Nightflight

Nightflight

by Kate Miller-Heidke
     
 

Kate Miller-Heidke's career, at least from an American perspective, may seem a little convoluted; her break-out status in Australia has mostly resulted in overlapping and retitled releases in the U.S. Nightflight aims to end that confusion to one degree or another, and happily does so in large part simply because it's so enjoyable it can stand on its own ratherSee more details below

Overview

Kate Miller-Heidke's career, at least from an American perspective, may seem a little convoluted; her break-out status in Australia has mostly resulted in overlapping and retitled releases in the U.S. Nightflight aims to end that confusion to one degree or another, and happily does so in large part simply because it's so enjoyable it can stand on its own rather than simply being the next in a series of releases. With an approach that feels somewhere between Bel Canto's studied mysteriousness and Florence + the Machine's pop-friendly widescreen feeling -- and, as always, the overarching presence of Kate Bush as a strong but not sole lodestone -- Nightflight doesn't surprise so much as reinvigorate, with Miller-Heidke's working of sometimes familiar tropes turning into one strong song after another. Caught somewhere between cleanly energetic rock, piano-led moments, and Miller-Heidke's sometimes swirled vocals, the result is a remarkably enjoyable melange. "Ride This Feeling" kicks things off with that energetic front, with Miller-Heidke's underrated ear for a compelling lyric standing out with lines like "For some reason I decided to take off my clothes." In contrast, a song like "Sarah" builds up slowly to big choruses, a kind of monumentalism in miniature that recurs elsewhere on the album, as with "Humiliation." Throughout, Miller-Heidke's and her collaborator's secret weapon might be the drumming, which sometimes suddenly slams up in big fills as on the title track, matching the rampaging desire of its chorus perfectly while underscoring the regrets of the coda. It makes the calm steadiness of a song like "Let Me Fade" stand out all the more, the arrangements a familiar enough blend of piano and strings but its lyrical restless tiredness something a touch more individual. Then there's a song like "Beautiful Darling" making the joys of domesticity and love something worthy of the Edge-like guitar part, but with a warmth Bono is too overbearing to allow to show. Miller-Heidke makes things her own, with style and energy in equal measure.

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Product Details

Release Date:
06/19/2012
Label:
Sin Uk
UPC:
0886919744125
catalogNumber:
974412
Rank:
96963

Tracks

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Album Credits

Performance Credits

Kate Miller-Heidke   Primary Artist,Piano,Electric Piano,Vocals
Duke Quartet   Strings
James O'Brien   Bass,Background Vocals
Steve Pope   Drums
Keir Nuttall   Banjo,Background Vocals
Dan Parsons   Drums,Background Vocals
John Castle   Drums
Luke Moller   Mandolin,Violin,Viola,Background Vocals
Nicole Brophy   Background Vocals
James Millar   Background Vocals
Gillian Cosgriff   Background Vocals
Gemma Turvey   Piano

Technical Credits

Tony Cousins   Mastering
John Metcalfe   String Arrangements
Andrew Cameron   Music Business Affairs
Lindsay Gravina   Producer
Kate Miller-Heidke   Composer
Keir Nuttall   Composer,Programming,Producer
Sharon Chai   Artwork,Cover Design,Layout
Rob Long   Engineer
Sam Wheat   Engineer
Anna Laverty   Engineer,Vocal Engineer,Additional Production
Jeremy Hammond   Management

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