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Night and Dreams

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All Music Guide - Stephen Eddins
Canadian soprano Measha Brueggergosman's solo recital, Night and Dreams, includes an exceptionally attractive selection of songs with nocturnal themes, most of them serenely radiant in tone. She writes in the program notes, "We wanted beautiful music… something that was languid, sexy, romantic, different," and the repertoire she has chosen is fully successful in meeting those standards. It's an appealing mix of familiar songs -- Debussy's "Beau soir," Duparc's "Chanson triste," Montsalvatge's "Cancíon de cuna para dormir a un negrito," Hahn's "L'Heure exquise," Duparc's "Phidylé," and Mozart's "Abendempfindung an Laura," -- as well as some lesser-known jewels like ...
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Editorial Reviews

All Music Guide - Stephen Eddins
Canadian soprano Measha Brueggergosman's solo recital, Night and Dreams, includes an exceptionally attractive selection of songs with nocturnal themes, most of them serenely radiant in tone. She writes in the program notes, "We wanted beautiful music… something that was languid, sexy, romantic, different," and the repertoire she has chosen is fully successful in meeting those standards. It's an appealing mix of familiar songs -- Debussy's "Beau soir," Duparc's "Chanson triste," Montsalvatge's "Cancíon de cuna para dormir a un negrito," Hahn's "L'Heure exquise," Duparc's "Phidylé," and Mozart's "Abendempfindung an Laura," -- as well as some lesser-known jewels like Poulenc's "C'est ainsi que tu es," and Brazilian composer Francis Hime's "Anoiteceu."" After the sassy exuberance of Surprise, her previous album for Deutsche Grammophon, a collection of German, French, and American cabaret songs, Night and Dreams demonstrates Brueggergosman's versatility in her sure command of this more refined and reflective repertoire. The warm expansiveness of her dusky voice beautifully captures the languor and sensuality that characterize many of these songs. As fine as she is in the traditional classical pieces, her voice really blossoms in the sultry Spanish and Latin repertoire, where the music invites her to bring an improvisatory spontaneity to her interpretation. The program is put together with unusual care; the juxtaposition of the songs is often striking and creates an inexorable and satisfying sense of flow. Pianist Justus Zeyen is a responsive and virtuosic partner. Deutsche Grammophon's sound is clear, well balanced, and warmly present. A lovely album.
Globe and Mail
Bolts of velvet and silk, plush sound that transforms songs vastly different in style into variations on a theme called 'beauty'.....ensuring that Night and Dreams is the long and luscious lullaby its title promises.
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Product Details

  • Release Date: 10/19/2010
  • Label: Deutsche Grammophon
  • UPC: 028947781011
  • Catalog Number: 001477602

Tracks

Disc 1
  1. 1 Popular Spanish Songs (7), for voice & piano, G. 40: 5. Nana (Tranquillo) - Manuel de Falla & Ute Fesquet (1:41)
  2. 2 Nachtstück ("Wenn über Berge sich der Nebel breitet"), song for voice & piano, D. 672 (Op. 36/2) - Franz Schubert & Ute Fesquet (5:19)
  3. 3 Canciones negras (5) for voice & piano: No. 4, Canción de cuna para dormir a un negrito (Ninghe, ninghe, ninghe) - Xavier Montsalvatge & Ute Fesquet (2:32)
  4. 4 Notre amour, song for voice & piano, Op. 23/2 - Gabriel Fauré & Ute Fesquet (1:40)
  5. 5 Chanson triste ("Dans ton coeur..."), song for voice & piano (or orchestra), Op. 2/4 - Henri Duparc & Henri Cazalis (3:01)
  6. 6 Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6 - Claude Debussy & Paul Bourget (2:07)
  7. 7 Oh! quand je dors (I), song for voice & piano, S. 282i (LW N11/1) - Franz Liszt & Ute Fesquet (5:04)
  8. 8 Ständchen ("Der Mond steht über dem Berge"), song for voice & piano, Op. 106/1 - Johannes Brahms & Ute Fesquet (1:33)
  9. 9 Die Nacht ("Aus dem Walde tritt die Nacht"), song for voice & piano, Op. 10/3 (TrV 141/3) - Richard Strauss & Ute Fesquet (2:34)
  10. 10 Sleep, for voice & piano - Peter Warlock & Ute Fesquet (1:53)
  11. 11 Ständchen ("Mach' auf, mach' auf, doch leise, mein Kind"), song for voice & piano, Op. 17/2 (TrV 149/2) - Richard Strauss & Ute Fesquet (2:39)
  12. 12 Abendempfindung an Laura ("Abend ist's"), song for voice & piano, K. 523 - Wolfgang Amadeus Mozart & Joachim Heinrich Campe (4:31)
  13. 13 In dem Schatten meiner Locken, song for voice & piano (Spanisches Liederbuch) - Hugo Wolf & Ute Fesquet (2:06)
  14. 14 Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1) - Richard Strauss & Richard Dehmel (4:11)
  15. 15 Phidylé ("L'herbe est molle au sommeil"), song for voice & piano (or orchestra) - Henri Duparc & Ute Fesquet (4:51)
  16. 16 Le Temps de Lilas, for voice & piano (included in "Poème de l'amour et de la mer") - Ernest Chausson & Ute Fesquet (4:03)
  17. 17 L'Heure exquise, for voice & piano (No. 5 from Chansons grises) - Reynaldo Hahn & Ute Fesquet (2:46)
  18. 18 Anoiteceu - Francis Hime & Ute Fesquet (4:43)
  19. 19 Clair de lune, song for voice & piano (or orchestra) in B flat minor, Op. 46/2 - Gabriel Fauré & Ute Fesquet (2:53)
  20. 20 An den Mond ("Guess, lieber Mond"), song for voice & piano, D. 193 (Op. 57/3) - Franz Schubert & Ute Fesquet (2:44)
  21. 21 C'est ainsi que tu es ("Ta chair, d'âme mêlée"), song for voice & piano (Métamorphoses), FP 121/2 - Francis Poulenc & Ute Fesquet (2:26)
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Album Credits

Performance Credits
Measha Brueggergosman Primary Artist
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