Nostradamus

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Editorial Reviews

All Music Guide - James Christopher Monger
On 2005's (almost) divine comeback album Angel of Retribution, Judas Priest fans got a modern day update of the band's genre-bending 1976 classic, Sad Wings of Destiny. The New Wave of British Heavy Metal legends return to the mines for 2008's Nostradamus, though this time it's another band's treasure they're looting, specifically Iron Maiden's 1988 concept album, Seventh Son of a Seventh Son. Heavy metal's obsession with seers, sorcery, and anything else that falls under the nebulous blanket of the "dark arts" is legendary, and Maiden's loosely knit tale of a visionary "chosen one" provided listeners with one of the last great albums of the pre-grunge, epic ...
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Editorial Reviews

All Music Guide - James Christopher Monger
On 2005's (almost) divine comeback album Angel of Retribution, Judas Priest fans got a modern day update of the band's genre-bending 1976 classic, Sad Wings of Destiny. The New Wave of British Heavy Metal legends return to the mines for 2008's Nostradamus, though this time it's another band's treasure they're looting, specifically Iron Maiden's 1988 concept album, Seventh Son of a Seventh Son. Heavy metal's obsession with seers, sorcery, and anything else that falls under the nebulous blanket of the "dark arts" is legendary, and Maiden's loosely knit tale of a visionary "chosen one" provided listeners with one of the last great albums of the pre-grunge, epic metal era, due in part to some truly memorable songs that remain fan favorites even to this day. Nostradamus, on the other hand, manages to live up to nearly every Spinal Tap cliché (non-deliberate, laugh-inducing cover art; melodramatic spoken word interludes; rhyming "fire" with desire). At nearly two hours long, one expects a certain amount of filler, but the dated keyboard strings, soft piano, and bluesy, minor-key guitar licks that populate every nook and cranny in between (and often throughout) each track sound like discarded incidental music from The X-Files or an RPG video game "cut scene." The songs themselves are hit or miss, with the emphasis falling on the latter, due mostly to an over-reliance on three-chord, midtempo filler, but as is the case with nearly every Priest offering, when they're on they're dead on. Disc one closer "Persecution," after a lengthy organ/guitar intro, unleashes Nostradamus' finest six minutes, boasting one of the best choruses the band has produced since 1988's "Hard as Iron" (few things sound as natural and satisfying as Rob Halford's metallic voice running through a phaser, and his signature scream, when it arises, still has no equal). The predictable but effectively apocalyptic "War" (taking a cue from Holst's "Mars, Bringer of War") spawns one of the few great orchestral breakdowns on the record, while both "Death" and the nearly seven-minute title track feature stunning guitar work from Glenn Tipton and K.K. Downing. None of this, however, can save Nostradamus from the fact that even if it were reduced to a single album (it should have been), its flaws would far outweigh its triumphs. Excess and metal go together like blood and guts, but even gore loses its ability to draw a reaction after the umpteenth beheading.
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Product Details

  • Release Date: 6/17/2008
  • Label: Epic
  • UPC: 886973070826
  • Catalog Number: 730708
  • Sales rank: 35,417

Tracks

Disc 1
  1. 1 Dawn of Creation (2:31)
  2. 2 Prophecy (5:26)
  3. 3 Awakening (0:52)
  4. 4 Revelations (7:05)
  5. 5 The Four Horsemen (1:35)
  6. 6 War (5:04)
  7. 7 Sands of Time (2:36)
  8. 8 Pestilence and Plague (5:08)
  9. 9 Death (7:33)
  10. 10 Peace (2:21)
  11. 11 Conquest (4:42)
  12. 12 Lost Love (4:28)
  13. 13 Persecution (6:34)
Disc 2
  1. 1 Solitude (1:22)
  2. 2 Exiled (6:32)
  3. 3 Alone (7:50)
  4. 4 Shadows in the Flame (1:10)
  5. 5 Visions (5:24)
  6. 6 Hope (2:09)
  7. 7 New Beginnings (4:56)
  8. 8 Calm Before the Storm (2:05)
  9. 9 Nostradamus (6:43)
  10. 10 Future of Mankind (8:29)
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Album Credits

Performance Credits
Judas Priest Primary Artist
K.K. Downing Guitar, Synthesizer Guitar
Rob Halford Vocals
Ian Hill Bass Guitar
Glenn Tipton Guitar, Synthesizer Guitar
Scott Travis Drums
Pete Whitfield Strings
Technical Credits
Atti Bauw Mastering
Bill Curbishley Management
K.K. Downing Arranger, Producer
Rob Halford Arranger
Glenn Tipton Arranger, Producer
Mark Wilkinson Artwork
Jayne Andrews Management
Richard W.G. Wood Engineer
Darius VanHelfteren Mastering
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    epic priest!!!!!!!!!!!!!!.

    i have been a defender of the faith ever since i tried those guys. i liked steel, screaming, leather and finally sin after sin. this new release is kinda like music from the elder but unlike that bomb of an album this one is a concept album. you get to hear priest in all of the epic glory and halford is the golden voice of metal. the double axe attacks of tipton and downing are incredible and the scott travis still pounds the skins like in painkiller. the fastest speed metal song i have ever heard in my life next to master of puppets. get this!. don't sleep. cop it!!.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews