Now You See It

Now You See It

3.0 3
by Richard Matheson
     
 

View All Available Formats & Editions

In Now You See It, the prolific master of suspense and screenwriting (I Am Legend; The Incredible Shrinking Man) delivers a knock-out tale the likes of which have not been seen since Henry Clouzot's devlilish thriller Diabolique.

Some years ago, the Great Delacorte, a famed stage magician, came down with a stroke that left him in a vegetative state, able to

Overview

In Now You See It, the prolific master of suspense and screenwriting (I Am Legend; The Incredible Shrinking Man) delivers a knock-out tale the likes of which have not been seen since Henry Clouzot's devlilish thriller Diabolique.

Some years ago, the Great Delacorte, a famed stage magician, came down with a stroke that left him in a vegetative state, able to move only his eyes. The entire action of the novel is witnessed through these eyes as Delacorte sits in the Magic Room of his country estate, a room custom-tailored to display stage illusions. Delacorte's son, Max, has taken his name and place as an illusionist in every effort to replace his father. Max is supported by his wife Cassandra and her amazingly identical lookalike younger brother Brian. But for the past year, Cassandra has been poisoning Max's food with arsenic and a sleeping pill. She wants the act all for herself--but Max has his own ideas, and his revenge is the big dish that Matheson sets before us in this dazzler that offers top-flight fun!

ABOUT THE AUTHOR

Richard Burton Matheson (born February 20, 1926) is an American author and screenwriter working primarily in the fantasy, horror, and science fiction genres. Between 1950 and 1971, Matheson produced dozens of stories, frequently combining elements from the different genres in which he works, making important contributions to the further development of modern horror. Matheson wrote fourteen episodes for the American television series The Twilight Zone, including the famous "Nightmare at 20,000 Feet." Notably, Steven Spielberg's first full length film (made for television) was based on the story �Duel,� for which Matheson also wrote the screenplay.

Matheson's first novel, Someone is Bleeding, was published in 1953. His thirty novels since then include The Shrinking Man (filmed as The Incredible Shrinking Man, again adapted from Matheson's own screenplay), and a science fiction/vampire novel, I Am Legend (made into film as The Last Man on Earth, 1964, The Omega Man, 1971, and
I Am Legend, 2007).

A new film based on Matheson's story �Steel,� entitled Real Steel, is a major motion picture that was released in October 2011. His most recent novel, Other Kingdoms, appeared in March 2011.

According to film critic Roger Ebert, Matheson's scientific approach to the supernatural in I Am Legend and other novels from the 1950s and '60s anticipated the "pseudorealistic fantasy novels like Rosemary's Baby and The Exorcist." In 2010, Matheson was inducted into the Science Fiction Hall of Fame, and Stephen King has cited Matheson as a creative influence; his novel Cell is dedicated to Matheson along with filmmaker George A. Romero. Author Anne Rice has said that Matheson's short story, "A Dress of White Silk" was a primary early influence on her interest in vampires and fantasy fiction.

Product Details

ISBN-13:
2940013992443
Publisher:
RosettaBooks
Publication date:
05/16/2011
Series:
Richard Matheson Series , #4
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
224
Sales rank:
1,226,839
File size:
2 MB

Meet the Author

Richard Burton Matheson (born February 20, 1926) is an American author and screenwriter working primarily in the fantasy, horror, and science fiction genres. Between 1950 and 1971, Matheson produced dozens of stories, frequently combining elements from the different genres in which he works, making important contributions to the further development of modern horror. Matheson wrote fourteen episodes for the American television series The Twilight Zone, including the famous "Nightmare at 20,000 Feet." Notably, Steven Spielberg's first full length film (made for television) was based on the story �Duel,� for which Matheson also wrote the screenplay.

Matheson's first novel, Someone is Bleeding, was published in 1953. His thirty novels since then include The Shrinking Man (filmed as The Incredible Shrinking Man, again adapted from Matheson's own screenplay), and a science fiction/vampire novel, I Am Legend (made into film as The Last Man on Earth, 1964, The Omega Man, 1971, and I Am Legend, 2007).

A new film based on Matheson's story �Steel,� entitled Real Steel, is a major motion picture that was released in October 2011. His most recent novel, Other Kingdoms, appeared in March 2011.

According to film critic Roger Ebert, Matheson's scientific approach to the supernatural in I Am Legend and other novels from the 1950s and '60s anticipated the "pseudorealistic fantasy novels like Rosemary's Baby and The Exorcist." In 2010, Matheson was inducted into the Science Fiction Hall of Fame, and Stephen King has cited Matheson as a creative influence; his novel Cell is dedicated to Matheson along with filmmaker George A. Romero. Author Anne Rice has said that Matheson's short story, "A Dress of White Silk" was a primary early influence on her interest in vampires and fantasy fiction.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

Now You See It... 3 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
No surprise that this book reads like an episode of Twilight Zone or Alfred Hitchcock, given that it was written by Matheson who wrote one of the best TZs. It's not a fast paced modern thriller but more a
Guest More than 1 year ago
While reading this book I kept waiting for the story to get interesting - it never did. The tricks were boring and redundant, the characters were one dimensional, and by the time there was a climax (if there was one), I didn't care.
Guest More than 1 year ago
The problem I had with this book was that the magic tricks were poorly written, nothing too shocking at all, and the ending was to say the least, just poor judgement. Yes, each chapter keeps you guessing, but if it's well crafted writing you want, on top of it, this book doesn't do it. I can't give away the ending, but I will say that the choice Matheson makes concerning the Cassandra character and her brother, was to shock the reader, bearing no real creed to the story line.