The New Yorker Theater and Other Scenes from a Life at the Movies [NOOK Book]

Overview


The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New ...

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The New Yorker Theater and Other Scenes from a Life at the Movies

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Overview


The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work.

In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.

Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad& mdash;and often entertaining& mdash;aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

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Editorial Reviews

Library Journal
Film aficionados who are familiar with Pauline Kael and her Berkeley Cinema Guild theater may not be aware of its East Coast counterpart, the New Yorker Theater. Talbot, its co-owner, fills this void by recounting the genesis, evolution, and demolition of this alternative theater. Intermixing events of the day with her own personal memoirs, which are sometimes strangely touching or border on the hilarious, Talbot provides readers with a glimpse of the New York cultural scene during the Sixties and early Seventies. Her friendship with various filmmakers and film critics enables her to demystify these legendary figures. Beware, however, that this work reads more like Darwin Porter's Hollywood Babylon—It's Back! than a James Agee film essay or an Andrew Sarris film review. VERDICT This insider's view—perhaps a bit on the gossipy side—from the perspective of a theater owner will give readers with more than a casual interest in movies a look at some key people who influenced New Cinema.—Victor Or, Surrey P.L. & North Vancouver City Lib., B.C.
The East Hampton Star - Richard Horwich

[ The New Yorker Theater] will certainly appeal to film buffs, to New Yorkers, and to celebrity watchers. And there are valuable materials for cinematic historians as well.

Cineaste - James Monaco

A rare and valuable historical record of a special time.

The East Hampton Star
[ The New Yorker Theater] will certainly appeal to film buffs, to New Yorkers, and to celebrity watchers. And there are valuable materials for cinematic historians as well.

— Richard Horwich

Cineaste
A rare and valuable historical record of a special time.

— James Monaco

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Product Details

  • ISBN-13: 9780231519823
  • Publisher: Columbia University Press
  • Publication date: 6/1/2010
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 400
  • File size: 66 MB
  • Note: This product may take a few minutes to download.

Meet the Author


Toby Talbot, a native New Yorker, has been an Upper Westsider since the 1950s. She and her husband Dan Talbot first owned and ran the New Yorker Theater in the 1960s, and then Manhattan's Cinema Studio and Metro Theater in the mid-1970s and early 1980s. They now own and run Lincoln Plaza Cinemas on Manhattan's Upper West Side. Talbot is the author of A Book About My Mother, Early Disorder, numerous childrens' books, and many translations, among them Jacobo Timerman's Prisoner Without A Name, Cell Without a Number. She has taught Spanish literature at Columbia College and New York University, was formerly the education editor of El Diario de Nueva York, and now teaches documentary film at the New School University in New York.

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