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| Harry Nilsson | Primary Artist, Organ, Harmonica, Piano, Electric Piano, Vocals, Mellotron |
| Gary Wright | Organ, Piano |
| Chris Spedding | Guitar |
| Herbie Flowers | Bass |
| Jim Price | Trombone, Trumpet |
| Jimmy Webb | Piano |
| Jim Keltner | Drums |
| Jim Gordon | Percussion, Drums |
| Paul Buckmaster | Conductor |
| Ian Duck | Acoustic Guitar |
| Bobby Keys | Saxophone |
| Richard Perry | Percussion, Mellotron |
| Roger Pope | Drums |
| Caleb Quaye | Guitar |
| George Tipton | Conductor |
| John Uribe | Acoustic Guitar, Guitar, Electric Guitar |
| Klaus Voormann | Acoustic Guitar, Bass, Guitar, Rhythm Guitar |
| Roger Coolen | Organ |
| Henry Krein | Accordion |
| Jim Price | Arranger, Horn Arrangements |
| Phil Brown | Engineer |
| Paul Buckmaster | Horn Arrangements, String Arrangements |
| Robin Geoffrey Cable | Engineer |
| Tom Evans | Composer |
| Shirley Goodman | Composer |
| Pete Ham | Composer |
| Leonard Lee | Composer |
| Richard Perry | Producer |
| Richie Schmitt | Engineer |
| George Tipton | Arranger, Horn Arrangements, String Arrangements |
| Tony Arnold | Producer, Engineer |
| Dennis Smith | Engineer |
| Acy Lehman | Graphic Design |
| Curtis Armstrong | Liner Notes |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Harry Nilsson had a hit, a Grammy, and critical success, yet he still didn't have a genuine blockbuster to his name when it came time to finally deliver a full-fledged follow-up to Nilsson Sings Newman, so he decided it was time to make that unabashed, mainstream pop/rock album. Hiring Barbra Streisand producer Richard Perry as a collaborator, Nilsson made a streamlined, slightly domesticated, unashamed set of mature pop/rock, with a slight twist. This is an album, after all, that begins by pining for the reckless days of youth, then segues into a snapshot of suburban disconnectedness before winding through a salute to and covers of old R&B tunes "Early in ...