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Not Without You: Secret Star\The Law is a Lady

Overview

#1 New York Times bestselling author NORA ROBERTS brings us two classics that prove when love is on the line, anything can be overcome!

Secret Star

Lieutenant Seth Buchanan finds his homicide investigation—and his heart—thrown into turmoil when murder victim Grace Fontaine turns up very much alive. The cool, controlled cop never lets his feelings get in the way of his job, and everything he knows about the notorious heiress tells him she's bad news. But in her irresistible ...

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Overview

#1 New York Times bestselling author NORA ROBERTS brings us two classics that prove when love is on the line, anything can be overcome!

Secret Star

Lieutenant Seth Buchanan finds his homicide investigation—and his heart—thrown into turmoil when murder victim Grace Fontaine turns up very much alive. The cool, controlled cop never lets his feelings get in the way of his job, and everything he knows about the notorious heiress tells him she's bad news. But in her irresistible presence, Seth finds it hard to remember there's any mystery more important to solve than that of Grace herself.

The Law Is a Lady

Once Phillip Kincaid fixes his mind on something, he sets about getting it. When he's pulled over for speeding in Friendly, New Mexico, he knows the town is the perfect locale for his next film. And no-nonsense sheriff Victoria Ashton looks pretty perfect to him, too! But Tori's all business. With no interest in romance, she's giving Phillip a run for his money—making him all the more determined to show her that even a lady of the law can surrender willingly…to love.

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Product Details

  • ISBN-13: 9780373281732
  • Publisher: Silhouette
  • Publication date: 10/29/2013
  • Series: Stars of Mithra Series
  • Format: Mass Market Paperback
  • Pages: 480
  • Sales rank: 321,978
  • Product dimensions: 4.19 (w) x 6.63 (h) x 0.94 (d)

Meet the Author

Nora Roberts is a bestselling author of more than 209 romance novels. She was the first author to be inducted into the Romance Writers of America Hall of Fame. As of 2011, her novels had spent a combined 861 weeks on the New York Times Bestseller List, including 176 weeks in the number-one spot. Over 280 million copies of her books are in print, including 12 million copies sold in 2005 alone.

Biography

Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.

As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.

For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."

Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.

Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."

Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."

Good To Know

Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.

Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.

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    1. Also Known As:
      J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
    2. Hometown:
      Keedysville, Maryland
    1. Date of Birth:
      1950
    2. Place of Birth:
      Silver Spring, Maryland

Read an Excerpt

The woman in the portrait had a face created to steal a man's breath and haunt his dreams. It was, perhaps, as close to perfection as nature would allow. Eyes of laser blue whispered of sex and smiled knowingly from beneath thick black lashes. The brows were perfectly arched, with a flirty little mole dotting the downward point of the left one. The skin was porcelain-pure, with a hint of warm rose beneath—just warm enough that a man could fantasize that heat was kindling only for him. The nose was straight and finely sculpted.

The mouth—and, oh, the mouth was hard to ignore—was curved invitingly, appeared pillow-soft, yet strong in shape. A bold red temptation that beckoned as clearly as a siren's call.

Framing that staggering face was a rich, wild tumble of ebony hair that streamed over creamy bare shoulders.

Glossy, gorgeous, generous. The kind of hair even a strong man would lose himself in—fisting his hands in all that black silk, while his mouth sank deep, and deeper, into those soft, smiling lips.

Grace Fontaine, Seth thought, a study in the perfection of feminine beauty.

It was too damn bad she was dead.

He turned away from the portrait, annoyed that his gaze and his mind kept drifting back to it. He'd wanted some time alone at the crime scene, after the forensic team finished, after the M.E. took possession of the body. The outline remained, an ugly human-shaped silhouette marring the glossy chestnut floor.

It was simple enough to determine how she'd died. A nasty tumble from the floor above, right through the circling railing, now splintered and sharp-edged, and down, beautiful face first, into the lake-size glass table.

She'd lost her beauty in death, he thought, and that was a damn shame, too.

It was also simple to determine that she'd been given some help with that last dive.

It was, he mused, looking around, a terrific house. The high ceilings offered space and half a dozen generous skylights gave light, rosy, hopeful beams from the dying sun. Everything curved—the stairs, the doorways, the windows. Female again, he supposed. The wood was glossy, the glass sparkling, the furniture all obviously carefully selected antiques.

Someone was going to have a tough time getting the bloodstains out of the dove-gray upholstery of the sofa.

He tried to imagine how it had all looked before whoever helped Grace Fontaine off the balcony stormed through the rooms.

There wouldn't have been broken statuary or ripped cushions. Flowers would have been meticulously arranged in vases, rather than crushed into the intricate pattern of the Oriental rugs.

There certainly wouldn't have been blood, broken glass, or layers of fingerprint dust.

