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Night Tales: Night Shift / Night Shadow

Overview

Her voice was like whiskey, smooth and potent, but it was her contradictions that fascinated Detective Boyd Fletcher?the vulnerability beneath her tough-as-nails facade. Late-night radio announcer Cilla O'Roarke was being threatened by a caller, and it was Boyd's job to protect her no matter what. But the sultry deejay was getting under his skin, and the undeniable attraction that sizzled between them concerned the detective?because anything could happen on the Night Shift.

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Overview

Her voice was like whiskey, smooth and potent, but it was her contradictions that fascinated Detective Boyd Fletcher—the vulnerability beneath her tough-as-nails facade. Late-night radio announcer Cilla O'Roarke was being threatened by a caller, and it was Boyd's job to protect her no matter what. But the sultry deejay was getting under his skin, and the undeniable attraction that sizzled between them concerned the detective…because anything could happen on the Night Shift.

They called him Nemesis. He walked the dark alleyways alone, a shadow among shadows—and that's the way he liked it. Until the night he saved Deborah O'Roarke from an attacker and rediscovered the quiet ache of yearning lodged in his heart. It had been a long time since he had wanted to reach out to someone…. But Deborah was an idealistic prosecutor who played by the rules and abhorred the vigilantism of her mysterious defender. Could she come to love the phantom who lurked in the Night Shadow?

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Product Details

  • ISBN-13: 9780373285860
  • Publisher: Harlequin
  • Publication date: 1/26/2010
  • Series: Night Tales Series
  • Format: Mass Market Paperback
  • Pages: 496
  • Sales rank: 241,551
  • Product dimensions: 4.10 (w) x 6.60 (h) x 1.10 (d)

Meet the Author

Nora Roberts is a bestselling author of more than 209 romance novels. She was the first author to be inducted into the Romance Writers of America Hall of Fame. As of 2011, her novels had spent a combined 861 weeks on the New York Times Bestseller List, including 176 weeks in the number-one spot. Over 280 million copies of her books are in print, including 12 million copies sold in 2005 alone.

Biography

Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.

As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.

For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."

Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.

Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."

Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."

Good To Know

Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.

Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.

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    1. Also Known As:
      J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
    2. Hometown:
      Keedysville, Maryland
    1. Date of Birth:
      1950
    2. Place of Birth:
      Silver Spring, Maryland

Read an Excerpt

"All right, night owls, it's coming up on midnight, and you're listening to KHIP. Get ready for five hits in a row. This is Cilla O'Roarke, and darling, I'm sending this one straight out to you."

Her voice was like hot whiskey, smooth and potent. Rich, throaty, touched with the barest whisper of the South, it might have been fashioned for the airwaves. Any man in Denver who was tuned in to her frequency would believe she was speaking only to him.

Cilla eased up on the pot on the mixer, sending the first of the five promised hits out to her listeners. Music slid into the booth. She could have pulled off her headphones and given herself three minutes and twenty-two seconds of silence. She preferred the sound. Her affection for music was only one of the reasons for her success in radio.

Her voice was a natural attribute. She'd talked herself into her first job—at a low-frequency, low-budget station in rural Georgia—with no experience, no résumé and a brand-new high school diploma. And she was perfectly aware that it was her voice that had landed her that position. That and her willingness to work for next to nothing, make coffee and double as the station's receptionist. Ten years later, her voice was hardly her only qualification. But it still often turned the tide.

She'd never found the time to pursue the degree in communications she still coveted. But she could double—and had—as engineer, newscaster, interviewer and program director. She had an encyclopedic memory for songs and recording artists, and a respect for both. Radio had been her home for a decade, and she loved it.

Her easygoing, flirtatious on-air personality was often at odds with the intense, organized and ambitious woman who rarely slept more than six hours and usually ate on the run. The public Cilla O'Roarke was a sexy radio princess who mingled with celebrities and had a job loaded with glamour and excitement. The private woman spent an average of ten hours a day at the station or on station business, was fiercely determined to put her younger sister through college and hadn't had a date in two years of Saturday nights.

And didn't want one.

Setting the headphones aside, she rechecked her daily log for her next fifteen-minute block. For the space of time it took to play a top 10 hit, the booth was silent. There was only Cilla and the lights and gauges on the control board. That was how she liked it best.

