No More Dying Then (Chief Inspector Wexford Series #6) [NOOK Book]

Overview

What kind of a person would kidnap two children?

That is the question that haunts Wexford when a five-year-old boy and a twelve-year-old girl disappear from the village of Kingsmarkham. When a child's body turns up at an abandoned country home one search turns into a murder investigation and the other turns into a race against time.  Filled with pathos and terror, ...
See more details below
No More Dying Then (Chief Inspector Wexford Series #6)

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99
BN.com price

Overview

What kind of a person would kidnap two children?

That is the question that haunts Wexford when a five-year-old boy and a twelve-year-old girl disappear from the village of Kingsmarkham. When a child's body turns up at an abandoned country home one search turns into a murder investigation and the other turns into a race against time.  Filled with pathos and terror, passion, bitterness, and loss, No More Dying Then is Rendell at her most chillingly astute.

With her Inspector Wexford novels, Ruth Rendell, winner of the Mystery Writers of America Grand Master Award, has added layers of depth, realism and unease to the classic English mystery. For the canny, tireless, and unflappable policeman is an unblinking observer of human nature, whose study has taught him that under certain circumstances the most unlikely people are capable of the most appalling crimes.

From the Trade Paperback edition.

Read More Show Less

Editorial Reviews

Newgate Callendar
She writes like a dream, and she never lets the tension down. — The New York Times Book Review
Library Journal
This Inspector Wexford duo debuted back-to-back in 1972. Murder finds the British sleuth defying doctor's orders and investigating the death of a young girl, while Dying (LJ 7/72) offers a baffling case of two kidnapped children. A double dose of Rendell is twice the fun. Copyright 1999 Cahners Business Information.
Newgate Callendar
She writes like a dream, and she never lets the tension down.
The New York Times Book Review, 1972
From the Publisher
"Mystery writing of the highest order . . . durable, complex, and affectingly human."
—The New York Times Book Review

"If there were a craft guild for writers, I'd apprentice myself to Ruth Rendell."
—Sue Grafton

"Rendell is a master of the form."
—Washington Post Book World

"Ruth Rendell is the best mystery writer in the English-speaking world."
—Time

Read More Show Less

Product Details

  • ISBN-13: 9780307558640
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 10/7/2009
  • Series: Chief Inspector Wexford Series , #6
  • Sold by: Random House
  • Format: eBook
  • Pages: 224
  • Sales rank: 92,591
  • File size: 2 MB

Meet the Author

Ruth Rendell
Ruth Rendell is the author of Road Rage, The Keys to the Street, Bloodlines, Simisola, and The Crocodile Bird. She is the winner of the Mystery Writers of America Grand Master Award. She is also the recipient of three Edgars from the Mystery Writers of America and four Gold Daggers from Great Britain’s Crime Writers Association. In 1997, she was named a life peer in the House of Lords. Ruth Rendell also writes mysteries under the name of Barbara Vine, of which A Dark Adapted Eye is the most famous. She lives in England.

From the Trade Paperback edition.

Biography

From the start of her illustrious career, Ruth Rendell's novels have blurred the distinction between literature and commercial fiction. Although Rendell is classified as a writer of mysteries and crime thrillers, her elegant prose and superb literary skills elevate her far above the conventions of those genres.

Born Ruth Barbara Grasemann in London in 1930, she attended the Loughton County High School for Girls in Essex, then went to work as a features writer for the Essex newspapers. In 1950, she married her boss at the newspaper, journalist Donald Rendell. (They divorced in 1975, remarried two years later, and remained together until his death in 1999.) For the next decade, she juggled marriage, motherhood, and part-time writing. She produced at least two unpublished novels before hitting pay dirt in 1964 with From Doon with Death, the first mystery to feature Chief Inspector Reginald 'Reg' Wexford of the Kingsmarkham Police Force. An immediate bestseller, the book launched Rendell's career and marked the beginning of one of the most successful and enduring series in detective fiction.

In 1965, Rendell published her second novel, a deft crime thriller (with no police presence) entitled To Fear a Painted Devil. For 20 years, she was content to alternate installments in the Wexford series with a steady stream of bestselling standalones that explored darker themes like envy, sexual obsession, and the tragic repercussions of miscommunication. Then, in 1986, she began a third strand of fiction under the name Barbara Vine. The very first of these books, A Dark-Adapted Eye, earned a prestigious Edgar Award.