She'd lived well, he thought. But then, she had been able to afford to live well. She'd become an heiress when she turned twenty-one, the privileged, pampered orphan and the wild child of the Fontaine empire. An excellent education, a country-club darling, and the headache, he imagined, of the conservative and staunch Fontaines, of Fontaine Department Stores fame.

Rarely had a week gone by that Grace Fontaine didn't warrant a mention in the society pages of the Washington Post, or a paparazzi shot in one of the glossies. And it usually hadn't been due to a good deed.

The press would be screaming with this latest, and last, adventure in the life and times of Grace Fontaine, Seth knew, the moment the news leaked. And they would be certain to mention all of her escapades. Posing nude at nineteen for a centerfold spread, the steamy and very public affair with a very married English lord, the dalliance with a hot heartthrob from Hollywood.

There'd been other notches in her designer belt, Seth remembered. A United States senator, a bestselling author, the artist who had painted her portrait, the rock star who, rumor had it, had attempted to take his own life when she dumped him.

She'd packed a lot of men into a short life.

Grace Fontaine was dead at twenty-six.

It was his job to find out not only the how, but the who. And the why.

He had a line on the why already. The Three Stars of Mithra—a fortune in blue diamonds, the impulsive and desperate act of a friend, and greed.

Seth frowned as he walked through the empty house, cataloging the events that had brought him to this place, to this point. Since he had a personal interest in mythology, had since childhood, he knew something about the Three Stars. They were the stuff of legends, and had once been grouped in a gold triangle that had been held in the hands of a statue of the god Mithra.

One stone for love, he remembered, skimming through details as he climbed the curved stairs to the second level. One for knowledge, and the last for generosity. Mythologically speaking, whoever possessed the Stars gained the god's power. And immortality.

Which was, logically, a crock, of course. Wasn't it odd, though, he mused, that he'd been dreaming lately of flashing blue stones, a dark castle shrouded in mist, a room of glinting gold? And there was a man with eyes as pale as death, he thought, trying to clear the hazy details. And a woman with the face of a goddess.

And his own violent death.

Seth shook off the uneasy sensation that accompanied his recalling the snippets of dreams. What he required now were facts, basic, logical facts. And the fact was that three blue diamonds weighing something over a hundred carats apiece were worth six kings' ransoms. And someone wanted them, and didn't mind killing to gain possession.

He had bodies piling up like cordwood, he thought, dragging a hand through his dark hair. In order of death, the first had been Thomas Salvini, part owner of Salvini, gem experts who had been contracted by the Smithsonian Institution to verify and assess the three stones. Evidence pointed to the fact that verifying and assessing hadn't been quite enough for Thomas Salvini, or his twin, Timothy.

Over a million in cash indicated that they'd had other plans—and a client who wanted the Stars for himself.

Added to that was the statement from one Bailey James, the Salvinis' stepsister, and eyewitness to fratricide. A gemologist with an impeccable reputation, she claimed to have discovered her stepbrothers' plans to copy the stones, sell the originals and leave the country with the profits.

She'd gone in to see her brothers alone, he thought with a shake of his head. Without contacting the police. And she'd decided to face them down after she shipped two of the stones to her two closest friends, separating them to protect them. He gave a short sigh at the mysterious minds of civilians.

Well, she'd paid for her impulse, he thought. Walking in on a vicious murder, barely escaping with her life—and with her memory of the incident and everything before it blocked for days.

He stepped into Grace's bedroom, his heavy-lidded gold-toned eyes cooly scanning the brutally searched room.

And had Bailey James gone to the police even then? No, she'd chosen a P.I., right out of the phone book. Seth's mouth thinned in annoyance. He had very little respect and no admiration for private investigators. Through blind luck, she'd stumbled across a fairly decent one, he acknowledged. Cade Parris wasn't as bad as most, and he'd managed—through more blind luck, Seth was certain—to sniff out a trail.

And nearly gotten himself killed in the process. Which brought Seth to death number two. Timothy Salvini was now as dead as his brother. He couldn't blame Parris overmuch for defending himself from a man with a knife, but taking the second Salvini out left a dead end.

And through the eventful Fourth of July weekend, Bailey James's other friend had been on the run with a bounty hunter. In a rare show of outward emotion, Seth rubbed his eyes and leaned against the door jamb.

M. J. O'Leary. He'd be interviewing her soon, personally. And he'd be the one telling her, and Bailey James, that their friend Grace was dead. Both tasks fell under his concept of duty.

O'Leary had the second Star and had been underground with the skip tracer, Jack Dakota, since Saturday afternoon. Though it was only Monday evening now, M.J. and her companion had managed to rack up a number of points—including three more bodies.

Seth reflected on the foolish and unsavory bail bondsman who'd not only set Dakota up with the false job of bringing in M.J., but also moonlighted with blackmail. The hired muscle who'd been after M.J. had likely been part of some scam of his and had killed him. Then they'd had some very bad luck on a rain-slicked road.

And that left him with yet another dead end.