When she'd accepted the position with KHIP in Denver six months before, she'd wrangled for the 10:00-p.m.-to-2-a.m. slot, one usually reserved for the novice deejay. A rising success with ten years' experience behind her, she could have had one of the plum day spots when the listening audience was at its peak. She preferred the night, and for the past five years she'd carved out a name for herself in those lonely hours.

She liked being alone, and she liked sending her voice and music out to others who lived at night.

With an eye on the clock, Cilla adjusted her headphones. Between the fade-out of hit number four and the intro to hit number five, she crooned out the station's number four and the intro to hit number five, she crooned out the station's call letters and frequency. After a quick break when she popped in a cassette of recorded news, she would begin her favorite part of her show. The request line.

She enjoyed watching the phones light up, enjoyed hearing the voices. It took her out of her booth for fifty minutes every night and proved to her that there were people, real people with real lives, who were listening to her.

She lit a cigarette and leaned back in her swivel chair. This would be her last quiet moment for the next hour.

She didn't appear to be a restful woman. Nor, despite the voice, did she look like a smoldering femme fatale. There was too much energy in her face and in her long, nervous body for either. Her nails were unpainted, as was her mouth. She rarely found time in her schedule to bother with polish and paint. Her dark brandy-brown eyes were nearly closed as she allowed her body to charge up. Her lashes were long, an inheritance from her dreamy father. In contrast to the silky lashes and the pale, creamy complexion, her features were strong and angular. She had been blessed with a cloud of rich, wavy black hair that she ruthlessly pulled back, clipped back or twisted up in deference to the headphones.

With an eye on the elapsed-time clock, Cilla crushed out the cigarette and took a sip of water, then opened her mike. The On Air sign glowed green.

"That was for all the lovers out there, whether you've got someone to cuddle up with tonight or you wish you did. Stay tuned. This is Cilla O'Roarke, Denver. You're listening to KHIP. We're coming back with our request line."

As she switched on the tape for a commercial run, she glanced up. "Hey, Nick. How's it going?"

Nick Peters, the college student who served as an intern at the station, pushed up his dark-framed glasses and grinned. "I aced the Lit test."

"Way to go." She gratefully accepted the mug of steaming coffee he offered. "Is it still snowing?"

"Stopped about an hour ago."

She nodded and relaxed a little. She'd been worrying about Deborah, her younger sister. "I guess the roads are a mess."

"Not too bad. You want something to go with that coffee?"

She flicked him a smile, her mind too busy with other things to note the adoration in his eyes. "No, thanks. Help yourself to some stale doughnuts before you sign out." She hit a switch and spoke into the mike again.

As she read the station promos, he watched her. He knew it was hopeless, even stupid, but he was wildly in love with her. She was the most beautiful woman in the world to him, making the women at college look like awkward, gangling shadows of what a real woman should be. She was strong, successful, sexy. And she barely knew he was alive. When she noticed him at all, it was with a distractedly friendly smile or gesture.

For over three months he'd been screwing up his courage to ask her for a date. And fantasizing about what it would be like to have her attention focused on him, only him, for an entire evening.

She was completely unaware. Had she known where his mind had led him, Cilla would have been more amused than flattered. Nick was barely twenty-one, seven years her junior chronologically. And decades younger in every other way. She liked him. He was unobtrusive and efficient, and he wasn't afraid of long hours or hard work.

Over the past few months she'd come to depend on the coffee he brought her before he left the station. And to enjoy knowing she would be completely alone as she drank it.

Nick glanced at the clock. "I'll, ah, see you tomorrow."

"Hmm? Oh, sure. Good night, Nick." The moment he was through the door, she forgot about him. She punched one of the illuminated buttons on the phone. "KHIP. You're on the air."

"Cilla?"

"That's right. Who's this?"

"I'm Kate."

"Where are you calling from, Kate?"

"From home—over in Lakewood. My husband's a cabdriver. He's working the late shift. We both listen to your show every night. Could you play 'Peaceful, Easy Feeling' for Kate and Ray?"

"You got it, Kate. Keep those home fires burning." She punched the next button. "KHIP. You're on the air."

The routine ran smoothly. Cilla would take calls, scribbling down the titles and the dedications. The small studio was lined with shelves crammed with albums, 45s, CDs, all labeled for easy access. After a handful of calls she would break to commercials and station promos to give herself time to set up for the first block of songs.