From the get-go, the pseudonymous Vine novels had a separate DNA, although Rendell has always had difficulty pinpointing the distinction. In an interview with NPR, she tried to explain: "I don't think the Barbara Vines are mysteries in any sense. I must say that. They are different, and that is partly how I decide. The idea would come to me and I would know at once whether it was to be a Barbara Vine or a Ruth Rendell ... The Barbara Vine is much more slowly paced. It is a much more in-depth, searching sort of book; it doesn't necessarily have a murder in it. It's almost always set partly in the past, sometimes quite a long way in the past. And I think all these things come together and make them very different from the Ruth Rendells."

Under both names, Rendell has garnered numerous awards, including three American Edgars and multiple Gold and Silver Daggers from England's distinguished Crime Writers' Association. In 1996, she was made a Commander of the British Empire; and in 1997, a Life Peerage was conferred on her as Baroness Rendell of Babergh. Although, in her own words, she was "slightly stunned" by the peerage, she takes her responsibilities quite seriously, writing in the mornings and attending the House of Lords several afternoons a week.

Praise for Rendell is lavish and seemingly unqualified. John Mortimer once proclaimed that she would surely have won the Booker if she had not been pigeonholed as a "crime writer." Nobel Laureate Toni Morrison has identified Rendell as one of her favorite authors. And Joyce Carol Oates has called her "one of the finest practitioners of the craft in the English-speaking world."

Good To Know

While working as a journalist, Rendell once reported on a local club's annual dinner without actually attending. Her story omitted the crucial fact that the after-dinner speaker had dropped dead at the podium in the middle of his speech! She resigned before being fired.

The pseudonym Barbara Vine derives from the combination of Rendell's middle name and her great-grandmother's maiden name.

"I wouldn't keep my age a secret even if I had the chance," Rendell has said. "But I don't have the chance. Regularly, on February 17, the newspapers tell their readers my age."

Read More Show Less
    1. Also Known As:
      Barbara Vine
    1. Date of Birth:
      February 17, 1930
    2. Place of Birth:
      London, England
    1. Education:
      Loughton County High School for Girls, Essex

Read an Excerpt

1

The spell of fine weather which so often occurs in the middle of October is known as St. Luke's Little Summer. The "little summer" part needs no explanation; the St. Luke bit derives from its coincidence with the eighteenth, which is that saint's day. Basking in the warm autumn sunlight, Station Sergeant Camb delivered this piece of interesting but useless information to Harry Wild and smiled sententiously.

"Is that so? Maybe I'll do a diary note on it." Wild sucked at his smelly old pipe and rested leather-patched elbows on the counter top. He yawned. "Haven't you got anything more exciting for me?"

Camb caught the yawn and yawned himself. He remarked for the third time on the closeness of the weather and then he opened his book.

"Two vehicles in collision at the junction of Kingsmarkham High Street and Queen Street," he read. "Nobody hurt. That was Sunday. Nothing in that for the Courier, is there? Girl of seventeen missing, but we know where she is all right. Oh, and there's a baboon got lost from the pet shop . . ." Wild looked up, lazily enquiring. ". . .Only they found it up on their balcony, tucking in to the waste bin."

"What a dump," said Wild. He put away his notebook. "Still, I opted for the quiet life. I could be up in Fleet Street tomorrow if I fancied it. Only got to say the word and I'd be up there where it's all happening."

"Sure you would." Camb knew very well that Wild remained as chief reporter of the Kingsmarkham Courier because idleness and general ineptitude, as well now as his advancing years, made him unfit for any more illustrious newspaper. Wild had been coming into the police station for more years than Camb cared to remember and every time he came he talked about Fleet Street as if he had rejected it and not it him. But they sustained the fiction for the sake of peace and pleasantness. "Much the same for me," he said. "Many a time in the old days Mr. Wexford begged me to consider the C.I.D. but I wouldn't. I'm not ambitious. I don't say I wouldn't have had the ability, mind."

"Of course you would've." Playing fair, Wild returned praise for praise. "Where does it get you, though, ambition? Look at Inspector Burden, just to take an example. Worn out, and not forty yet, I daresay."

"Well, he's had a lot of trouble, hasn't he? Losing his wife like that and two kids to bring up."

