Now You See Inside [Japan Bonus Tracks]

Editorial Reviews

All Music Guide - Whitney Z. Gomes
SR-71 may not worry about being politically correct, but whereas most of the band's peers come off snidely, this band isn't afraid to pour some sugar. Naturally, the quartet sometimes veers toward boy-band wussiness, especially on the marshmallow centers of "Empty Spaces" and "Go Away," but the clean Bay City Rollers vibe throughout combines with spacious headphone production to make even the few lesser moments worthy of attention. "Alive" may owe more to Kiss than Pearl Jam especially since SR-71 covers the make-up menaces in concert, and this positive party atmosphere makes the whole album rise above. Rather than attempting to maintain the velocity of opening one-two...
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Editorial Reviews

All Music Guide - Whitney Z. Gomes
SR-71 may not worry about being politically correct, but whereas most of the band's peers come off snidely, this band isn't afraid to pour some sugar. Naturally, the quartet sometimes veers toward boy-band wussiness, especially on the marshmallow centers of "Empty Spaces" and "Go Away," but the clean Bay City Rollers vibe throughout combines with spacious headphone production to make even the few lesser moments worthy of attention. "Alive" may owe more to Kiss than Pearl Jam especially since SR-71 covers the make-up menaces in concert, and this positive party atmosphere makes the whole album rise above. Rather than attempting to maintain the velocity of opening one-two combo "Politically Correct" and "Right Now" this actual hit discusses Ms. Right; Mr. Right appears later, the quartet soars into several airwave-friendly dimensions: "Last Man on the Moon" deserves heavy rotation, "Fame" features downright wondrous keys with a clever Kinks reference, and closer "Paul McCartney" owes more musically to Venus and Mars than Sgt. Pepper. SR-71 also swipes from the Stones, but the Spin Doctors aside in "Non-Toxic" seems closer to home. Take the time to see inside SR-71's debut. Like any commercial band, SR-71 morphs into whatever is on the radio, so the sophomore effort chases nauseously neurotic nu-metal; luckily, the delectably disposable Now You See Inside delivers pure pop for now people, and they need it now. [The Japanese version of Now You See Inside included an acoustic version of "Right Now," the demo "Last Excuse," plus the video for "Right Now."]
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Product Details

  • Release Date: 2/20/2001
  • Label: Tombstone Records
  • EAN: 4988017098271
  • Catalog Number: 21158

Tracks

Disc 1
  1. 1 Politically Correct (3:19)
  2. 2 Right Now (2:47)
  3. 3 What a Mess (3:42)
  4. 4 Last Man on the Moon (3:47)
  5. 5 Empty Spaces (4:28)
  6. 6 Another Night Alone (3:33)
  7. 7 Alive (4:12)
  8. 8 Fame (What She's Wanting) (2:46)
  9. 9 Go Away (4:20)
  10. 10 Non-Toxic (4:04)
  11. 11 Paul McCartney (5:27)
  12. 12 Right Now (3:00)
  13. 13 Last Excuse (4:19)
  14. 14 Right Now
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Album Credits

Performance Credits
SR-71 Primary Artist
Gil Norton Keyboards
Patrick Warren Keyboards
Rob Ladd Percussion
Mark Pythian Keyboards
John Shanks Guitar
Mitch Allan Guitar, Vocals
Jeff Reid Bass, Keyboards, Vocals
Dan Garvin Percussion, Drums, Vocals
Mark Beauchemin Guitar, Keyboards, Vocals
Kevin Kadish Background Vocals
Technical Credits
David Bendeth Producer
Neal Avron Engineer
Bradley Cook Engineer
Marc DeSisto Engineer
Ted Jensen Mastering
Gil Norton Producer
Danton Supple Engineer
Mark Pythian Computer Engineering
John Shanks Composer, Producer, drum programming
Mitch Allan Composer
Brett Kilroe Direction
Brian Garten Computer Engineering
Geoff Sanoff Engineer
Brandon Mason Engineer
Nick Veasey Cover Photo
Graham Dominy Engineer
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