Nocturnal Witchcraft: Magick After Dark



Nocturnal Energies differ from those of Daylight and Witches have long known how to take advantage of Lunar Powers and the spiritual entities ...
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Nocturnal Energies differ from those of Daylight and Witches have long known how to take advantage of Lunar Powers and the spiritual entities that prefer the darkness for particular magical operations.

This innovative book explores special techniques for working with the Night Powers and the subtle effects of dark symbols to:
Cast a Nocturnal Magick Circle
Invoke the Dark Gods and Goddesses
Skry the Night
Open the Gates to the Underworld
Cast Spells through the Dark Ether
Explore the symbolic realm of shadow, illusion, and the mysteries of the Unknown

You will learn to find your Inner Quiet, Read Minds through the Ether, Dream for Change, Create and Use Thought Forms, Alter Reality through simple Spells and Rites, and use the powers of Magnetism and Suggestion. And you will Explore the Mysteries of Death and to Speak with the Dead.

The Dark balances the Light. Do not fear it but equally embrace it.
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Editorial Reviews

Publishers Weekly
"When the essence of the shadows and darkness empowers you, yet you don't feel evil, you are good-dark," writes Konstantinos (Vampires; Summoning Spirits), as he calls believers to the practice of Nocturnal Witchcraft. Konstantinos writes for people primarily within the Wiccan tradition who feel at home with the night and lunar energies. He reiterates throughout this manual, however, that to draw one's strength from the energies of the night is not at all the same as intending to do dark deeds. In fact, this guidebook might be regarded as a fundamental Wiccan primer save for the fact that Konstantinos turns to night-based rituals and primarily, but not exclusively, to the pagan pantheons of Egypt, Greece and Sumeria to harness good human desires to the yoke of such deities as Hypnos (Night Personified), Pasht (Dark Moon), Nanna (Full Moon), Kali (Protection), Persephone (Descent and Rebirth) and Annubis (Underworld and Death). His ceremonial instructions are clearly described, but the book's chief flaw is that readers must recognize themselves as "good-dark." They are imprecisely beckoned with not much more to go on than "Do you dress in black? Favor silver jewelry? Does being surrounded by the shadows, by the essence of the night, appeal to you?" For those readers self-identified with the night whatever that means his text may offer just the words they have been waiting for; others will find it as obscure as its subject matter. (Feb.) Copyright 2001 Cahners Business Information.
KLIATT - Ivy Miller
Vincent's family believes in the Holy Triumvarate, a combination of the teachings of Jesus Christ, Moses and Abraham. Vincent believes what he sees—an elf at a school science fair—and consequently gets shoved in the "chapel" in the family's basement to pray and to ponder why he's not a true follower. Engaging the help of his mystical neighbor Chanteuse, Vincent soon finds out the end of the world is coming and it's up to him and various magical creatures to save the human race. While doing his best to avoid the family chapel, Vincent needs to learn astral projection from an elf who tortures him, convince his holy-roller brother Max that he's not pure evil, and keep a major corporation from spewing demons into humanity. Although the concept is interesting and Carter has a humorous edge, he relies mostly on dialogue to tell the story. There's a lot more tell than show and the reader is left with many important questions. Where does Vincent live? Does this story take place in the future or the present? What does Vincent look like? What do the magical creatures look like? Without many visual references, the book comes off like a typical cat-and-mouse chase as the characters run from one place to another until the final outcome is reached.
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Product Details

  • ISBN-13: 9780738701660
  • Publisher: Llewellyn Worldwide, Ltd.
  • Publication date: 2/1/2002
  • Pages: 240
  • Sales rank: 674,116
  • Product dimensions: 6.14 (w) x 9.08 (h) x 0.66 (d)

Meet the Author

Konstantinos is a recognized expert on occult, new age, and paranormal topics. He has a bachelor's degree in journalism and technical writing from New York Polytechnic Institute. He is a published author of articles and short fiction which have been featured in numerous publications including Popular Electronics, The Spook, and FATE Magazine. Konstantinos is a popular lecturer on the paranormal at colleges and bookstores in the New York City area and he has appeared on CNBC's After Hours and The Ricki Lake Show.

