     130
The Homeless   Margaret Morton     140
City Life     149
The Other New York Awaits its Leader   Tom Robbins     152
NYPD   Leonard Levitt     166
The Practice of Everyday Life   Jean Thilmany     179
At Least its Not New York   Richard Meltzer     188
New York State of Crime   Tim McLoughlin     193
Civil Rights: What Happens There Matters   Leonard Greene     204
Speaking Truth to Power   Armond White     215
I Am a Renter   Philip Dray     223
Growing Up Unrented on the Lower East Side   Edmund Berrigan     231
The Things We Do     239
Going Downtown (On an Uptown Train)   Paul Kopasz     242
From Stonewall to Ground Zero   Robert Atkins     253
Sex Before   Kate Schmitz     266
An Incomplete History of New York Galleries   John Yau     277
Scrapple from the Apple: New York Jazz   Allen Lowe     287
Death and Transfiguration in New York Rock   Brandon Stosuy     297
Big Art Inc.   Anthony Haden-Guest     308
Coffee, Cocktails and Cigarettes   Daniel Young     319
Writing New York   Meakin Armstrong     329
From Blackout to Blintzes (and Beyond)   Robert Sietsema     339
Chronology   Brian Berger     350
Contributors     356
Select Bibliography     359
Acknowledgments     363
Photo Key     364
Read More Show Less

Customer Reviews

Average Rating 5
( 1 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted January 29, 2008

    A reviewer

    What I like about this book are the photographs, the stories in the writeups, and the not-the-usual-assumptions style and content of the writing. While all writers ending up in NYC end up writing about just Manhattan, here we have essays about Staten Island (appropriately subtitled 'The Forgotten Borough'). For all those that took the subway, got hit by the comicity of everyday events, and the non-stop beat, the text in this book really resonates. The quality of the paper and the binding is excellent. The photographs are inspiring, as not directly on your face what the image represents, but more a sarcastic and ironic side telling. In one word: 'depth'.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)