Grace Fontaine was likely to be third. He wasn't certain what her empty house, her mangled possessions, would tell him. He would, however, go through it all, inch by inch and step by step. That was his style.

He would be thorough, he would be careful, and he would find the answers. He believed in order, he believed in laws. He believed, unstintingly, in justice.

Seth Buchanan was a third-generation cop, and had worked his way up the rank to lieutenant due to an inherent skill for police work, an almost terrifying patience, and a hard-edged objectivity. The men under him respected him—some secretly feared him. He was well aware he was often referred to as the Machine, and took no offense. Emotion, temperament, the grief and the guilt civilians could indulge in, had no place in the job.

If he was considered aloof, even cold and controlled, he saw it as a compliment.

He stood a moment longer in the doorway, the mahogany-framed mirror across the wide room reflecting him. He was a tall, well-built man, muscles toned to iron under a dark suit jacket. He'd loosened his tie because he was alone, and his nightwing hair was slightly disordered by the rake of his fingers. It was full and thick, with a slight wave. He pushed it back from an unsmiling face that boasted a square jaw and tawny skin.

His nose had been broken years before, when he was in uniform, and it edged his face toward the rugged. His mouth was hard, firm, and rare to smile. His eyes, the dark gold of an old painting, remained cool under straight black brows.

On one wide-palmed hand he wore the ring that had been his father's. On either side of the heavy gold were the words Serve and Protect.

He took both duties seriously.

Bending, he picked up a pool of red silk that had been tossed on the mountain of scattered clothing heaped on the Aubusson carpet. The callused tips of his fingers skimmed over it. The red silk gown matched the short robe the victim had been wearing, he thought.

He wanted to think of her only as the victim, not as the woman in the portrait, certainly not as the woman in those new and disturbing dreams that disrupted his sleep. And he was irritated that his mind kept swimming back to that stunning face—the woman behind it. That quality was—had been, he corrected—part of her power. That skill in drilling into a man's mind until he was obsessed with her.

She would have been irresistible, he mused, still holding the wisp of silk. Unforgettable. Dangerous.

Had she slipped into that little swirl of silk for a man? he wondered. Had she been expecting company—a private evening of passion?

And where was the third Star? Had her unexpected visitor found it, taken it? The safe in the library downstairs had been broken open, cleaned out. It seemed logical that she would have locked something that valuable away. Yet she'd taken the fall from up here.

Had she run? Had he chased her? Why had she let him in the house? The sturdy locks on the doors hadn't been tampered with. Had she been careless, reckless enough to open the door to a stranger while she wore nothing but a thin silk robe?

Or had she known him?

Perhaps she'd bragged about the diamond, even shown it off to him. Had greed taken the place of passion? An argument, then a fight. A struggle, a fall. Then the destruction of the house as cover.

It was an avenue, he decided. He had her thick address book downstairs, and would go through it name by name. Just as he, and the team he assigned, would go through the empty house in Potomac, Maryland, inch by inch.

But he had people to see now. Tragedy to spread and details to tie up. He would have to ask one of Grace Fontaine's friends, or a member of her family, to come in and officially identify the body.

He regretted, more than he wanted to, that anyone who had cared for her would have to look at that ruined face.

He let the silk gown drop, took one last look at the room, with its huge bed and trampled flowers, the scatter of lovely old antique bottles that gleamed like precious gems. He already knew that the scent here would haunt him, just as that perfect face painted beautifully in oils in the room downstairs would.

It was full dark when he returned. It wasn't unusual for him to put long, late hours into a case. Seth had no life to speak of outside of the job, had never sought to make one. The women he saw socially, or romantically, were carefully, even calculatingly, selected. Most tolerated the demands of his work poorly, and they rarely cemented a relationship. Because he knew how difficult and frustrating those demands of time, energy and heart were on those who waited, he expected complaints, sulking, even accusations, from the women who felt neglected.

So he never made promises. And he lived alone.

He knew there was little he could do here at the scene. He should have been at his desk—or at least, he thought, have gone home just to let his mind clear. But he'd been pulled back to this house. No, to this woman, he admitted. It wasn't the two stories of wood and glass, however lovely, that dragged at him.

It was the face in the portrait.

He'd left his car at the top of the sweep of the drive, and walked to the house sheltered by grand old trees and well-trimmed shrubs green with summer. He'd let himself in, turned the switch that had the foyer chandelier blazing light.

His men had already started the tedious door-to-door of the neighborhood, hoping that someone, in another of the big, exquisite homes, would have heard something, seen anything.

The medical examiner was slow—understandably, Seth reminded himself. It was a holiday, and the staff was down to bare minimum. Official reports would take a bit longer.

But it wasn't the reports or lack of them that nagged at his mind as he wandered back, inevitably, to the portrait over the glazed-tile hearth.

Grace Fontaine had been loved. He'd underestimated the depth friendship could reach. But he'd seen that depth, and that shocked and racking grief in the faces of the two women he'd just left.

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