Some of the callers were repeaters, so she would chat a moment or two. Some were the lonely, calling just to hear the sound of another voice. Mixed in with them was the occasional loony that she would joke off the line or simply disconnect. In all her years of handling live phones, she couldn't remember a moment's boredom.

She enjoyed it tremendously, chatting with callers, joking. In the safety of the control booth she was able, as she had never been able face-to-face, to relax and develop an easy relationship with strangers. No one hearing her voice would suspect that she was shy or insecure.

"KHIP. You're on the air."

"Cilla."

"Yes. You'll have to speak up, partner. What's your name?"

"That doesn't matter."

"Okay, Mr. X." She rubbed suddenly damp palms on the thighs of her jeans. Instinct told her she would have trouble with this one, so she kept her finger hovering over the seven-second-delay button. "You got a request?"

"I want you to pay, slut. I'm going to make you pay. When I'm finished, you're going to thank me for killing you. You're never going to forget."

Cilla froze, cursed herself for it, then cut him off in the midst of a rage of obscenities. Through strict control she kept her voice from shaking. "Wow. Sounds like somebody's a little cranky tonight. Listen, if that was Officer Marks, I'm going to pay those parking tickets. I swear. This one goes out to Joyce and Larry."

She shot in Springsteen's latest hit single, then sat back to remove the headphones with trembling hands.

Stupid. She rose to pluck out the next selection. After all these years she should have known better than to freak over a crank call. It was rare to get through a shift without at least one. She had learned to handle the odd, the angry, the propositions and the threats as skillfully as she had learned to handle the control board.

It was all part of the job, she reminded herself. Part of being a public personality, especially on the night shift, where the weird always got weirder.

But she caught herself glancing over her shoulder, through the dark glass of the studio to the dim corridor beyond. There were only shadows, and silence. Beneath her heavy sweater, her skin was shivering in a cold sweat. She was alone. Completely.

And the station's locked, she reminded herself as she cued up the next selection. The alarm was set. If it went off, Denver's finest would scream up to the station within minutes. She was as safe here as she would be in a bank vault.

But she stared down at the blinking lights on the phone, and she was afraid.

The snow had stopped, but its scent lingered in the chill March air. As she drove, Cilla kept the window down an inch and the radio up to the maximum. The combination of wind and music steadied her.

Cilla wasn't surprised to find that Deborah was waiting up for her. She pulled into the driveway of the house she'd bought only six months before and noted with both annoyance and relief that all the lights were blazing.

It was annoying because it meant Deborah was awake and worrying. And it was a relief, because the quiet suburban street seemed so deserted and she felt so vulnerable. She switched off the ignition, cutting the engine and the sounds of Jim Jackson's mellow all-night show. The instant of total silence had her heart leaping into her throat.

Swearing at herself, she slammed the car door and, hunched in her coat against the wind, dashed up the stairs. Deborah met her at the door.

"Hey, don't you have a nine-o'clock class tomorrow?" Stalling, Cilla peeled off her coat and hung it in the closet. She caught the scent of hot chocolate and furniture polish. It made her sigh. Deborah always resorted to housecleaning when she was tense. "What are you doing up at this hour?"

"I heard. Cilla, that man—"

"Oh, come on, baby." Turning, Cilla wrapped her arms around her sister. In her plain white terry-cloth robe, Deborah still seemed twelve years old to her. There was no one Cilla loved more. "Just one more harmless nut in a fruitcake world."

"He didn't sound harmless, Cilla." Though several inches shorter, Deborah held Cilla still. There was a resemblance between them—around the mouth. Both their mouths were full, passionate and stubborn. But Deborah's features were softer, curved rather than angular. Her eyes, thickly lashed, were a brilliant blue. They were drenched now with concern. "I think you should call the police."

"The police?" Because this option had simply not occurred to her, Cilla was able to laugh. "One obscene call and you have me dashing to the cops. What kind of nineties woman do you take me for?"

Deborah jammed her hands in her pockets. "This isn't a joke."

"Okay, it's not a joke. But Deb, we both know how little the police could do about one nasty call to a public radio station in the middle of the night."

With an impatient sigh, Deborah turned away. "He really sounded vicious. It scared me."

