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| Peter Murphy | Primary Artist, Vocals |
| John Andrews | Acoustic Guitar, Electric Guitar |
| Antoine Silverman | Violin, Guest Appearance |
| Jeff Schartoff | Bass |
| Darrett Adkins | Cello, Guest Appearance |
| Cornelius Dufallo | Violin, Guest Appearance |
| Nick Lucero | Drums |
| David Baron | Keyboards, Guest Appearance |
| Kenji Bunch | Viola, Guest Appearance |
| Mark Gemini Thwaite | Electric Guitar |
| Kerem Özyegen | Guitar, Guest Appearance |
| Peter Murphy | Composer, Lyricist |
| Fred Kevorkian | Mastering |
| John Siket | Engineer |
| Paul Statham | Composer |
| David Baron | Composer, Producer |
| Mark Gemini Thwaite | Composer |
| Thomas Tadeus Bak | Artwork |
Editorial Reviews
All Music Guide - David Jeffries
While the lesser Peter Murphy solo albums are burdened by too much dark mysticism and foggy, tension-free music, Ninth sounds alive, or at least, undead as his fans, dubbed "gothlings," may prefer. These tracks were road-tested on tour before Murphy entered the studio, and this is palpable as songs build and peak, delivering all the drama that made the man's work with Bauhaus so gripping. Granted there's no "Bela Lugosi's Dead" here, but "I Spit Roses" gives "Cuts You Up" a run for its money, while the closing "Crème de la Crème" is a new high point for Murphy the singer as he delivers a complicated, almost-Broadway-styled number with equal heart and skill. Check "Secret...