Wild gave a heavy lugubrious sigh. "That," he said, "was a tragic business. Cancer, wasn't it?"

"That's right. Fit as a fiddle this time last year and dead by Christmas. Only thirty-five. It makes you think."

"In the midst of life. Looks to me as if he's taken it hard. I suppose they were a devoted couple?"

"More like sweethearts than man and wife." Camb cleared his throat and stood up straighter as the lift opened and Chief Inspector Wexford marched out.

"Gossiping again, Sergeant? Good afternoon, Harry." Wexford just glanced at the two empty teacups on the counter. "This place," he said, "gets more like a Mothers' Union bun fight every week."

"I was just telling Mr. Wild," said Camb with dignity, "about our escaped baboon."

"My God, that's hot news. There's a story in that, Harry. Terrorising the populace, mothers afraid to let their kids out of their sight. Is any woman safe while this wild beast roams our meadows?"

"It's been found, sir. In a dustbin."

"Sergeant, if I didn't know you to be incapable of it, I should say you were mocking me." Wexford quivered with silent laughter. "When Inspector Burden comes in, tell him I've gone, will you? I want a few hours to enjoy our Indian Summer."

"St. Luke's Little Summer, sir."

"Indeed? I stand corrected. I wish I had the time to devote to digging up these fascinating pieces of meteorological lore. I'll give you a lift, Harry, if you've finished your monkey business."

Camb sniggered. "Thanks very much," said Wild.

It was gone five but still very warm. The sergeant stretched and wished Constable Peach would appear so that he could send him to the canteen for another cup of tea. Half an hour and he would knock off.

Presently the phone rang.

A woman's voice, low and rich. Actressy, Camb thought. "I'm sorry to trouble you, but my little boy . . . He's—well, he was out playing and he's—he's disappeared. I don't . . . Am I making a fuss over nothing?"

"Not at all, madam," said Camb soothingly. "That's what we're here for, to be troubled. What name is it?"

"Lawrence. I live at 61 Fontaine Road, Stowerton."

Camb hesitated for a second. Then he remembered Wexford had told him all cases of missing children must be reported to C.I.D. They didn't want another Stella Rivers . . .

"Don't worry, Mrs. Lawrence. I'm going to put you through to someone who will help you." He got the switchboard and heard Sergeant Martin's voice, put down the receiver.

Sergeant Camb sighed. It was a pity Harry had gone like that, just when the only piece of news had come in for weeks. He could give poor old Harry a ring . . . Tomorrow would do. The kid would be found, come to that, like that monkey had been. Missing people and things usually were found in Kingsmarkham and in more or less good order. Camb turned his head in the sunlight like someone turning a piece of toast in the red light of a fire. It was twenty past five. By six he'd be sitting down to his dinner in Severn Court, Station Road; then a little jaunt out with the wife to the Dragon, then telly . . .

"Having a nice little kip, Sergeant?" said a cold voice with an edge to it like a freshly unwrapped razor blade. Camb nearly jumped out of his skin.

"Sorry, Mr. Burden. It's the heat, makes you sleepy. St. Luke's Little Summer, they call it, on account of . . ."

"Are you off your bloody head?" Burden had never sworn in the old days. It had been quite a joke in the police station the way he never took the name of the Lord in vain or said bloody or any of the things everyone else said. Camb liked the old days better. He felt his face reddening and it wasn't the sun. "Any messages for me?" Burden snapped.

Camb looked at him sadly. He was terribly sorry for Inspector Burden, his heart ached for his bereaved colleague, and that was why he forgave Burden for humiliating him and showing him up in front of Martin and Gates and even Peach. Camb couldn't imagine what it must be like to lose one's wife, the mother of one's children, and be alone and desolate. Burden was so thin. The sharp high cheekbones jutted out of his taut skin and his eyes glittered nastily when you glanced at them but they were unbearable when you looked deeper. Once he had been rather a handsome man, English-looking, blond and ruddy, but now all the colour and life had gone out of him and he was a sort of grey. He still wore a black tie, pulled so tight you thought it would choke him.