A Dark Neopagan, Konstantinos has been researching the occult and practicing magick for over fifteen years. Born and raised in Long Island, New York, Konstantinos now devotes his time to writing, singing Gothic rock music, and exploring nocturnal life in New York City and around the country.

Konstantinos is also the author of Vampires: The Occult Truth, Summoning Spirits: The Art of Magical Evocation, Speak with the Dead: 7 Methods for Spirit Communication, Gothic Grimoire, Nocturnal Witchcraft, Nocturnicon: Calling Dark Forces and Powers, and the forthcoming Werewolves: The Occult Truth (September 2010).

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Read an Excerpt

Chapter One

Embracing Darkness

Imagine an equal-armed cross—see it in the blank page to your left, stark black on a white background, like the ink on this page. Try it. See this icon of two intersecting poles.

    Got it?

    This is the simplest way to illustrate a principle that has confused humankind for ages. Through this icon we can understand the relationship of good and evil to the essences of light and dark.

    Each of the poles in this simple cross represents a pair of misunderstood opposites. Just so we all see the diagram the same way, let's label it. We'll call the vertical pole good/evil, with good on top. The horizontal pair is light/dark, with light on the left. While these two pairs work together in a way we'll explore here, they are not the same.

    The vertical pair represents our success or failure as human beings and immortal souls. We're all truly meant to accomplish good, and to become better individuals—to become, in essence, more like the Source that created us. This is the true purpose of most of the world's positive religions, including Wicca, where we perceive that the Source has both male and female aspects. We will explore later the concept of striving toward spiritual mastery, and introduce ways to access the energies of the Gods and Goddesses while we're still alive. For now, keep in mind that there is an ultimate reason for rising toward the good half of the pole on the vertical pair.

    The horizontal pair determines the path we walk while advancing through a particular stage ofour development. Not all of us are meant to surround ourselves with light and avoid the shadows. The ancients understood the concept of the nocturnal path well, which is why they identified and named more than just the light aspects of Divinity. As we'll get to in the next chapter, the various names given to Gods and Goddesses do not imply that there are thousands of such beings all struggling for power. Rather, they are each manifestations of a particular aspect, dark or light, of the primal energy from which we all came. We name these energies to better establish a link to the Source while we're still here. Some of us identify better with the dark ones among these deities.

    Success or failure, and the path we walk to get there—keep these aspects of the cross icon in mind. Through an understanding of the symbol you'll master an occult truth. Don't take my word for it, however. See now how this truth applies to you.

The Four Soul-Types

If you focus for a moment on the white space surrounding our simple diagram, you'll see that it makes up four quadrants. It is in one of these four that a soul's particular lifetime can be mapped. Remember plotting geometric points on a graph in high school? There you would mark a point by noting its X and Y coordinates, or how far away from center, up or down, and left or right it was. In much the same way, we can identify a soul-type by how good or evil, dark or light it may be. The closer to the center one is in either axis, the more neutral he or she is with respect to that axis's pair of energies.

    In other words, we come to see that there are four categories of individuals possible, and that people in each type can possess varying degrees of the category's essence. Starting in the upper left corner of the cross's white space and moving counterclockwise, the four soul-types are: good-light, evil-light, evil-dark, and good-dark. Some of us are more good or evil than others, some more drawn to darkness or light, but we still fall somewhere within one of the four soul-types. We'll touch briefly on the first three, then focus more intensely on the last one—the one whose energies we'll be working with in this book.

    Good-light is the soul-type that most people are really referring to when they mention or think of the concept of good. People in this category include many (but not all) Wiccans and so-called New Agers. But one doesn't need to walk a spiritual path to be in this category. Anyone who is moral, loves brightness, and spreads joy honestly is good-light. These are also often the people who feel uplifted, for instance, by major-key music and inspirational fiction or feel-good tales. As an extreme example, some of the world's religion founders, such as Christ and Buddha, were of this soul-type. Whether the followers of such masters and the infrastructures of their and other organized religions live up to the good-light label, however, is open for debate. Speaking of living up to a path, were someone to fail at being good-light there is a decent chance they'd end up evil-light.

