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Nicotine Kiss (Amos Walker Series #18) [NOOK Book]

Overview


Sometimes friendship is the only thing you can count on. Just before Thanksgiving, an old friend, cigarette smuggler Jeff Starzek, saved private detective Amos Walker’s life by getting him to the hospital when he was shot. After New Year’s, Walker gets a frantic call from Starzek’s sister. Jeff’s missing; hasn’t been in touch for weeks. It’s just not like him.

Now Walker, still gimpy and rehabbing, is trying to find Starzek. All he has to go ...
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Nicotine Kiss (Amos Walker Series #18)

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Overview


Sometimes friendship is the only thing you can count on. Just before Thanksgiving, an old friend, cigarette smuggler Jeff Starzek, saved private detective Amos Walker’s life by getting him to the hospital when he was shot. After New Year’s, Walker gets a frantic call from Starzek’s sister. Jeff’s missing; hasn’t been in touch for weeks. It’s just not like him.

Now Walker, still gimpy and rehabbing, is trying to find Starzek. All he has to go on is his knowledge of Starzek’s territory—the Lake Huron shore north of Detroit—and a tip from Homeland Security agent Herbert Clemson. Clemson, who is also looking for Starzek, says the missing man might be connected to counterfeiters with ties to terrorists.

Walker can't really see Starzek getting involved in a scheme so different from his usual line of work. When he visits the man's brother, a minister of an evangelical church, Walker finds a huge stack of treasury paper perfect for printing $20 bills—but Starzek's brother is also missing. The counterfeiters are damn serious—serious enough to make Starzek's brother disappear, and serious enough to try and kill Walker when he pokes around their operation. Hell of a way to protect an investment.

But Walker, gimpy, in pain, cold and tired, can’t give up on Starzek. It’s a matter of friendship, and he won’t let down a friend. He just hopes his loyalty doesn’t get him killed.

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.


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Editorial Reviews

Publishers Weekly
Amos Walker, Estleman's hard-boiled Detroit PI, shows no sign of losing steam in the 18th novel in this Shamus Award-winning series (Retro, etc.). When a routine job tracing a deadbeat dad turns violent, Walker's life is saved by Jeff Starzek, an acquaintance on the wrong side of the law. That act of kindness eventually involves the detective in a murky, twisty inquiry into Starzek's disappearance. The trail leads Walker to a cold, desolate area near Lake Huron and the bizarre Church of the Inland Sea, an evangelical house of worship marked by images of the martyred St. Sebastian. Evidence turns up suggesting that Starzek has moved from smuggling cigarettes to working with a terrorist counterfeiting ring. Unlike many other authors, Estleman successfully introduces a topical post-9/11 plot line into his creation's world. No current writer has consistently evoked Chandler and Marlowe like Estleman, whose steady if unflashy work has yet to gain him the plaudits or name recognition he deserves. (Apr.) Copyright 2006 Reed Business Information.
Kirkus Reviews
In his 18th investigation (Retro, 2005, etc.), the last pure gumshoe standing does it mostly on one leg. It happens on Opening Day of hunting season in Grayling, Mich. Amos Walker, undercover (woolen shirt, lace-up boots, two day's growth), gets shot by a rancorous deadbeat and ends up in the hospital with a limp that may be permanent. Why was he so readily busted? Walker's theory: "You don't do what I do for as many years as I've done it without taking on some of the physical characteristics of a rat terrier." But that wisdom comes after he's stretched senseless in a parking lot, his wounded leg gushing, and he has to rely on one Jeff Starzek to deliver him to the ER even though he has a pressing reason for not taking time from his busy schedule: Homeland Security is hot on his heels. Has Starzek, so far a small-scale smuggler, escalated his operation on behalf of jihadists? Herbert Clemson of Homeland Security says yes. Starzek's sister Rose says no, and pleads with Walker to find her vanished brother. Walker sides with Rose. For one thing, she's pretty. For another, it goes against the Walker grain to trust "those federal types, who lie to their parakeets just to keep in practice."No surprises, of course-a tradition is a tradition-but few among the Private Eye Writers of America can do it better.
From the Publisher
“No one comes closer to capturing the spirit of the noir master [Raymond Chandler’s] work than Estleman.” —Associated Press

“Estleman delivers gripping action and satisfying irony, further cementing the solitary, hard-boiled P.I.’s reputation for giving as good as he gets. The riveting chase scenes are tailor-made for the screen.” —Booklist