Once, when it had first happened, the sergeant had expressed his sympathy along with everyone else, and that was all right, that was expected. And then, later, he had tried to say something more sincere and more personal, and Burden had swung on him like a man drawing a sword. He had said terrible things. It was more terrible to hear them coming from those mild cool lips than from the mouths of the Kingsmarkham roughs who used them habitually. It was like opening a nice book written by someone whose books you liked and asked the library to keep for you, opening it and reading a word that used to be printed with an f and a dash.

So, although Camb wanted at this moment to say something kind—wasn't he old enough to be this man's father?—he only sighed and replied in a blank official voice, "Mr. Wexford went home, sir. He said he . . ."

"That's all?"

"No, sir. There's a child missing and . . ."

"Why the hell didn't you say so before?"

"It's all taken care of," Camb stammered. "Martin knows and he's bound to have phoned Mr. Wexford. Look, sir, it's not for me to interfere, but-well, why don't you just go home, sir?"

"When I require your instructions, Sergeant, I'll ask for them. The last child that went missing here was never found. I am not going home." I have nothing to go home for. He didn't say it, but the words were there and the sergeant heard them. "Get me an outside line, will you?"

Camb did so and Burden said, "My home." When Grace Woodville answered, Camb gave the phone to her brother-in-law. "Grace? Mike. Don't wait dinner for me. There's a child missing, I should be in by ten."

Burden crashed down the receiver and made for the lift. Camb watched the doors blankly for ten minutes and then Sergeant Mathers came down to take over the desk.

The bungalow in Tabard Road looked exactly as it had done in Jean Burden's lifetime. The floors gleamed, the windows shone and there were flowers—chrysanthemums at this season—in the Poole pottery vases. Plain English food was served at regular times and the children had the cared-for look of children who have a loving mother. The beds were made by eight-thirty, the washing was on the line by nine and a pleasant cheerful voice sounded a greeting to those who came home.

Grace Woodville had seen to all this. It had seemed to her the only way, to keep the house as her sister had done, to act with the children as her sister had done. She already looked as much like her sister as is possible for two women who are not twins. And it had worked. Sometimes she thought John and Pat almost forgot. They came to her when they were hurt or in trouble or had something interesting to tell just as they had gone to Jean. They seemed happy, recovered from the wound of Christmas. It had worked for them and the house and the practical business of running things, but it hadn't worked for Mike. Of course it hadn't. Had she really thought it would?

She put down the phone and looked into the glass where she saw Jean's face looking back at her. Her own face had never seemed like Jean's while Jean was alive, but quite different, squarer and stronger and more fulfilled and—well, why not say it?—more intelligent. It was like Jean's now. The liveliness had gone out of it, the sharp wit, and that wasn't surprising when she thought how she spent her days, cooking and cleaning and comforting and waiting at home for a man who took it all for granted.

She called out, "John? That was your father. He won't be home till ten. I think we'll eat, shall we?" His sister was in the garden, gathering caterpillars for the collection she kept in the garage. Grace was more afraid of caterpillars than most women are of mice or spiders, but she had to pretend to like them, even to gloat over them, because she was all Pat had for a mother. "Pat! Food, darling. Don't be long."

The little girl was eleven. She came in and opened the matchbox she was holding. Grace's heart squeezed and chilled at the sight of the fat green thing inside. "Lovely," she said faintly. "A lime hawk?" She had done her homework, and Pat, like all children, valued adults who bothered.

"Look at his sweet face."

"Yes, I am. I hope he'll grow into a chrysalis before the leaves die off. Daddy won't be home for dinner."

Pat gave an indifferent shrug. She didn't love her father much at present. He had loved her mother more than her, she knew that now, and she also knew that he ought to love her to make up for what she had lost. One of the teachers at school had told her that he would, that all fathers did that. She had waited and he hadn't. He had always stayed out late working but now he stayed out nearly all the time. She transferred her simple animal-like love to her Aunt Grace. Privately she thought it would be nice if John and her father went away and left her with her aunt and then the two of them would have a lovely time collecting better and rarer caterpillars and reading books on natural history and science and the Bolshoi Ballet.

She sat down at the table next to her aunt and then began to eat the chicken-and-ham pie which was just like the ones Jean used to make.

Her brother said, "We had a debate at school today on the equality of the sexes."

"That was interesting," said Grace. "What did you have to say?"

"I left most of the talking to the others. One thing I did say, women's brains don't weigh as much as men's."

"They do," said Pat.

"No, they don't. They don't, do they, Auntie Grace?"