    An overlooked type, evil-light is the sinister companion to good-light and the trickiest of the four groups to identify. Those of this soul-type seem at a glance to be moral individuals. Evil-light people may gather around them all the trappings of asceticism and harmony, or just what the masses perceive as being bright and positive. But behind the facade, the evil-light have given up trying to be better individuals. Consider a corrupt televangelist (feel free to do some digging into your memories or your library's newspaper archives if you feel this is only a stereotype). Evil-light televangelists would surround themselves with light themes and choir song, yet bilk their followers of millions, claiming that the gathered cash is going toward something other than a new Mercedes or Tudor mansion. Other evil-light can include righteous activists who let the end justify the means (for example, pro-lifers who bomb abortion clinics). Evil-light can even encompass corrupt executives who give to charity (as a good tax write-off) and frequent merry parties and even church, but who cheat in their business and personal dealings without regard for others.

    Evil-dark, the true opposite of good-light, is the category that most people simplistically label as evil. Remember, the four categories can manifest in people in varying degrees. In the realm of the occult, evil-dark individuals can be the often harmless devil worshippers who value material goods and fun over their souls and the welfare of others, or can be the more sadistic individuals who perform black magic and human sacrifice. In the everyday world, common criminals often fit this category, although they can just as easily be evil-light.

    Remember, the two evil soul-types are ones of failure. Whether a fallen one was good-light or good-dark before his or her sour turn determines, usually, whether he or she will become evil-light or evil-dark.

    Unfortunately, most people are unaware of the nature of soul-types and mistake good-dark ones as being "bad." This is not surprising, considering that evil-dark people like devil worshippers get the most public attention, being ever vigilant for opportunities to spread their sinister propaganda. Conversely, the good-dark who succeed at the ultimate goal of adepthood or spiritual mastery do not attract as much attention, being mostly silent about their accomplishments.

    Who are these good-dark? What makes someone a potential night-kind or Nocturnal Witch?

    Allow me to violate traditional writing style here. Although I listed the four soul-types and explained three of them, we're going to pause for a moment before revealing the driving forces behind the good-dark. You'll see why as you read on.

Why We're Here

No one likes to be labeled. By no means am I introducing the concept of the four soul-types to pigeonhole people into stereotypes they have to follow. In fact, I resisted giving too many examples of the types of people who fall into the soul-type groups to prevent too much stereotyping. I'd rather each reader look around and identify the energies at work in the world, rather than immediately assume all is as it seems at a glance.

    I'm relaying the information regarding soul-types as a gentle reminder that the dark and light energies represented in our cross icon are powerful, and that it's best to work with the energies present in your life. After all:

    You chose to be the way you are.

    You chose, before ever entering this world, what essences and correspondences, dark or light, to surround yourself with. And this is likely not the first time you made such a choice.

    We're speaking of reincarnation, of course, and the active role we take in planning each of our returns.

    The belief in reincarnation is so widespread among the world's religions, Wicca included, that people who don't believe in it are in the minority. And one of the biggest groups not to officially accept reincarnation—Christians—seems to contain more than a few who embrace the concept. As for how many Christians feel this way ... well, that's beyond the scope of this work.

    Most of you reading this are Witches, or would like to be, after all!

    And maybe more than a few of you are nocturnal, like I am, but we'll return to that thread soon.

    Why do so many people believe in reincarnation? Not because they're told to do so. How many people in this era believe in or stick to concepts simply because they're told "that's the way it is" by someone or some organization? The numbers are dwindling. We're more than ever in an age of free thought, which is why Witchcraft and other paths that let their practitioners take responsibility for their actions are becoming more accepted.

    The real reason most people believe in reincarnation is simple: Reincarnation is the only concept that makes sense once you open yourself to the worlds of mysticism and free thought.

    Remember, the point of all religion is to help us reunite with the Creator. This is taken an extra step in mystical paths like Wicca, which embrace magick (often spelled, as you may know, with a final "k" to differentiate it from stage magic). Magick is a tool, an applied science based on occult principles that we'll be exploring in great depth. The most important aspect of magick worth pointing out here, however, is that we can use it to help us perfect ourselves and become more attuned with Divine energies. Since, ultimately, we imperfect souls must strive to achieve adepthood, or spiritual mastery, magick can be seen as a way to reach this goal faster. But whether we use magick or not, we can't expect to become perfect over the course of even a record-setting 120-year lifespan.

