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Overview

Ian Williams's Not Anyone’s Anything is a trio of trios: three sets of three stories, with three of those stories further divided into thirds. Mathematical, musical, and meticulously crafted, these stories play profoundly with form, featuring flash cards and musical notations embedded in texts, literal basements, and dual narratives, semi-detached. Roaming through Toronto and its surrounding suburbia, Williams's characters wittily and wryly draw attention to the angst and anxieties associated with being somewhere...
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Not Anyone's Anything

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Overview

Ian Williams's Not Anyone’s Anything is a trio of trios: three sets of three stories, with three of those stories further divided into thirds. Mathematical, musical, and meticulously crafted, these stories play profoundly with form, featuring flash cards and musical notations embedded in texts, literal basements, and dual narratives, semi-detached. Roaming through Toronto and its surrounding suburbia, Williams's characters wittily and wryly draw attention to the angst and anxieties associated with being somewhere between adolescence and more-than-that. They are disastrously ambitious, cutting the flaps of skin between their fingers to play Chopin; they are restless and bored, breaking into units of new subdivisions hoping for a score; they continually test the ones they love, and, though every time feels like the last time, they might be up for one more game.
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Editorial Reviews

Rhea Tregebov
In these nuanced, restless stories, Williams subverts our conventional expectations of narrative. Minutely observed, his characters’ disconsolate lives swerve off one another, as they again and again attempt to connect. And yet this oblique, intense approach to story and character profoundly captures the real. Not Anyone’s Anything discloses a radical new voice in Canadian fiction.
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Product Details

  • ISBN-13: 9781460400104
  • Publisher: Freehand
  • Publication date: 2/28/2011
  • Sold by: De Marque
  • Format: eBook
  • Pages: 226
  • File size: 2 MB

Meet the Author

Ian Williams is the author of Not Anyone's Anything (stories, Freehand, 2011) and You Know Who You Are (poems, Wolsak and Wynn, 2010). He completed his Ph.D. in English at the University of Toronto and is currently an English professor at Fitchburg State University in Massachusetts. Williams has held fellowships or residencies from Vermont Studio Center, Cave Canem, Kimmel Harding Nelson Center for the Arts, Palazzo Rinaldi in Italy. He was also a scholar at the National Humanities Center Summer Institute for Literary Study. His writing has appeared in Fiddlehead, Arc, Contemporary Verse 2, Rattle, jubilat, Confrontation, The Antigonish Review, Gargoyle, Folio, Pebble Lake Review, Callaloo, Descant, and Matrix Magazine. He divides his time between Ontario and Massachusetts.
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Read an Excerpt