"I'm afraid they don't," said Grace, who had been a nurse. "But that doesn't mean they aren't as good."

"I bet," said Pat with a vindictive look at her brother, "I bet mine weighs more than yours. My head's bigger. Anyway, it's all boring, discussions and stuff. A lot of talk."

"Come along, darling, eat your pie."

"When I am grown up," said Pat, beginning on a perennial theme, "I'm not going to talk and argue and do boring things. I'm going to get my degree—no, maybe I'll wait till I've got my doctorate—and then I'm going to go to Scotland and make a big investigation of the lochs, all the very deep lochs, and discover the monsters that live in them, and then I'm . . ."

"There aren't any monsters. They looked and they never found one."

Pat ignored her brother. "I'll have divers and a special boat and a whole staff and Auntie Grace will be at the station looking after us and cooking for us."

They began to argue fiercely. It could happen, Grace thought. That was the horrible thing, it could just happen. Sometimes she could see herself staying here until they were grown up and she was old and then tagging along after Pat, being her housekeeper. What else would she be fit for then? And what did it matter whether her brain weighed less than a man's or more or the same when it was stuck in a little house in the depths of Sussex, atrophying away?

She had been a sister in a big London teaching hospital when Jean died and she had taken the six weeks' leave that was owing to her to come here and care for Mike and Mike's children. Just six weeks she was going to stay. You didn't spend years of your life studying, taking cuts in salary, to study for more qualifications, going to the States for two years to learn the latest obstetric methods at a Boston clinic, and then just give it all up. The hospital board had told her not to and she had laughed at the very idea. But the six weeks had lengthened into six months, into nine, ten, and now her post at the hospital had been filled by someone else.

She looked thoughtfully at the children. How could she leave them now? How could she even think of leaving them for five years? And then Pat would be only sixteen.

It was all Mike's fault. A hard thing to think, but true. Other men lost their wives. Other men adjusted. On Mike's salary and with his allowances he could afford a housekeeper. And it wasn't only that. A man as intelligent as Mike ought to realise what he was doing to her and the children. She had come at his invitation, his passionate plea, thinking that she would have his support in her task, certain that he would make an effort to be home in the evenings, take the children out at weekends, compensate them in some measure for the loss of their mother. He had done none of this. How long was it now since he'd spent one evening at home? Three weeks? Four? And he wasn't always working. One night when she could no longer stand the sight of John's bitter rebellious face she had phoned Wexford and the chief inspector had told her Mike went off duty at five. A neighbour had told her later where Mike went. She had seen him sitting in his car on one of the paths in Cheriton Forest, just sitting still and staring at the straight, parallel, endless trees.

"Shall we have some television?" she said, trying to keep the weariness out of her voice. "There's quite a good film on, I believe."

"Too much homework," John said, "and I can't do the maths till my father comes. Did you say he'd be back at ten?"

"He said about ten."

"I think I'll go into my room, then."

Grace and Pat sat on the sofa and watched the film. It was all about the domestic lives of policemen and bore little relation to reality.

Burden drove to Stowerton, through the new part and into the old High Street. Fontaine Road was parallel with Wincanton Road, and there, years and years ago when they were first married, he and Jean had for six months rented a flat. Wherever he went in Kingsmarkham and its environs be kept coming on places that he and Jean had been to or visited on some special occasion. He couldn't avoid them, but the sight of them brought fresh hurt every time and the pain did not diminish. Since her death he had avoided Wincanton Road, for there they had been especially happy, young lovers learning what love was. Today had been a bad day, bad in that for some reason he was ultra-sensitive and prickly, and he felt that the sight of the house where their flat had been would be the last straw. Control might go utterly and be would stand at the gate and weep.

He didn't even look at the street name as he passed it but kept his eyes fixed straight ahead. He turned left into Fontaine Road and stopped outside number 61.

It was a very ugly house, built about eighty years ago, and surrounded by a wild untended garden full of old fruit trees whose leaves lay in drifts on the grass. The house itself was built of khaki-coloured bricks with a shallow, almost flat, slate roof. Its windows were the sash kind and very small, but the front door was enormous, quite out of proportion, a great heavy thing with inset panels of red and blue stained glass. It was slightly ajar.