    Mastery takes lifetimes.

    Think about it. If our highest goal is to reunite with the Source, we have to become more like the Source. I don't mean we have to be omniscient or omnipotent ... just "omniexperienced." The Source is everything, as evidenced by the countless names that are tied to limitless attributes that have been given to the Gods and Goddesses throughout the ages. We, too, need to tap into everything, to challenge ourselves with whatever the universe offers. And we have to open ourselves to as many of these experiences as possible, while deriving from them every lesson we can. It wouldn't do to try and be a doctor, lawyer, missionary, and mechanic in one life, for instance. You wouldn't be able to get much from any of these professions, as you'd spend most of your time trying to become each. We are meant to fully experience certain aspects of life each time we return.

    Each life or incarnation is a set period of training. Before we come here, to earth, our souls decide which lessons and experiences we need to have to advance one more sphere toward the realm of perfection. We'll deal more with the mechanics of the afterlife in chapter 13, where we'll meet the personified essences of dying and rebirth—Death with a capital D, if you will. For now, let's simply work on the assumption that each life is filled with purpose. You'll realize that this assumption is a fact later on, through firsthand experience.

    This is a good time to point out that I'll never ask you to take my word for anything I write in this book (or in any other). Nocturnal Witchcraft must be experienced. The concepts and techniques in these pages are real and awaiting your personal interaction with them. I'm ready to let you prove to yourself that what I say is true.

    Now, back to your choices in each life. If you're familiar with reincarnation, you may have heard that we choose all aspects of our new life: who our parents will be, what kind of physical body we'll inhabit (including its gender), and the types of major challenges we will encounter. As far as I can tell from my sources, many of which will become clear to you later on, this is indeed how reincarnation works. But none of these choices we make account for how we'll work with the challenges and experiences awaiting us here on earth. Consider how different you may feel from even others you've met who are involved in the occult. Are you drawn to quite the same books, the same practices?

    The unique journey that awaits us in each life depends on which current we'll most closely align ourselves with.

    The world is full of brightness and shadow, and energies that sympathetically vibrate with these polarities. By working with dark or light currents in each life we are ensuring we can have the most complete range of experiences while on earth. Some may argue that it's important to work with both dark and light in a lifetime. This may be true for some, but those who feel this way are most likely souls who have been here so many times that they're ready to balance out a few dark and light points before achieving adepthood.

    I think most of us have a few lifetimes left, however. Don't you feel the same way? And even if we are on our last incarnation, our souls do not lie to us. If you're drawn to this book's mysteries, there's a very good chance you've selected the dark path, for at least this part of your life. For me, the dark path has lasted since I can remember, making it decades long. It has lead to more than a bit of confusion, which I'll share in these pages, but also lead me to a simple understanding:

    It's perfectly acceptable to stick with a current for either a lifetime or just part of it.

    Again, your soul knows what it's here to accomplish. As long as the night calls you, answer. As long as shadows envelop your positive work, learn to influence these forces to accomplish amazing things.

    Just as people change religions, they can change the polarity of their soul-type. Sometimes this is unfortunate, as we hinted at, because it could mean someone is going from one of the good types to the evil side. It's also possible, however, to go from dark to light, or vice versa, and remain good. Not all good-dark will remain so—for instance, they may switch to good-light. But I still suspect it's much easier to change the names of the Gods you pray to than to change what clicks for you on a deep level. God and Goddess names, as we'll see, are only sonic keys that open doorways to Divine energy. Dark and light energies are the hallways containing these doorways.

A Personal Take on a Soul-Type

Now, who are the good-dark?

    You likely already know the answer. If it's your soul-type in this life, you could explain it to me using the specifics that apply to you. And if you don't feel it's your soul-type, good-dark's energies (at least the ones I've hinted at so far) would seem different than the ones you feel, and you'd be able to explain the soul-type by way of contrast.

    Either way, you know what good-dark means through personal experience. I'll just add some of my ideas to the mix here, also by calling on experience.

