Overview

Ian Williams's Not Anyone's Anything is a trio of trios: three sets of three stories, with three of those stories further divided into thirds. Mathematical, musical, and meticulously crafted, these stories play profoundly with form, featuring flash cards and musical notations embedded in texts, literal basements, and dual narratives, semi-detached. Roaming through Toronto and its surrounding suburbia, Williams's characters wittily and wryly draw attention to the angst and anxieties associated with being somewhere...
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Not Anyonès Anything

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Overview

Ian Williams's Not Anyone's Anything is a trio of trios: three sets of three stories, with three of those stories further divided into thirds. Mathematical, musical, and meticulously crafted, these stories play profoundly with form, featuring flash cards and musical notations embedded in texts, literal basements, and dual narratives, semi-detached. Roaming through Toronto and its surrounding suburbia, Williams's characters wittily and wryly draw attention to the angst and anxieties associated with being somewhere between adolescence and more-than-that. They are disastrously ambitious, cutting the flaps of skin between their fingers to play Chopin; they are restless and bored, breaking into units of new subdivisions hoping for a score; they continually test the ones they love, and, though every time feels like the last time, they might be up for one more game.
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Product Details

  • ISBN-13: 9781460400104
  • Publisher: Freehand
  • Publication date: 2/28/2011
  • Sold by: De Marque
  • Format: eBook
  • Pages: 226
  • File size: 2 MB

Meet the Author

Ian Williams is the author of Not Anyone's Anything (stories, Freehand, 2011) and You Know Who You Are (poems, Wolsak and Wynn, 2010). He completed his Ph.D. in English at the University of Toronto and is currently an English professor at Fitchburg State University in Massachusetts. Williams has held fellowships or residencies from Vermont Studio Center, Cave Canem, Kimmel Harding Nelson Center for the Arts, Palazzo Rinaldi in Italy. He was also a scholar at the National Humanities Center Summer Institute for Literary Study. His writing has appeared in Fiddlehead, Arc, Contemporary Verse 2, Rattle, jubilat, Confrontation, The Antigonish Review, Gargoyle, Folio, Pebble Lake Review, Callaloo, Descant, and Matrix Magazine. He divides his time between Ontario and Massachusetts.
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