Burden didn't go into the house at once. Wexford's car, among other police cars, was parked against the fence which divided the end of the street from the field Stowerton Council had turned into a children's playground. Beyond this came more fields, woods, the rolling countryside.

Wexford was sitting in his car, studying an ordnance survey map. He looked up as Burden approached and said:

"Good of you to get here so fast. I've only just arrived myself. Will you talk to the mother or shall I?"

"I will," said Burden.

There was a heavy knocker on the front door of number 61, shaped like a lion's head with a ring in its mouth. Burden touched it lightly and then he pushed open the door.

2

A young woman was standing in the hall, holding her hands clasped in front of her. The first thing Burden noticed about her was her hair which was the same colour as the dead apple leaves that had blown in on to the tiled passage floor. It was fiery copper hair, neither straight nor curly but massy and glittering like fine wire or thread spun on a distaff, and it stood out from her small white face and fell to the middle of her back.

"Mrs. Lawrence?"

She nodded.

"My name is Burden, Inspector Burden, C.I.D. Before we talk about this I'd like a photograph of your son and some article of clothing he's recently worn."

She looked at him, wide-eyed, as if he were a clairvoyant who could sense the missing boy's whereabouts from handling his garments.

"For the dogs," he said gently.

She went upstairs and he heard her banging about feverishly, opening drawers. Yes, he thought, it would be an untidy house with nothing in its place, nothing to hand. She came back, running, with a dark green school blazer and an enlarged snapshot. Burden looked at the photograph as be hurried up the road. It was of a big sturdy child, neither very clean nor very tidy, but undeniably beautiful, with thick light hair and large dark eyes.

The men who had come to search for him stood about in groups, some in the swings field, some clustered around the police cars. There were sixty or seventy of them, neighbours, friends and relatives of neighbours, and others who had arrived on bicycles from further afield. The speed with which news of this kind travels always amazed Burden. It was scarcely six o'clock. The police themselves had only been alerted half an hour before.

He approached Sergeant Martin, who seemed to be involved in some kind of altercation with one of the men, and handed him the photograph.

"What was all that about?" said Wexford.

"Chap told me to mind my own business because I advised him he'd need thicker shoes. That's the trouble with getting the public in, sir. They always think they know best."

"We can't do without them, Sergeant," Wexford snapped. "We need every available man at a time like this, police and public."

The two most efficient and experienced searchers belonged, properly speaking, in neither category. They sat a little apart from the men and viewed them with wary scorn. The labrador bitch's coat gleamed like satin in the last of the sun, but the alsatian's thick pelt was dull and rough and wolflike. With a quick word to the man Sergeant Martin had admonished not to go near the dogs—he appeared to be about to caress the alsatian—Wexford passed the blazer over to the labrador's handler.

While the dogs explored the blazer with expert noses, Martin formed the men into parties, a dozen or so in each and each with its leader. There were too few torches to go round and Wexford cursed the season with its deceptive daytime heat and its cold nights that rushed in early. Already dark fingers of cloud were creeping across the redness of the sky and a sharp bite of frost threatened. It would be dark before the search parties reached the wood that crouched like a black and furry bear over the edges of the fields.

Burden watched the small armies enter the wide swings field and begin the long hunt that would take them to Forby and beyond. A frosty oval moon, just beginning to wane from the full, showed above the woods. If only it would shine bright, unobscured by that blue-black floating cloud, it would be a greater asset than all their torches.

The women of Fontaine Road who had hung over their gates to see the men go now strayed lingeringly back into their houses. Each one of them would have to be questioned. Had she seen anything? Anyone? Had anything at all out of the way happened that day? On Wexford's orders, Loring and Gates were beginning a house-to-house investigation. Burden went back to Mrs. Lawrence and followed her into the front room, a big room full of ugly Victorian furniture to match the house. Toys and books and magazines were scattered everywhere and there were clothes about, shawls and scarves draped over the furniture. A long patchwork dress on a hanger hung from a picture rail.

The place looked even dirtier and frowstier when she switched on the standard lamp, and she looked stranger. She wore jeans, a satin shirt and strings of tarnished chains around her neck. He didn't need to admire her, but be would have liked to be able to feel sympathy. This woman with her wild hair and her strange clothes made him immediately feel that she was no fit person to be in charge of a child and even that her appearance and all he associated with it had perhaps contributed to that child's disappearance. He told himself not to jump to conclusions, not yet.

