Not Just Dowland: Songs for Soprano and Lute

Editorial Reviews

All Music Guide - Stephen Eddins
This live recording featuring soprano Carolyn Sampson and lutenist Matthew Wadsworth comes from a recital the pair gave at London's Wigmore Hall in December 2008. The title, Not Just Dowland: Songs for Soprano and Lute, includes only three tracks by Dowland and primarily serves to draw attention to the great many other composers who wrote lute songs in the Renaissance and Early Baroque eras. The English and Italian composers include Robert Johnson, who is represented by five pieces, and Philip Rosseter, Alfonso Ferrabosco, Claudio Monteverdi, Alessandro Grandi, Alessandro Piccinini, Giulio Caccini, Giovanni Kapsberger, and Tarquinio Merula. Eight tracks are devoted to ...
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Editorial Reviews

All Music Guide - Stephen Eddins
This live recording featuring soprano Carolyn Sampson and lutenist Matthew Wadsworth comes from a recital the pair gave at London's Wigmore Hall in December 2008. The title, Not Just Dowland: Songs for Soprano and Lute, includes only three tracks by Dowland and primarily serves to draw attention to the great many other composers who wrote lute songs in the Renaissance and Early Baroque eras. The English and Italian composers include Robert Johnson, who is represented by five pieces, and Philip Rosseter, Alfonso Ferrabosco, Claudio Monteverdi, Alessandro Grandi, Alessandro Piccinini, Giulio Caccini, Giovanni Kapsberger, and Tarquinio Merula. Eight tracks are devoted to Wadsworth's solos on lute or theorbo, and he uses the theorbo to accompany the Italian songs. The album is clearly marketed to Dowland fans, who should be delighted that Sampson and Wadsworth have highlighted such lovely repertoire using the same performing forces as Dowland. Almost all the English songs are in the somber mood characteristic of Dowland, and the Italian songs have a broader expressive range, some of them, like the Monteverdi, quite sunny, and they are generally more virtuosic. Although Sampson has an extensive repertoire reaching into the modern era, her specialty is the Baroque, for which her light, pure, crystalline voice is beautifully suited. Her performance of Dowland's "In darkness let me dwell" doesn't have the anguished gravitas that many singers bring to it, but it is touching in its chaste understatement. She is most fully in her element in the songs that show off the supple agility of her voice. Wadsworth's solos make up a significant part of the recital, and the sensitivity and soulfulness of his playing are especially engaging. The sound is clean and warm, but the amount of applause that's included between sets seems excessive and distracting.
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Product Details

  • Release Date: 2/23/2010
  • Label: Wigmore Hall Live
  • EAN: 5065000924324
  • Catalog Number: 34
  • Sales rank: 245,596

Tracks

Disc 1
  1. 1 Pavan 3 for lute in C minor - Robert Johnson & Matthew Wadsworth (6:03)
  2. 2 Have You Seen but a White Lily Grow? for voice & lute - Robert Johnson & Ben Jonson (3:04)
  3. 3 Canzonetta spirituale sopra "Alla Nanna" (Curtio Precipitato et altri Capricii composti in diversi modi vaghi eleggiadri à voce sola - Tarquinio Merula & Carolyn Sampson (9:23)
  4. 4 Kapsberger for chitarrone - Johannes Hieronymus Kapsberger & Matthew Wadsworth (4:32)
  5. 5 Toccata Arpeggiata for chitarrone (from Book 1 of D'Intavolatura di Chitarrone) - Johannes Hieronymus Kapsberger & Matthew Wadsworth (2:55)
  6. 6 Amarilli mia bella, for voice & continuo (from "Le Nuove musiche") - Giulio Caccini & Giovanni Battista Guarini (2:54)
  7. 7 Partite variate sopra "la Folia" aria romanesca - Alessandro Piccinini & Matthew Wadsworth (5:29)
  8. 8 Toccata for lute No 13 - Alessandro Piccinini & Matthew Wadsworth (3:18)
  9. 9 O quam tu pulchra es, motet for voice & continuo - Alessandro Grandi & Clifford Bartlett (4:06)
  10. 10 Quel sguardo sdegnosetto, madrigal for soprano (from Scherzi musicali), SV 247/1 - Claudio Monteverdi & Carolyn Sampson (2:19)
  11. 11 In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet) - John Dowland & Carolyn Sampson (4:56)
  12. 12 Can she excuse my wrongs, for 4 voices & lute (First Book of Songs) - John Dowland & Carolyn Sampson (2:53)
  13. 13 Pavane No. 4 - Alfonso Ferrabosco (The Younger) & Alfonso Ferrabosco (The Elder) (3:48)
  14. 14 Care-Charming Sleep, for high voice & lute - Robert Johnson & Carolyn Sampson (3:59)
  15. 15 O Let Us Howl, for voice & lute - Robert Johnson & Carolyn Sampson (2:37)
  16. 16 Away Delights, for soprano voice & 10-string lute - Robert Johnson & Francis Beaumont (3:19)
  17. 17 Prelude, for lute - Philip Rosseter & Matthew Wadsworth (1:30)
  18. 18 Fortune My Foe, song arranged for lute, P 62 - John Dowland & Carolyn Sampson (6:32)
  19. 19 Galliard - Anonymous & Matthew Wadsworth (2:21)
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Album Credits

Performance Credits
Carolyn Sampson Primary Artist
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