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Barry Gewen
Feeney, a writer and editor at The Boston Globe, offers up formidably intelligent analyses of some key episodes and themes from Richard Nixon's life. His choices are willfully idiosyncratic; he is on the lookout for topics with aura, with resonance, so Nixon's predawn visit to the Lincoln Memorial at the height of the Vietnam War receives more attention than the Alger Hiss case. Yet what's most idiosyncratic here is the way Feeney wraps everything in celluloid. Almost all the chapters take their titles from the names of movies -- ''Dark Victory,'' ''Sweet Smell of Success'' -- and these movies serve as symbols, springboards or simply excuses for Feeney's ruminations.— The New York Times
Overview
Was it an omen? Richard Nixon and the film industry arrived in Southern California in the same year, 1913. As Mark Feeney relates in this unusual and unusually absorbing book, Nixon and the movies have shared a long and complex history. Some of that history—the president's multiple screenings of Patton before and during the invasion of Cambodia, or Oliver Stone's Nixon—is well known. Yet much more is not. How many are aware, for example, that ...