The New York Times - Sarah Harrison Smith
Hobbie has an elegant, whimsical line and a great eye for humorous detail…[this] is one of the most attractive and engaging versions of Moore's poem, an edition to be savored, saved and shared.
From the Publisher
Praise for NOT INSIDE THIS HOUSE! (written by Kevin Lewis and illustrated by David Ercolini)"The precisely composed ink drawing, painting, and Photoshop illustrations, which set the tale in the halcyon age when men wore hats and women donned aprons, add an old-fashioned charm and much humor to the story." —SCHOOL LIBRARY JOURNALErcolini "shines in the imagining of megafauna lodged in a suburban house: the elephant falling through the floor into the mother's bathroom; the moose antler-shaped gashes on either side of the boy's bedroom door; the submerged first floor with houseplants afloat." —PUBLISHERS WEEKLY
The Horn Book
"The watercolor, pen-and-ink, and gouache illustrations...capture light wonderfully."
The Wall Street Journal
"Holly Hobbie has outdone herself.... Utterly enchanting."
The New York Times
"Hobbie's is one of the most attractive and engaging versions of Moore's poem, an edition to be savored, saved and shared."
Booklist
"Vivid...appealing...engaging...will speak to horse-crazy kids everywhere."
Library Media Connection
"A shining star in the collection of Holly Hobbie books."
Kirkus Reviews
★ 2013-09-01
Hobbie's fresh interpretation of the beloved Christmas classic offers a new way to see the arrival of St. Nick, from the perspective of one of the children of the household, rather than just the father. An intriguing cover illustration sets the scene, with the four children of the family snuggled up in a huge bed. The three older children are sound asleep, but look closely at the youngest boy, a towheaded toddler in a footed sleeper-suit. He's wide awake, and he and the family's cat head downstairs together. The little boy hides in a striped armchair and secretly watches as Santa arrives for his delivery. The father of the family is also awake and watching, connecting effectively with the narrator's voice in the poem. There is a hushed, magical feeling in Hobbie's masterful illustrations, done in watercolor, gouache, and pen and ink. She effectively captures the subdued lighting of the quiet house at night and the dark, mysterious atmosphere of the outdoor scenes with deep-gray skies, snowy vistas and a single fox standing by. Every element of the book's thoughtful design is skillfully chosen, including surprising perspectives, effective use of white space and an elegant type that echoes the muted palette of the illustrations. This is a quiet Night Before Christmas, one to savor and read over and over, year after year. (artist's note) (Picture book. 3-7)