"Now, what is the boy's name and how old is be?"

"John. He's five."

"Not at school today?"

"It's half-term for the primary schools," she said. "I'll tell you about this afternoon, shall I?"

"Please."

"Well, we had our lunch, John and I, and after lunch at about two his friend from next door came to call for him. He's called Gary Dean and he's five too." She was very composed, but now she swallowed and cleared her throat. "They were going to play in the street on their tricycles. It's quite safe. They know they have to stay on the pavement.

"When John goes out to play I look out of the window every half-hour or so to see he's all right and I did that today. You can see all the street and the field where the swings are from my landing window. Well, for a bit they played on the pavement with the other boys, all boys from around here, but when I looked out at half past three they'd gone into the swings field."

"You could make out your son from this distance?"

"He's wearing a dark blue sweater and he's got fair hair."

"Go on, Mrs. Lawrence."

She took a deep breath and clasped the fingers of one hand tightly in the other.

"They'd left their tricycles in a sort of huddle on the pavement. The next time I looked they were all on the swings and I could pick out John by his hair and his sweater. Or—or I thought I could. There were six boys there, you see. Anyway, when I looked out again they'd all gone and I went down to open the front door for John. I thought he must be coming in for his tea."

"But he wasn't?"

"No, his tricycle was on the pavement by itself." She bit her lip, her face very white now. "There weren't any children in the street. I thought John must have gone into someone else's house—he does that sometimes although he's not supposed to without telling me so I waited—oh, five minutes, not more—and then I went into the Deans to see if he was there. It gave me a shock," she said, half-whispering. "That was when I first started getting frightened. Gary was there, having his tea, and there was a boy with him in a blue sweater and with fair hair, but it wasn't John. It was his cousin who'd come over for the afternoon. You see, I realised then that the boy I'd been thinking was John ever since half past three was this cousin."

"What did you do next?"

"I asked Gary where John was and he said he didn't know. He'd gone some hours ago, he said—that was how he put it, hours ago—and they thought he was with me. Well, I went to another boy's house then, a boy called Julian Crantock at 59, and Mrs. Crantock and I, we got it out of Julian. He said Gary and the cousin had started on John, just silly children's teasing, but you know what they're like, how they hurt each other and get hurt. They picked on John about his sweater, said it was a girl's because of the way the buttons do up at the neck, and John—well, Julian said he sat on the roundabout by himself for a bit and then he just walked off towards the road."

"This road? Fontaine Road?"

"No. The lane that runs between the swings field and the farm fields. It goes from Stowerton to Forby."

"I know it," Burden said, "Mill Lane. There's a drop into it from those fields, down a bank, and there are trees all along the top of the bank."

She nodded. "But why would he go there? Why? He's been told again and again he's never to leave the street or the swings field."

"Little boys don't always do as they are told, Mrs. Lawrence. Was it after this that you phoned us?"

"Not at once," she said. She lifted her eyes and met Burden's. They were greenish-grey eyes and they held a terrified bewilderment, but she kept her voice low and even. "I went to the houses of all the boys. Mrs. Crantock came with me and when they all said the same, about the quarrel and John going off, Mrs. Crantock got out her car and we drove along Mill Lane all the way to Forby and back, looking for John. We met a man with cows and we asked him, and a postman and someone delivering vegetables, but nobody had seen him. And then I phoned you."

"So John has been missing since about three-thirty?"

She nodded. "But why would he go there? Why? He's afraid of the dark."

From the Trade Paperback edition.

Read More Show Less

Customer Reviews

Average Rating 3.5
( 6 )
Rating Distribution

5 Star

(2)

4 Star

(1)

3 Star

(1)

2 Star

(1)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted February 22, 2014

    Vintage Rendell

    One of Rendell's earlier books featuring Inspector Wexford. I've read it many times, but I still think the ending is surprising. Wonderful, believable characters; strong sense of time and place.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 11, 2011

    No text was provided for this review.

  • Anonymous

    Posted July 18, 2013

    No text was provided for this review.

  • Anonymous

    Posted March 23, 2010

    No text was provided for this review.

  • Anonymous

    Posted January 11, 2011

    No text was provided for this review.

  • Anonymous

    Posted July 14, 2011

    No text was provided for this review.

Sort by: Showing all of 6 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)