 

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Product Details

  • ISBN-13: 9781429911856
  • Publisher: Tom Doherty Associates
  • Publication date: 4/1/2007
  • Series: Amos Walker Series , #18
  • Sold by: Macmillan
  • Format: eBook
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 256
  • Sales rank: 194,145
  • File size: 2 MB

Meet the Author


Loren D. Estleman is the author of more than fifty novels (all of which were written on a manual typewriter), this being the eighteenth featuring private eye Amos Walker. His other novels include Retro, the seventeenth Amos Walker novel, City of Widows, and Little Black Dress, a Peter Macklin novel. His work has earned him three Shamus Awards, four Golden Spur Awards, and three Western Heritage Awards thus far. He currently resides in Michigan with his wife, author Deborah Morgan.

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Read an Excerpt


Chapter One
Someone had disinterred "Big John" from the back of the vintage Rock-Ola. Jimmy Dean's bass struck bedrock on the big, bad refrain, buzzing the speakers and rippling the surface of my Carling Black Label, the muscatel of bottled beer. The neon tubing behind the bar cast rose-petal light over everything.

Spike's Keg o' Nails smelled of beer and cedar and mothballs, the last from the blaze-orange and red-and-black-check coats that had hung in upstairs closets from January to November. Two hunters with sooty eleven o'clock shadows taught body English to the shuffleboard table and some smoke-cured campers from outside town trumped one another at euchre with loud oaths every time a card smacked their table. A graying couple danced, dressed identically in jeans and flannel, and a waitress built like Johnny Bravo fox-trotted between crowded tables hoisting a cityscape of longnecks on a round tray. It was opening day of firearms deer season in Grayling, Michigan, where they close the schools as if it's the Fourth of July, and I was the only relatively sober customer on the premises. Even the ninety-year-old moose head on the wall was listing slightly to the left.

Spike's hadn't changed a tick since I was fourteen and hunting with my father and his friends, and he'd said then it hadn't changed in twenty years. He'd pointed out the corner where he'd once seen Cesar Romero, grinning dazzlingly in his three-day whiskers and ordering rounds for his rumpled party. What might have been the same rickety table and captain's chairs were now occupied by a heavyset blonde with a map of every motel in the northern Lower Peninsula on her face and three National Guardsmen in fatigues from Camp Grayling, plying her with beers. She was older than any two of them combined and looked as if she could drink off a case with one hand and arm-wrestle all three of them with the other. She'd practiced on Cesar and his friends.

I wasn't hunting deer, although I'd dressed for the part in a woolen shirt and lace-up boots and let my beard grow for two days to fit in. A lawyer in Royal Oak had hired my agency of one to find a man named Hegelund and keep him in sight until an officer could arrest him on a warrant for nonpayment of child support. He'd quit his job, canceled his credit cards, and left town, and his ex-wife was at the top of the list of people who hadn't heard from him since June. But he hadn't missed an opening day in Grayling in seven years. Going after deadbeats is a lot like deer hunting: You pick your spot, sit tight, and wait for your trophy to come along. Sooner or later everyone passed through Spike's on his way to the woods.

My heart wasn't in it. The lawyer's client had gotten the house, the car, and the dog, and the sixteen-year-old daughter had moved in with her thirty-seven-year-old boyfriend in Clarkston. Hegelund had walked away from the marriage after years of stagnant counseling, giving up grounds, and hadn't contested a single claim. The picture in my pocket showed a tired face with white flags all over it. Hunting him was like cutting the weak and aged from the herd. But I had winter taxes to pay and deadbeat dads are 15 percent of my income.

An hour before closing, the hardcore sportsmen who got up at 5:00 a.m. started evaporating, the juke ran out of dead country singers and sausage tycoons, and the clinking bottles and loud card tournament became the only ambient noises in the room. Then the piano began to tinkle.

I hadn't even known the place had one, but there it was, a basic upright no one had tuned since the moose had reached the age of consent. The party seated on the bench was built close to the ground and wide across the back, like the concrete stop at the end of a railroad. He had a full head of chestnut-colored hair, razored carefully at the nape, and wore a brown leather Windbreaker too thin for the North Country and tan cords rubbed shiny in patches, scuffed white high-tops on his feet. He wasn't my man, but I recognized him from behind. I got up and carried my beer over.

"I wouldn't wear that outfit into the woods." I parked the bottle next to his glass on top of the piano. "You could wind up on the buck pole downtown."