    Of all my books, this is the one in which I feel I can most deeply connect with the psyche of its readers. While my other books have dealt with specific occult phenomena or practices, this is the first one to deal with my personal path.

    Here goes ... it's sharing time.

    As a child, I would read tales of Greek mythology and believe that the Gods and Goddesses were real. This more than "freaked out" my Greek Orthodox parents, no doubt, who had to field questions about how Zeus and Aphrodite related to the God they were worshiping every Sunday. While they played along with my interest in mythology for a while, they soon began subtly avoiding conversations about what the ancients believed resided at the top of Mount Olympus. Christian parents can't find it too comforting when their young son is praying to pagan Gods—or when he becomes older and does the same thing, for that matter.

    Finding Zeus and his pantheon was easy. Although I was born in the United States, all of my family came from Greece. Some were still there when I was a child, and as a result I maintained a link with the country's mysteries through these relatives. Most relevant here was the access I had to richly illustrated books that my dad's mother would bring when she visited. In these pages I met, in vivid tales and colorful artwork, the Gods of old, all before I was old enough to go to the library by myself.

    Soon after, I discovered through my own probing of mythologies that other cultures had similar Gods and Goddesses. It began to make sense that the world had been worshiping the same Divine energies for millennia, only using different names for them. The pantheons of Mesopotamia and the region's dark magickal systems particularly interested me. While I could have argued that through a study of the Greek Gods I was connecting to a part of my heritage, I couldn't explain my interest in other Gods and Goddesses, first the Sumerian deities and later even the Egyptian ones.

    This deep interest in mythology led me to an early belief in reincarnation, before I even heard the word. I began to feel that if it was only the ancients who believed in these Gods I was "discovering," then it was possible that I might have been among these ancients at one time. I felt that I might have loved the old Gods and Goddesses in other lives.

    All this eventually resulted in a courtship with formal Wicca that began in the late 1980s. When I first encountered the religion, it appeared ideal for me. I had already found myself intensely drawn to magick and the occult, and resented the claims of organized religion that such mysticism was evil. In Wicca I found a religion that not only embraced magick, but which also was based on the belief that the Gods and Goddesses were real.

    It all seemed almost perfect for me, and I trusted that the things that didn't feel quite right would work themselves out in time. So I began practicing the Craft, giving it my all for a while.

    After a few years of involvement, I wrote my first book proposal ... the subject was the Sumerian Goddess Inanna. The project was one my soon-to-be publisher wanted me to pursue, and I began it. However, as my long-time readers know, this book was never released. Why? Because I never completed it.

    Around this time in the early 1990s, I began finding it difficult to balance my dark interests with the brightness inherent in most iterations of modern paganism. In hindsight, I realize that writing that Inanna book might have helped me immensely—I needed to go through my own descent into the Underworld, like this Goddess, and emerge changed (more on such a descent later).

    Instead, I turned away and tried to explore where I fit into the religious half of my mystical path. I already knew what I wanted from the magickal half—I wanted to approach adepthood. Yet such a goal is not in itself a religion. Religion is that part of your path that helps you keep in touch with Divinity while you're trying to ultimately reunite with it.

    The books I've written are therefore accessible to those of all religions. I knew when writing them that the choice of that part of someone's path—religion—is always very personal, relating more to one's life purpose than to the decisions of, say, his or her parents. I stuck to the simple guideline that my readers should find ways of connecting to the Source for themselves, just like I needed a way to connect with Divinity that didn't seem alien because of my nature.

    My nature. What was "wrong" with me? Why could I never connect with the light themes I kept encountering in religion?

    How I wish someone had been there to tell me:

    When the essence of the shadows and darkness empowers you, yet you don't feel evil, you are good-dark.

    I can think of no better definition. Dark allure is not something you grow out of when it's really a part of your "calling" or life purpose. Even after decades, I'm no less drawn to the night energies described in the chapters that follow.

    How I also wish that someone pointed out to me that good-dark types can use their nature to better connect to the Source, as well as to the unseen world. The path of night can very much be one of enlightenment. After I realized what my path was—a process I'll discuss in chapter 3—I strengthened and reaffirmed my connection with Witchcraft. Once again, the knowledge of and communion with both God and Goddess aspects of Divinity became my religion. The right aspects of Divinity for me, that is.

