North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names
Hillside Pottery, founded in 1927 by Herman C. Cole and Anna M. Graham, produced quality pottery in North Carolina and gained national recognition.

A clever collaboration between potter, Herman C. Cole, and artist and entrepreneur, Anna M. Graham, led to the creation of Hillside Pottery in 1927. Located along the banks of the Neuse River near Smithfield, in Johnston County, North Carolina, the operation catered to passing motorists on Highway 22 between Northern homes and Florida vacations and to New York and other out-of-state merchants.

Brought up in one of the state’s most celebrated pottery-making families, Cole had all the required skills to make quality products while Graham drew sketches of shapes to be completed and found Northern vendors to buy the wares. In addition, Cole called upon some of North Carolina’s most talented turners to keep up with customer demand.

By 1931, Hillside’s name was changed to Smithfield Art Pottery, making it clear that this was not a jug factory. Additional potters were employed, multiple kilns were constructed, including two enormous bottle kilns, and as many as 2,000 pieces were shipped weekly.

The recent discovery of never-before-published photographs and drawings makes possible the telling of the complete story of the pottery with two names.
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North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names
Hillside Pottery, founded in 1927 by Herman C. Cole and Anna M. Graham, produced quality pottery in North Carolina and gained national recognition.

A clever collaboration between potter, Herman C. Cole, and artist and entrepreneur, Anna M. Graham, led to the creation of Hillside Pottery in 1927. Located along the banks of the Neuse River near Smithfield, in Johnston County, North Carolina, the operation catered to passing motorists on Highway 22 between Northern homes and Florida vacations and to New York and other out-of-state merchants.

Brought up in one of the state’s most celebrated pottery-making families, Cole had all the required skills to make quality products while Graham drew sketches of shapes to be completed and found Northern vendors to buy the wares. In addition, Cole called upon some of North Carolina’s most talented turners to keep up with customer demand.

By 1931, Hillside’s name was changed to Smithfield Art Pottery, making it clear that this was not a jug factory. Additional potters were employed, multiple kilns were constructed, including two enormous bottle kilns, and as many as 2,000 pieces were shipped weekly.

The recent discovery of never-before-published photographs and drawings makes possible the telling of the complete story of the pottery with two names.
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North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names

North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names

by Stephen C. Compton
North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names

North Carolina's Hillside Pottery and Smithfield Art Pottery: The Pottery with Two Names

by Stephen C. Compton

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Overview

Hillside Pottery, founded in 1927 by Herman C. Cole and Anna M. Graham, produced quality pottery in North Carolina and gained national recognition.

A clever collaboration between potter, Herman C. Cole, and artist and entrepreneur, Anna M. Graham, led to the creation of Hillside Pottery in 1927. Located along the banks of the Neuse River near Smithfield, in Johnston County, North Carolina, the operation catered to passing motorists on Highway 22 between Northern homes and Florida vacations and to New York and other out-of-state merchants.

Brought up in one of the state’s most celebrated pottery-making families, Cole had all the required skills to make quality products while Graham drew sketches of shapes to be completed and found Northern vendors to buy the wares. In addition, Cole called upon some of North Carolina’s most talented turners to keep up with customer demand.

By 1931, Hillside’s name was changed to Smithfield Art Pottery, making it clear that this was not a jug factory. Additional potters were employed, multiple kilns were constructed, including two enormous bottle kilns, and as many as 2,000 pieces were shipped weekly.

The recent discovery of never-before-published photographs and drawings makes possible the telling of the complete story of the pottery with two names.

Product Details

ISBN-13: 9781625451231
Publisher: Fonthill Media
Publication date: 10/01/2024
Pages: 128
Product dimensions: 8.50(w) x 11.00(h) x (d)

About the Author

Stephen C. Compton has collected traditional eighteenth-to-twentieth-century North Carolina ceramics for over three decades. Steve’s books about it include Seagrove Potteries Through Time, North Carolina Potteries Through Time, A Handed Down Art: The Brown Family Potters, It’s Just Dirt! The Historic Art Potteries of North Carolina’s Seagrove Region, Jugtown Pottery: A Century of Art and Craft in Clay, North Carolina’s Moravian Potters: The Art and Mystery of Pottery-Making in Wachovia, and hyalyn: America’s Finest Porcelain. He has articles in Ceramics in America, American Ceramic Circle Journal, Journal of the American Art Pottery Association, and Journal of Early Southern Decorative Arts.
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