We try to break up every night before he goes home. It sounds so high school, doesn’t it? Break up. Me and Goran broke up. Girl, you won’t believe who broke up. Then comes the R&B heartbreak anthems, one hand up in the air testifying. Then comes the girls’ night out, girl power, we don’t need no man, Ima survivah, yeah! This is exactly why Goran and I have to break up before the night’s through, to ward off all that drama. I don’t have time for that.
“Me? Is it me?” Goran asks. We’re walking from class to his dorm on the west side of University of Toronto, then I’ll walk the rest of the way to Koreatown alone. “You’re dropping the course because of me. There’s no other reason far as I can tell.”
“You got me. I plan my life around you,” I say.
“No shame in that, babe.”
Babe registers, but I ignore it. “I don’t have room for Korean.”
“But you’re Korean.”
I let that one go too. “With the store and the other summer course, I’m just maxed out.”
“And I’m dicking around in grad school.”
“Pretty much.” From what he tells me, it just sounds like he’s reading comic books. They’re graphic novels, he says in my head. Whatever. Try Applied Econometrics then talk to me.
“Was the vocab quiz that bad for you?” he asks.
I hand him the rolled-up quiz and wait for him to gloat.
“Sixteen. Ouch.” He slurps in his breath.
“All right, Einstein. Take it easy.”
“Didn’t you study, Soo? I got eighteen and I’m not even — ”
I wag my jaw. We’ve reached his dorm. Goran cups my elbow and gives me a greasy, gold-chain, chest-hair smile.
“You can’t drop, Soo-bella” he says. “How you gonna throw away our one week together as if it’s nothing to you?”
I start walking. He runs ahead and intercepts me.
“Seriously, Soo, Soo Soo Soo, sixteen isn’t bad. Just make yourself some flash cards and go through them every night.”
There’s a brief, stunned silence before I let him have it: “My cumulative gpa is 3.86, so I think I know a little bit about study­ing. You know, with my Korean smart-genes and all. I might not be in quote unquote grad school yet, but I can figure out how to memorize some words.”
“Take it or leave it.” His eyes are grey. He looks geometric. A sundial for a nose, the rest of his triangular face divided into planes — planes of his cheeks, planes of his jaw, planes of his eyelids. A man based on a Picasso. His hair looks like a helmet made from a spiky animal.
I smile tightly. “Ciao. It’s been good knowing you.”
This is breakup number one, where I don’t hurt Goran as much as I intend to, because, I guess, well, technically, we’re not going out.
I know what he’s thinking as I walk away. She’s such a typical Asian girl, all she cares about are her grades, and pleasing her par­ents, and when any little thing goes wrong in a course she’s quick to drop it. As if it’s a crime to care. And I’m not typical. You’re typical, you smug, condescending kojaengi. Try to tell me how to study. 3.86 yo. After work, I’m so dropping him. It. I mean it. Korean. Do you? I do. Do you? Please. Like he’s anything. Are you mad because he beat you on the quiz or because he doesn’t have the hots for you? I don’t have time anyway. Because you spend all your time working at the convenience store or because you’re studying for quizzes you can’t ace? Listen, I’ve got my priorities straight.
Sixteen isn’t bad. Like hell it’s not. I registered for Intermedi­ate Korean to offset the Econometrics grade this summer. Twelve weeks, mw 5:00-7:30 p.m. On the advice of some Korean friends, I faked my level of fluency to get in. Tell Professor Yoon that your parents mostly speak English to you at home, that you speak a little Korean to your grandparents or something, but that you can’t read well or understand too much. Not much of lie. When I was a kid, my parents sent me to Korean school on Saturday morn­ings, then that fizzled out, which means I read like a second grader. My parents have a mix of embarrassment and pride about my ability. In Korea, it would pretty much amount to illiteracy. She’s really Canadian, they tell our long-distance relatives. She can’t even read Korean. I understand enough Korean to understand that.
As I’m walking to the store, the R&B backup singers begin in my head. Tell me how you go’n drop him, Soo? It. Will you drop it like Newton’s apple? or like a bad stock? like it’s hot?
(I’ll miss the big social experiment that is — was, it’s dead to me — Intermediate Korean. It was made up of sixteen other Korean girls of varying Koreanness, from cover-your-mouth-when-laughing girls to girls like me, born in Canada, Korean more by ethnicity than culture, like non-religious Jews. Most of the class fell in the middle — here since age ten or eleven, a hint of a Korean accent when pronouncing unfamiliar English words.)
like leaves in the fall? like rain in the spring? like a man crossin’ the Falls on a tightrope in the wind?(And I’ll miss Goran, the one white guy in the class, the lone ranger. There. I admit it. First class he sat his gangly self next to me and said, Is this Baroque Art? I said, Korean. He said, Ooh honeychile, I in the wrong place. But he’s actually a PhD student in East Asian Studies, trying to fulfill a third language requirement. He’s “researching” Japanese graphic novels although he’s Serbian — his parents — and accepts his destiny of becoming Toronto’s most overqualified burger flipper when he graduates. A side effect of the comics is that he thinks he can be anybody: Korean, Serbian, Newfie, Japanese, Jamaican, Italian, Quebecois, Ghetto. A week in his company and I’ve already adopted ciao and yo.)

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