Jeff Starzek didn't look up. His glass wasn't for drinking. It was filled with clear liquid, probably water, and reflected most of the room like a convex mirror. That wasn't any more an accident than his fingering. He was playing Rachmaninoff. I could tell, because there were too many notes and they were batting away at one another like hockey players. "They better shoot fast. I can do eighty on those sand trails."

"Still driving that Charger?"

"Challenger." His stubby fingers scampered across the bridge. "Not anymore. I cracked the block in Kentucky. It's hard to read a 'Water Over the Road' sign when you're topping a hill at a hundred and five."

"You must've been running hot for some time."

"Still am. How about you, Amos? Still climbing trellises?"

"I'm climbing one now."

"Not mine. I wouldn't have seen you coming."

"You're federal game," I said. "I can't meet their dress code."

"I can outrun the feds okay. These days they're spread pretty thin. It's the troopers I have to watch out for. That new tax hike's got them all angling for commander."

I asked him what he was driving. He smiled at the keys. He had a moon face and a delicately curved mouth with hard muscles at the corners. A lock of hair broke over his left eyebrow. No face or body looked less like Ben Affleck's, yet women responded to him. It wasn't the danger, because he didn't tell them what he did for a living. He didn't talk much at all, in fact, which may have been the secret. People who don't have a lot to say get the reputation of being good listeners. In his case it was true. But he could always talk about cars.

"Hurst Olds," he said. "Sixty-nine."

"Four fifty-five. I've got that in my Cutlass."

"I bought it for the trunk. I can squeeze in a dozen more cartons than I could in the Dodge." He screwed up his face. "You think you could blow that somewhere else?"

I'd lit a cigarette. I laid it in a tray on an empty table. "What are you hauling?"

"Kiddie cigs. Marlboros."

"You smuggle 'em, but you don't smoke 'em?"

"Ever hear of Larry Fay?"

"Old-time song-and-dance man."

"That's Eddie Foy. Fay was a big-time bootlegger in New York during Prohibition. Never touched a drop."

"Rumrunners are a lot more popular now than Big Tobacco."

"Better PR. And I'm not big."

I'd met Jeff Starzek when he was running interference for truckloads of cargo hijacked from Detroit Metropolitan Airport. He'd painted his 1970 Dodge Challenger a shade of orange you could see from outer space and averaged thirty miles over the speed limit all the way to Chicago, drawing cops, like Buster Keaton, toward him and away from the big rigs and their contraband. He had more license suspensions than a drunken congressman and no convictions for anything more serious than reckless driving. At the time I'd been tracing a teenage runaway who'd mixed himself up with the operation. If Starzek hadn't broken precedent and told me what I'd needed to know, the kid might have gone on jumping from one felony to another until he wound up behind chain-link and razor wire. He might have anyway, for all I knew, but I returned him to his parents for however long he stayed.

The next time I'd seen Starzek, he'd gone into business for himself, hauling much smaller shipments of cigarettes bought in lower-tax states and on Indian reservations where no taxes were paid and selling them to wholesalers and party stores at a profit. The merchants sold the cigarettes over the counter and pocketed the amount that would have gone to Lansing. That time, the smuggler was a client; someone had sold a store in Eastpointe a case of menthols laced with pesticide, Starzek had been arrested on a tip, and although charges were dropped for lack of evidence, the family of a customer who'd died of poisoning had brought civil suit against Starzek, who claimed he'd never done business in Eastpointe. Everything I turned pointed to the store manager's son-in-law, who'd stolen the case from a shipment targeted for destruction after a crop-dusting blunder in Virginia.

By then, of course, Starzek was known to the Bureau of Alcohol, Tobacco, and Firearms, and just repainting his Challenger an unassuming brown wasn't enough to keep agents from hauling him over and running him through the system.

"I thought you'd retired," I said.

"Diversified is the word." He trilled a finger down the keyboard Jerry Lee Lewis style. "I'm carrying something else back down the coast."

"I won't ask what."

"Honestly, who cares?"

I gave him the point. It wasn't anything to me whether he smuggled Lucky Strikes or fake Beanie Babies. The tax just went into the bail fund for state senators.

I swigged beer. It was warm already. The bar was overheated, like every other place up there in late fall. "Well, good luck. That lake effect from Chicago's a bitch when it snows."

"Wrong coast. I like the little towns on Huron. Everybody minds his own business and the feds stick out like ears on a frog."

