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Novels in Three Lines [NOOK Book]



Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy,...
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Novels in Three Lines

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Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.
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Editorial Reviews

Marilyn Johnson
Scraps of news on throwaway newsprint, written by an obscure French figure from the previous century—you'd think you could safely consign these to the literary trash heap. But what if they happen to be marvelous, mocking scraps, written with style and concision?…In Novels in Three Lines, Luc Sante has translated more than a thousand of these miniature dispatches, which run in French newspapers grouped under the rubric faits divers…Layered, ironic, amused, Feneon's voice is unmistakable…The construction, the comic timing, the sly understatement that demands instant rereading—all come together in lines succinct enough for a text message.
—The New York Times
Publishers Weekly

Prolific writer and cultural critic Sante (Low Life) has translated half a year's worth of concise news blurbs written in 1906 for a Paris newspaper by Fénéon, writer, anarchist and promoter of artists like Seurat and Bonnard. These "nouvelles" (literally "novellas" or "news") attest to the ongoing despair of the human condition, giving readers a relentless compendium of murder, suicide, accidental death (beware of train tracks), infanticide, beatings, stabbings, depression and, in a particularly French twist, endless mention of strikes and scabs. According to Sante, Fénéon took an established form and made it his own through the precision and style of his writing; yet it's hard to define that style, because it seems so variable, often straightforward, at times cheekily irreverent, sometimes syntactically impossible to understand, although it's hard to know how much of that is the translation and how much the writer's native prose. That the news is still filled with stories like those related here attests to the constancy of human nature, in both private and public undertakings, as when Fénéon notes: "The fever, of military origin, that is raging in Rouillac, Charente, is getting worse and spreading. Preventative measures have been taken." Illus. (Aug. 21)

Copyright 2007 Reed Business Information
Library Journal

Murders, traffic accidents, suicides, political scandals, labor strikes: these are topics found in any newspaper today. Yet this book's faits-divers, or "sundry events," were crafted by Fénéon over a century ago. Translated by Santé (The Factory of Facts), this curious work is a collection of news items Fénéon wrote in 1906 for Le Matin, a Parisian daily newspaper. These three-line items have no equivalent in U.S. newspapers. More than brief reports or police blotter notes, they are succinct, minimalist accounts of the events of the day, covering almost anything from the mundane (an announcement for a civic association banquet) to the horrific (a dog who ate his dead master's head). Capturing the moment, and thus ephemeral in nature, these items are more like photographs or journalistic haikus or an outline for a novel. (Santé prefers to translate nouvelleshere as "novels" rather than as "news.") Fénéon, who also edited literary journals and was involved in the post-impressionist art scene, turned these faits-diversinto an art form, reflecting the modernist, bare-bones aesthetic of such contemporaries as Seurat, Mallarmé, and Toulouse-Lautrec. For academic libraries and other libraries collecting in the relevant genres.
—Donna Marie Smith

From the Publisher
"In these artfully concise summaries of news events, Feneon, an enigmatic French journalist and publisher, provides a glimpse of a belle epoque that belongs not to artists or intellectuals but to locksmiths, plumbers, seamstresses and the occasional sex offender." —Los Angeles Times

"In 1906, suspected terrorist, anarchist, and literary instigator Félix Fénéon wrote more than a thousand small bits for the Paris newspaper Le Matin. Each was a bizarre yet enigmatic, fragmentary, often scandalous, report." —Steven Heller, imPrint 

"A Parisian anarchist, dandy and literary editor born in 1861, Feneon was at his most eloquent when saying as little as possible. Novels in Three Lines is a collection of what newspaper editors used to call squibs - very short news items, similar to the sentence fragments that populate modern cable news crawls. The book collects more than 1,000 news items (what the French call faits divers) printed in Le Matin in 1906, all anonymously written by Feneon. Century-old one-liners from French fishwrap might sound like a shaky premise for a book, but these true-life tales of murder, revenge, suicide, deceit and religious strife feature the fine carpentry of a literary stylist." —Toronto Star

“Veering from horrific to hilarious and offering an acute overview of life at the time, these ultra-condensed tales of politics and mayhem hover between poetry and prose and redefine nonfiction... it is a seminal modernist masterpiece of form and sensibility, and still provocative. Sante did a brilliant job of translating it into English.” –CHOICE

"[D]eliciously tart and brilliantly compacted micro-vignettes of daily life in all its ironies, passions and dark mysteries." —Sukhdev Sandhu