    In this book you'll learn how you can make the Craft work for you if you're good-dark. Of course, you're free to choose whichever religion is right for you—Witchcraft is not the only path out there.

    Just make sure that the religious path you choose works with your soul-type, not against it. You'll save yourself much grief by doing so.

    Having identified the types of callings that good-dark feel, I'll refrain from giving too many examples of who these people may be. We are an elusive lot!

    You'll find good-dark in both mystical and more material roles. The former type we'll explore in this book, the latter you see everyday. Good-dark are more than just those who frequent dark nightclubs and never harm anyone—nightkind can take many forms.

    Sometimes a good-dark person will feel the need to reflect his or her nature in choice of profession: A detective who works by night, chasing down crime while surrounded by settings that most find morbid, is likely good-dark; as is an artist who feels great joy in sharing his or her dark work with the world. And, possibly the most relevant example:

    Good-dark may be someone like you.

    Maybe I can spare you some of the searching I went through. In chapter 3, we'll take a brief look at how I found the Gods and Goddesses of Night, and delve into how you may contact them yourself. Let's continue now with a look at how nightkind's nature meshes with the tenets of Witchcraft.

Witchy Ethics

Witchcraft can help you keep the "good" in your good-dark path. Despite the slanderous lies said about its pagan roots during the Inquisition, and said about it still by those mentally living in the past, Witchcraft or Wicca is a religion and way of life that is surrounded by only positive energies and ethics.

    This book is not intended to be a primer on traditional Wicca—we'll be examining the Craft from the perspective of nightkind. If this is the first book you're reading on Witchcraft, you may want to soon after supplement your reading with some of the new classics of modern paganism, listed here alphabetically by author: The Complete Book of Witchcraft, by Raymond Buckland, Power of the Witch, by Laurie Cabot, Wicca: A Guide for the Solitary Practitioner, by Scott Cunningham, and To Ride a Silver Broomstick, by Silver Raven Wolf (see Suggested Reading for more information on all of these books).


Excerpted from Nocturnal Witchcraft by Konstantinos. Copyright © 2002 by Konstantinos. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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Table of Contents

Introduction 1
Part One: The Craft of Nightkind
One Embracing Darkness 5
Two Wicca by Night 23
Three Reaching the Dark Divine 37
Four Circles of Night and Lunar Light 57
Part Two: Mind Powers After Dark
Five The Inner Quiet 77
Six Divining by Night 93
Seven Mind Reading by Touch 109
Eight Reading Minds Through the Ether 121
Part Three: Nocturnal Magick
Nine Altering Reality: Simple Spells and Rites 143
Ten Dreaming for Change 155
Eleven Advanced Thoughtforms 167
Twelve Dark Mystique, Magnetism, and Suggestion 181
Thirteen Death: His/Her Mysteries 191
Conclusion 209
Appendix A 211
Appendix B 219
Suggested Reading 221
Index 225
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  • Posted October 21, 2009

    Different Spin on Pagan

    This book gave a new side to paganism and wicca that other do not dare to share. It helps you ebrace the night style, but not evil. Honestly, not much of a beginers book. The author really gives you an insight to his personal experience and gives great advice.

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  • Posted August 9, 2009

    more from this reviewer

    A Terrible Book

    This book was a waste of money for me. Konstantinos is incredibly focused on persuading his readers to beware of 'evil devil worshipers' when, if he would have done any research into Satanism, it should be clear that Satanists are not evil in any way. Furthermore, he divides people into types depending on whether they are 'light' or 'dark' and if they do good or bad things. This book is terribly misleading in its content. I assumed that it would be full of useful exercises and practical applicable information and techniques, but it reads like the author's own personal interpretation of various concepts and ethical points of view. There is little information in this book that is of use. It is essentially a book full of Konstantinos' personal perspective on magick, ethics and ceremony. I wish I had thumbed through this book more thoroughly before paying this price for it. Newcomers to Wicca may get something out of it, but for intermediate and advanced practitioners, this book is a waste of time.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 7, 2004

    Powerful and Freeing

    The author details so many truths about the Nocturnal witch that hit right on the mark with me. Suddenly all the things I feared I would have to keep secret I can allow myself to use freely. This is a must for all witches, even if your not a Nocturnal.