"In nineteen-fifty, maybe. They're as suspicious as in the city."

"Cynic."

"Pirate."

The square-shouldered waitress box-stepped our way to announce last call. Starzek, who hadn't touched his water, shook his head. I was looking at my watch and wondering if waiting twenty more minutes would make any difference when Hegelund came in.

His face looked sadder and more tired under an orange cap with a buck silhouetted on the front. He wore a camouflage coat with splashes of orange on it and insulated boots that flapped about his ankles. I ordered another beer and started back to my table, not making eye contact.

Maybe I was too conscientious about it. You try to make your mind blank, just in case there's something to telepathy, but prey always has the advantage. Hegelund didn't know me from J.D. Salinger, but he stopped when he saw me, turned around, and trotted back out. I gave him fifteen seconds, then left cash for the beers including the one I had coming and followed, casual as a picnic.

I'd parked in the dirt lot next to the building, pale under the phantom glow of a mercury bulb with a light dusting of snow. My breath curled. There among the campers, pickups, and RVs was Starzek's Hurst/Olsmobile, painted light blue--that year's version of plain brown--and built along the lines of my Cutlass, but with twin scoops punched into the hood. He'd have reinforced the springs to keep the rear end from sagging under its load and bolted the bumpers with angle irons to the frame, in order to run roadblocks and sustain ramming from behind. I didn't get down to look. It would have a new transmission and a rebuilt engine. Everything else that might have slowed him down--radio, heater, rear seat, spare tire--would have been stripped away. It was a power plant on wheels, with space for cargo and an operator.

Hegelund was driving an eight-year-old Jeep Cherokee, parked on the edge of the lot near the street. The lawyers hadn't left him enough to buy anything younger. Rust had nibbled at the wheel wells and someone had taped thick plastic over a missing window in back. He'd had luck; a shaggy spikehorn buck lay on the roof, lashed in place with clothesline around its hooves fore and aft. Shaking loose my keys, I watched Hegelund out of the corner of my eye as he bent to reach into the backseat. I was walking down a rutted aisle between rows of cars.

I heard the crash and felt the jolt when my shoulder hit the ground. My leg never felt the impact and for an instant I thought I'd slipped on a patch of ice. Then I felt the numbness below my waist and knew I'd taken a lead slug big enough to change my life. I began to float away from the light. The second crash belonged to something that had no connection with me.

Copyright © 2006 by Loren D. Estleman
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Customer Reviews

Average Rating 4.5
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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted May 15, 2006

    State of the Art Hard-boiled

    This is Loren D. Estleman¿s best Amos Walker novel since he revived the Detroit PI back in 1997. The story involves a smuggler, his sister, her husband, and a Homeland Security agent. You will probably spot the villain long before Amos does, but don¿t let that spoil your read. Estleman writes prose out of Raymond Chandler and he makes you feel the cold of an upper Michigan winter. He doesn¿t pad his book to stretch it to 300 pages like many suspense writers and he has kept Amos Walker fresh and enjoyable for 25 years. How many series writers can do that?

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  • Posted December 9, 2008

    more from this reviewer

    Excellent

    In Grayling, Michigan on the first day of the new hunting season, private detective Amos Walker is , undercover tracking a deadbeat dad when he is shot in the leg. An acquaintance, small time cigarette smuggler Jeff Starzek rushes Amos to a nearby hospital before he bleeds to death.----- As Amos heals with a limp, Homeland Security Agent Herbert Clemson believes that Jeff¿s two bit operation has grown into a vast terrorist supported counterfeiting ring and plans to hold him indefinitely under the guise of the Patriot Act. When Jeff vanishes, his sister Rose turns to Walker to find her brother whom she says still only works his small time cigarette trade. Amos believes he owes his life to Jeff so he makes inquiries that lead to a remote Lake Huron evangelical Church of the Inland Sea with the Feds telling him to stay out a red flag that entices Walker to dig deeper as he believes the term Fed means liar.----- In his eighteenth appearance, Walker continues to be one of the best private investigator tales of the past decade. His latest case involves the post 9/11 world of the Feds who before the Patriot Act willingly stomped on rights and now he believes can do so legally. The story line is terrific as Walker and readers wonder if the church, the jihadist counterfeiters or the Feds have abducted and buried Starzek so that no one else, including the NSA wiretapping, can find him. Once again Loren Estleman has written a straight forward fantastic mystery.----- Harriet Klausner

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