- Dish It Out - James Chance - Chance
- Flip Your Face - James Chance - Chance
- Jaded - James Chance - Chance
- I Can't Stand Myself - James Brown - Chance
- Teenage Jesus and the Jerks - Lydia Lunch - Teenage Jesus & the Jerks
- The Closet - Lydia Lunch - Teenage Jesus & the Jerks
- Red Alert - Lydia Lunch - Teenage Jesus & the Jerks
- I Woke Up Dreaming - Lydia Lunch - Teenage Jesus & the Jerks
- I Woke Up Dreaming - Mars
- Mars- - Mars
- Helen Fordsdale - Mars
- Hairwaves - Mars
- Tunnel - DNA
- Puerto Rican Ghost - DNA
- D.N.A. - DNA
- Egomaniac's Kiss - DNA
- Lionel
- Not Moving
- Size
5
1
8013252910210
Mars Primary Artist
Teenage Jesus & the Jerks Primary Artist
Lydia Lunch Primary Artist,Guitar,Vocals
James Chance & The Contortions Primary Artist
Jody Harris Guitar
Pat Place Slide Guitar
James Chance Saxophone,Vocals
Robin Crutchfield Organ,Vocals
Adele Bertei Organ
Arto Lindsay Guitar,Vocals
Gordon Stevenson Bass
Bradley Field Drums
Mark Cunningham Bass,Vocals
Nancy Arlen Drums
Sumner Crane Guitar,Vocals
Constance "China" Burg Guitar,Vocals
Ikue Ile Drums
James Chance Group Member,Performer,Composer
James Brown Composer
James Chance & The Contortions Performer
Jody Harris Group Member
Lydia Lunch Composer,Group Member
Pat Place Group Member
Rod Hui Assistant Engineer
Mars Performer
Kurt Munkasci Engineer
Teenage Jesus & the Jerks Performer
Adele Bertei Group Member
Ikue Ile Group Member
Arto Lindsay Group Member
Robin Crutchfield Group Member
DNA Performer
Gordon Stevenson Group Member
Steven Keister Cover Design
Bradley Field Group Member
Vishek Woszcyk Engineer
Mark Cunningham Group Member
Nancy Arlen Group Member
Sumner Crane Group Member
Constance "China" Burg Group Member


Vinyl LP(Long Playing Record)
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Overview
After seeing a series of benefit shows held for the Artist's Space in Soho, producer Brian Eno convinced Island Records to release an anthology album featuring several bands from New York's experimental no wave scene of the late 1970s. He reportedly considered ten groups for the album: the Contortions, Teenage Jesus and the Jerks, Mars, DNA, Theoretical Girls with Glenn Branca, the Gynecologists with Rudolph Grey, Tone Death with Rhys Chatahm, Boris Police Band, who used police radio calls for vocals, Red Transistor, and Terminal. The final album, however, featured four bands performing four songs each and was released on Antilles, a sub-label of Island. The first band on the album, the Contortions, play dissonant funk-punk that melds Albert Ayler, the Stooges, and James Brown with shouted vocals, slashing guitar solos, open-tuned slide guitar chords, hammered Acetone organ, steady basslines, and soul-influenced drumming. All four of their selections are strong, including "Flip Your Face," which Steve Albini once cited as his all-time favorite song. Teenage Jesus and the Jerks, a group of art and music hangers-on led by songwriter/vocalist Lydia Lunch, is perhaps the least accessible band on the album; the squalling, droning, abrasive way that Lunch and her bandmates put across lyrics such as "personality down the drain/after all who needs a brain" and "the dishes are cracked/the forks are plastic/the food is in cellophane/I puke elastic" makes it unclear if she is baring the darkest corners of her soul or trying to put one over on the audience. Mars creates interesting music out of apparent chaos; the vocals are babbled and the guitars, bass and drums sound like they're weaving in and out of the song while going in several different directions at once, yet the band is oddly compelling in its crazed, cacophonous way. The fourth band, D.N.A., features Arto Lindsay's bluesy vocals and seemingly uncontrolled bursts of guitar, as he rakes his strings and refuses to play conventional chords; the trio, which also includes keyboardist Robin Crutchfield and drummer Ikue Ile, create the most engaging music in the collection other than the opening numbers by the Contortions. Some listeners may be fascinated by the music on No New York while others may find it unbearable; in either case, this seminal album remains the definitive document of New York's no wave movement. ~ Todd Kristel
Product Details
Release Date: | 11/15/2005 |
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Label: | Lilith |
UPC: | 8013252910210 |
Tracks
Album Credits
Performance Credits
DNA Primary ArtistMars Primary Artist
Teenage Jesus & the Jerks Primary Artist
Lydia Lunch Primary Artist,Guitar,Vocals
James Chance & The Contortions Primary Artist
Jody Harris Guitar
Pat Place Slide Guitar
James Chance Saxophone,Vocals
Robin Crutchfield Organ,Vocals
Adele Bertei Organ
Arto Lindsay Guitar,Vocals
Gordon Stevenson Bass
Bradley Field Drums
Mark Cunningham Bass,Vocals
Nancy Arlen Drums
Sumner Crane Guitar,Vocals
Constance "China" Burg Guitar,Vocals
Ikue Ile Drums
Technical Credits
Brian Eno Audio Production,Cover Photo,Producer,Cover DesignJames Chance Group Member,Performer,Composer
James Brown Composer
James Chance & The Contortions Performer
Jody Harris Group Member
Lydia Lunch Composer,Group Member
Pat Place Group Member
Rod Hui Assistant Engineer
Mars Performer
Kurt Munkasci Engineer
Teenage Jesus & the Jerks Performer
Adele Bertei Group Member
Ikue Ile Group Member
Arto Lindsay Group Member
Robin Crutchfield Group Member
DNA Performer
Gordon Stevenson Group Member
Steven Keister Cover Design
Bradley Field Group Member
Vishek Woszcyk Engineer
Mark Cunningham Group Member
Nancy Arlen Group Member
Sumner Crane Group Member
Constance "China" Burg Group Member
From the B&N Reads Blog
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