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| Ol' Dirty Bastard | Primary Artist |
| Pharrell Williams | Multi Instruments |
| Mike "Suga" Allen | Drums |
| Dominick Maybank | Bass, Guitar |
| Chad Hugo | Multi Instruments |
| Big Baby | Horn |
| Chris Rock | Contributor |
| Mr. Fingers | Producer |
| Ervin Drake | Composer |
| RZA | Arranger, Composer, Producer, Engineer |
| Brian Stanley | Engineer |
| Kevin Thomas | Engineer |
| P. Williams | Composer |
| Frank Young | Logo |
| Mike Anzelowitz | Engineer |
| Robert Diggs | Composer |
| Lili Picou | Art Direction |
| Mark Snow | Composer |
| Irv Gotti | Producer |
| Dan Fisher | Composer |
| Irene Higginbotham | Composer |
| Chad Hugo | Composer |
| Tru Master | Producer |
| Patrick Viala | Engineer |
| Buddah Monk | Producer |
| DL | Producer |
| Dr. No | Producer, Engineer |
| Dat Nigga Reb | Producer |
Editorial Reviews
All Music Guide - Keith Farley
Ol' Dirty Bastard's long-awaited follow-up to one of the most successful Wu-Tang solo joints, Return of the 36 Chambers, is just as delightful and raunchy as his prime work with Wu-Tang Clan and his solo debut. Fortunately for a rapper of ODB's caliber, there are few guest appearances to get in the way of his amazing rhymes. When Chris Rock steps in for the opener "Recognize" however, it's one of the highlights of the record. Elsewhere, ODB takes on drugs "Gettin' High", women "I Want Pussy" and violence "You Don't Want to F*ck with Me," "Cold Blooded" with his usual flair. Of course, RZA is in on the production with a set of solid, long-trademarked Wu-Tang tracks. Long ...