"These fillers, or fait divers,...recount all manner of assault, graft, accident, labor strife, and murder in spare, factually tidy detail...These epigrammatic plots invite being read aloud, as well as other diversions." —Bookforum

"Layered, ironic, amused, Feneon's voice is unmistakable..a little yo-yo of a narrative that gives pleasure no matter how many times it's flung. The construction, the comic timing, the sly understatement that demands instant rereading." —The New York Times

"Today's lurid tabloid journalism has nothing on Novel in Three Lines, originally published anonymously in the French daily Le Matin in 1906. The man behind them was one Felix Feneon, part-time anarchist, and they reveal a delight in the fateful cruelties of life: Random shootings, premeditated suicides, and awful robberies were his main fixations. It's no insult to our own taste for the sensational when we admit to finding Paris the city more fascinating than Paris the woman." —New York Magazine

"The Feneon , like a book of haikus entirely devoted to suicide, murder, fatal accidents, and incestuous sex, is a creepy introduction to the shadowed brain cavity of a Neo-Impressionist who certainly believed in 'propaganda by the deed' and may have plotted one or more anarchist assassinations." —Harper's Magazine

"Prolific writer and cultural critic Sante (Low Life) has translated half a year's worth of concise news blurbs written in 1906 for a Paris newspaper by Fénéon, writer, anarchist and promoter of artists like Seurat and Bonnard." —Publishers Weekly

“[T]he “Nouvelles en trois lignes”…were simply news items concerning accidents, quarrels, mayhem, fires and murders, reduced to minimal length and rendered tragic-comic or ludicrous by artful diction, euphemism, understatement and other devices. They have stylistic interest, contain political and social overtones, and convey a concept of the absurdity of life.” —French Review

“Fénéon is best known today for his early championing of such men as Arthur Rimbaud, Francis Poictevin, and Jules Laforgue; for the art criticism that helped establish Neo-Impressionism…; for his Nouvelles in trois lignes, the pithy and often startlingly phrased newspapers accounts of current events that have been cited as predecessors of ‘minimal’ story writing; and for the exhibitions and sales of contemporary paintings he organized at the Bernheim-Jeune gallery after 1906.” —American Historical Review

“As a regular journalist, Fénéon is best remembered for his devastatingly spare News stories in Three Lines for Le Matin–cruelly deadpan summaries of the minor dramas of the day.” —Burlington Magazine

“In his time, Félix Fénéon was one of the most influential critics of art and literature in fin-de-siecle Paris… He was, clearly, a man to whom history–cultural history–owes some recognition.” —The New York Times Book Review (James R. Mellow)

“Félix Fénéon, editor, critic and stylist extraordinaire...the most brilliant critic of the day.” —The New York Times (John Russell)

“[T]he era's most influential art critic” —The New Statesman

“The fastidious editor Félix Fénéon, who placed an incisive style in the service of avant-garde interests on every front, married rhetoric and action, art and politics. Closely associated with Symbolism, and with the Neo-Impressionism whose theoretical and formal basis he defined in 1886, Fénéon was probably the most important art critic of the late nineteenth century. While conscientiously clerking at the War Office, he used his discerning eye to appreciate literary and visual subversion…” —The New Republic

"[T]he greatest critic of his age" —William Everdell author of The First Moderns

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Product Details

  • ISBN-13: 9781590174197
  • Publisher: New York Review Books
  • Publication date: 8/17/2011
  • Series: New York Review Books Classics Series
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 208
  • File size: 3 MB

Meet the Author

Félix Fénéon (1861-1944) was a French anarchist, editor, and art critic in Paris during the late 1800's. Born in Turin, he moved to Paris at the age of 20 to work for the Ministry of Defense. He attended the Impressionist exhibition in 1886, later coining the term "Neo-Impressionism" to define the movement led by Georges Seurat. He was the first french publisher to publish James Joyce. In 1892, the French police searched his apartment, claiming him to be an active anarchist. That summer, along with other intellectuals and artists, Fénéon was placed on trial, a case which is now know as The Trial of the Thirty. Although the charges were dismissed, he was discharged from the Ministry of Defense. Famously painted by Paul Signac, the painting now hangs in New York's Museum of Modern Art.

Luc Sante teaches writing and the history of photography at Bard College. His books include Low Life, Evidence, and The Factory of Facts.
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  • Anonymous

    Posted May 10, 2013

    Quite entertaining

    This is an interesting taste of French history in very short scenarios. Some are quite humorous, others ironic. They are an historical slice of French life cut up into in bite-size pieces. An example of a unique type of journalistic writing and should not be missed.

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