The Norton Anthology of Modern and Contemporary Poetry, Volumes 1 & 2 / Edition 3

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Overview

A new edition of the acclaimed anthology—the most comprehensive collection of twentieth-century poetry in English available.

"The most acute rendering of an era’s sensibility is its poetry," wrote the editors in their preface to the first edition. Thirty years later, this innovative, cover-to-cover revision renders with fresh eyes and meticulous care the remarkable range of styles, subjects, and voices in English-language poetry. The newly titled Norton Anthology of Modern and Contemporary Poetry—now available in two paperback volumes—includes 1,596 poems by 195 poets (half of the poems are new), from Walt Whitman and Thomas Hardy in the late nineteenth century to Anne Carson and Sherman Alexie in the twenty-first. The Norton Anthology of Modern and Contemporary Poetry continues to be the most comprehensive collection of twentieth-century poetry in English. It richly represents the major figures, while also giving full voice to ethnic American poetries, experimental traditions, postcolonial poetry, and the long poem, eclipsing all other anthologies in scope, clarity, and balance.

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Editorial Reviews

Library Journal
This anthology is an extraordinary accomplishment by any standard. Now in its third edition, the two-volume Norton classic features 1,596 poems by 195 poets (approximately one-half of the poems are new to this edition). Beginning with the late 19th century, the first volume opens with Walt Whitman and ends with Keith Douglas; the second opens with Charles Olson and ends with Sherman Alexie. One of the great pleasures in perusing the anthology is in recognizing the breadth of poetry in the English language. The major, as well as the sometimes neglected, poets are represented here. All of the traditions in poetry-experimental, confessional, traditional, ethnic, formal, postcolonial, and the long poem-are included. The editors have concluded each volume with a "Poetics" section of influential statements by the poet, which provide context and depth to the reading of the poems. The introductions, headnotes, annotations, and bibliographies have been rewritten to add texture and depth to the reader's experience. The author of three books on modern and contemporary poetry, including Poetry of Mourning: The Modern Elegy from Hardy to Heaney, a finalist for the National Book Critics Circle Award, Ramazani (English, Univ. of Virginia) has done an excellent job of "renewing the text" for contemporary readers. Essential.-Pam Kingsbury, Florence, AL Copyright 2003 Reed Business Information.
School Library Journal
Gr 9 Up-The latest revision of this exhaustive compilation features two volumes and more international representation. New introductions provide insight and context for classic and contemporary poets. An essential purchase for library and classroom collections. Copyright 2004 Reed Business Information.
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Product Details

  • ISBN-13: 9780393979787
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 4/28/2003
  • Edition description: Third Edition
  • Edition number: 3
  • Pages: 1100
  • Sales rank: 367,475
  • Product dimensions: 6.00 (w) x 9.30 (h) x 2.60 (d)

Meet the Author

Jahan Ramazani (Ph.D. Yale and M.Phil. Oxford) is Edgar F. Shannon Professor of English at the University of Virginia, previously the Mayo NEH Distinguished Teaching Professor. He is the author of Transnational Poetics, which won the Harry Levin Prize of the American Comparative Literature Association, and of Poetry of Mourning: The Modern Elegy from Hardy to Heaney, which was a finalist for the National Book Critics Circle Award. He is also the author of The Hybrid Muse: Postcolonial Poetry in English and Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime. He is coeditor of The Norton Anthology of Modern and Contemporary Poetry. Ramazani is the recipient of a Guggenheim Fellowship, a National Endowment for the Humanities Fellowship, a Rhodes Scholarship, and the William Riley Parker Prize of the Modern Language Association.

Richard Ellmann was Goldsmiths’ Professor at Oxford University and Woodruff Professor at Emory University. He achieved world fame for his biography of Joyce and wrote many scholarly and critical works, including two on Yeats.

Robert O’Clair was professor of English at Manhattanville College.

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