"Me too."

Deborah's laugh was quick, and only a little strained. "You're never scared."

I'm always scared, Cilla thought, but she smiled. "I was this time. It shook me enough that I fumbled the delay button and let it broadcast." Fleetingly she wondered how much flak she'd get for that little lapse the next day. "But he didn't call back, which proves it was a one-shot deal. Go to bed," she said, passing a hand over her sister's dark, fluffy hair. "You're never going to be the best lawyer in Colorado if you stay up pacing all night."

"I'll go if you go."

Knowing it would be hours before her mind and body settled down, Cilla draped an arm over her sister's shoulders. "It's a deal."

He kept the room dark, but for the light of a few sputtering candles. He liked the mystic, spiritual glow of them, and their dreamy religious scent. The room was small, but it was crammed with mementos—trophies from his past. Letters, snapshots, a scattering of small china animals, ribbons faded by time. A long-bladed hunting knife rested across his knees, gleaming dully in the shifting light. A well-oiled .45 automatic rested by his elbow on a starched crocheted doily.

In his hand he held a picture framed in rosewood. He stared at it, spoke to it, wept bitter tears over it. This was the only person he had ever loved, and all he had left was the picture to press to his breast.

John. Innocent, trusting John. Deceived by a woman. Used by a woman. Betrayed by a woman.

Love and hate entwined as he rocked. She would pay. She would pay the ultimate price. But first she would suffer.

The call—one single ugly call—came every night. By the end of a week, Cilla's nerves were frazzled. She wasn't able to make a joke of it, on or off the air. She was just grateful that now she had learned to recognize the voice, that harsh, wire-taut voice with that undercurrent of fury, and she would cut him off after the first few words.

Then she would sit there in terror at the knowledge that he would call back, that he was there, just on the other side of one of those blinking lights, waiting to torment her.

What had she done?

After she dropped in the canned news and commercial spots at 2:00 a.m., Cilla rested her elbows on the table and dropped her head into her hands. She rarely slept well or deeply, and in the past week she had managed only a few snatches of real sleep. It was beginning to tell, she knew, on her nerves, her concentration.

What had she done?

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Sort by: Showing all of 18 Customer Reviews
  • Anonymous

    Posted January 15, 2012

    highly recoomended

    all her books are outstanding. i give them all a five star

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  • Posted March 25, 2010

    Another Great Nora Roberts Series

    This is another great series from Nora Roberts. I loved the characters in these two books and how they are all connected. The plot was a little different from the usual Nora romances, so it was a nice change. This is a definite page turner.

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  • Posted March 9, 2010

    Not a New NR

    The divine Nora wrote these several years ago and they are still good. Just don't be fooled by the new cover. It is a re-issue.

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  • Posted February 22, 2010

    more from this reviewer

    I Also Recommend:

    Excellent!

    Read the book in less then a week. The book had a great storyline and the flow was meaningful.

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  • Posted February 20, 2010

    Eagerly awaiting the next volume in this series.....

    By now, you know that I'm a die-hard fan of Ms. Roberts, and it's hard to come up with new superlatives. I like volumes like this, where the characters are related and the story continues with the introduction of new characters. I hadn't read this before, and I'm looking forward to the next volume in the series. Good escapism, great writing--all the hallmarks I've come to expect from a NR offering. As addictive as chocolate, and every bit as yummy!

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  • Posted February 10, 2010

    I Also Recommend:

    The first book in the series

    This is the first book in the series, and a rerelease, i love the new covers. great book, if you havent read the series your missing out.keep them comeing..

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  • Anonymous

    Posted February 9, 2010

    NIGHT TALES & OTHER IN SERIES NOT NEW!!

    I READ THE NIGHT TALES SERIES YEARS AGO.
    WHY NOT SAY THEY ARE RE-RELEASES????

    FOR SOME TIME NOW I RETURN BOOKS THAT
    ARE RE-RELEASE & ALSO THE ONES WITH
    THE "TINY PRINT."

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  • Posted January 26, 2010

    Excellent Books for Reprint

    I have at least two copies of this whole series. Thoroughly enjoy them any time. Typical Nora Roberts books. If you like her writing and haven't read these, they are well worth buying.

    0 out of 1 people found this review helpful.

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