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  • Anonymous

    Posted August 22, 2004


    your books are awesome. you and anne rice and silver raven wolf are the best authors!!!!!!!!!

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  • Anonymous

    Posted July 10, 2003

    Beautiful work Konstantinos!

    Being a gothic Dark Neopagan, like Konstantinos, I'm truely greatful that i've stumbled across this book! And unlike that fake junk with money spells, this book is great for Pagans who realize that the dark is not evil.

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  • Anonymous

    Posted December 15, 2002

    Great, focused intent

    Kostanatos is a very eloquent, descriptive author. The only thing I had a bit of a qualm with was that the 'magic of the night/energy of the night' he speaks of comes off as a bit hoaky at times, but hey. I also do most, if not all, of my truly focused workings at night. The man has a valid point. The Craf does work better after dark, when the light centered world have tuned their brain waves to sleep, and yours are just reaching their power. Excellent book.

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  • Anonymous

    Posted August 2, 2002

    An exciting find!

    time and time again, I have not failed to go back to this book for valuable resource. Konstantinos is but a world of knowledge, eloquently expressing it, every step of the way...

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  • Anonymous

    Posted May 26, 2002

    Perfect for the night owls!

    Like many wiccans, I have read many books on witchcraft from cunniham, to ravenwolf and was not impressed too much until I picked up this book. I think this book outdoes its competetors by far and it shows the other aspect of the craft. The author tells that witchcraft serves no evil purpose and that darkness is apart of life as the human soul. Whether your gothic like the author, or just interested in magick of the night, nocturnal witchcraft will be a great guide for anyone whos serious about witchcraft. Blessed be!!

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  • Anonymous

    Posted February 14, 2002

    Mind reading and other dark delights

    The stuff in here really works. I had the opportunity to meet Konstantinos at a booksigning here in New Orleans. He not only shocked a skinny woman by knowing that she was pregnant and signing her books to her and her unborn, but he also read my mind about something personal. Despite how creepy it feels to be on the receiving end, practicing it feels awesome. I was also amazed by how quickly the other techniques work. While some books just tell you to keep practicing things like visualization, Konstantinos shows you how to speed up your development of them. I was so excited by this book that I'm trying to get the right to review it for some print or online pub.

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  • Anonymous

    Posted February 23, 2002

    Extremely interesting and enlightening

    This book was really interesting, and the excercises are quite easy. This book was real simple compared to the author's other works, and the philosophy really speaks to you. These spells are quite dark, powerful, and perfect for the dark and mysterious. Darkness isn't necessarily evil, and this book shows it. It is in no way connected w/satan (he doesn't even exist) or any evil except for the evil you already have inside that comes out of you during your workings.

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  • Anonymous

    Posted February 12, 2002

    Entertaining, but not enlightening.

    This was NOT what I expected at all. Most of the material is based on stereotypical gothic imagery which constantly gave me the impression that I was a target of some marketing scheme to sell an image with no meat to it. My bad for falling for the hype and the author's bad for playing along with it! It's the same old stuff overlain with a unique, catchy look. Entertaining, but not enlightening. Demetra George has at least 2 excellent books that incorporate the dark Goddess/dark moon and Marcia Stark's 'Dark Goddess' is worth searching for too, although I think it is out of print. As far as generic 'Dark Paganism' goes, Out of the Shadows by John Coughlin is a must read and the only book to date which covers 'dark' spirituality in a way that all pagans can appreciate. It 'reclaims' the word darkness.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 26, 2002

    Great Review

    I have been studying witchcraft for seven years and have always felt like there was something missing from it. I found the answer in this book. Not only did this book explain the excercises in an easy to understand and follow fashion but the author also gave you exerpts from his own experinces ensuring you that he dose practice what he preaches. THIS BOOK IS WORTH BUIYING!!!

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  • Anonymous

    Posted August 10, 2012

    No text was provided for this review.

  • Anonymous

    Posted April 6, 2011

    No text was provided for this review.

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