Nowhere to Run (KEY News Series #6)

Nowhere to Run (KEY News Series #6)

3.8 8
by Mary Jane Clark

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New York Times bestselling author Mary Jane Clark delivers Nowhere to Run, a thrilling novel of psychological suspense set in the world she knows best--network news

Botulism, anthrax, smallpox, plague: as medical producer for television's highly-rated morning news program, Annabelle Murphy makes her living explaining horrific conditions


New York Times bestselling author Mary Jane Clark delivers Nowhere to Run, a thrilling novel of psychological suspense set in the world she knows best--network news

Botulism, anthrax, smallpox, plague: as medical producer for television's highly-rated morning news program, Annabelle Murphy makes her living explaining horrific conditions to the nation. So when a KEY News colleague dies with symptoms terrifyingly similar to those of anthrax, she knows the panic spreading through the corridors of the Broadcast Center is justified.

As one death follows another, Annabelle's co-workers look to her for assurance, but she finds it hard to give comfort. To her, the circumstances surrounding the infections suggest diabolical murders.

And when the authorities lock down the Broadcast Center with the identity of the killer still unknown, neither the victims nor the murderer can escape...

Nowhere To Run is full of Mary Jane Clark's signature intricate plotting and taut psychological suspense.

Editorial Reviews

From the Publisher

“The dexterity in keeping so many guilty-looking characters afloat at once and the revelation of a truly surprising killer make Clark's sixth dispatch from KEY News her best.” —Kirkus Reviews

“Clark has perfected the suspense novel, where in classic Christie fashion, everyone is a potential suspect...timely, and downright fun.” —Booklist

“A fast-paced story line...a winner. Readers will appreciate this strong whodunit.” —Midwest Book Reviews

“Clark...brings to her novels the insider's knowledge of an industry known for its cutthroat competition, adulation of youth, and the all-important need to look good on camera. All of which makes for fun reading. The story unfolds in tasty sound bites.” —Orlando Sentinel

“Impossible to put down.” —Library Journal

“Clark brings a network news producer's sensibility to the story of a newsroom in the throes of anthrax-induced pandemonium...brisk dialogue and rapid-fire action sequences...the yarn entertains with a little network gossip and a short lesson in bio-terror.” —Publishers Weekly

“Mary Jane Clark has a gift for writing page-turners.” —Mary Higgins Clark, author of The Second Time Around

Publishers Weekly
CBS veteran Clark (Nobody Knows) brings a network news producer's sensibility to the story of a newsroom in the throes of anthrax-induced pandemonium. In quick chapters that jump-cut among numerous points of view, Clark narrates a nerve-racking week in the life of KEY News producer Annabelle Murphy. When Annabelle's medical correspondent, Dr. John Lee, holds up what he says is a vial of weapons-grade anthrax on morning TV, panic ensues: executives call management meetings, security agents peer into spy cameras, the FBI snoops around and doctors dispense Cipro. Lee's anthrax proves to be table sugar-but then Annabelle's colleague Jerome Henning, who's quietly been writing a nasty tell-all, lands in the hospital and quickly succumbs to the disease. A food-service worker is murdered next, and another person is found dead. Annabelle frets about Jerome's manuscript and tries to figure out what's going on, all the while unwittingly carrying anthrax spores in her coat pocket. Who needs terrorists when there are so many office villains around? There's the aging, control-freak male bigwig, the driven female executive, the insider-trading business reporter and the cocaine-sniffing theater reviewer, to name a few. Clark's spare prose depends on brisk dialogue and rapid-fire action sequences, and her stereotypical characters are pastiches of a few simple virtues, flaws and guilty secrets. Still, the yarn entertains with a little network gossip and a short lesson in bio-terror, all seen through the eyes of a network producer who starts out fearing for her job and ends up fearing for her life. Agent, Laura Dail. (Aug.) Copyright 2003 Reed Business Information.
Library Journal
Clark, the granddaughter of Mary Higgins Clark, is a writer and producer for CBS news. She shows that she knows the news business in this suspense novel about anthrax. Annabelle Murphy is a producer for KEY News. As part of a story, the medical reporter displays a tube of what is reported to be the deadly disease. Even though tests show that what he has is not anthrax, Annabelle's friend and colleague Jerome Henning is soon admitted to the hospital and dies from anthrax exposure. He had been writing a tell-all book about the network and his colleagues, and the manuscript is soon stolen from Annabelle. The FBI and network security quickly become involved and attempt to discover which of the many suspicious-looking characters is murdering fellow employees. Angela Pierce's narration is smooth and competent, but she is unconvincing and inconsistent when she attempts to use accents. The work consists of many very short chapters-some are only a few sentences long-and it is distracting to hear the chapter numbers read out constantly. Clark has a loyal following, so this audio should be popular despite the rather formulaic plot and stereotypical characters. For most public libraries.-Mary Knapp, Madison P.L., WI Copyright 2004 Reed Business Information.
Kirkus Reviews
A killer armed with a vial of anthrax and the will to use it stalks the corridors of the New York Broadcast Center of homicide-prone KEY News (Nobody Knows, 2002, etc.). If the premise trades on terrorist-inspired paranoia, imagine how it feels to KEY News medical producer Annabelle Murphy, already nursing her firefighter husband Mike through the Post-Traumatic Stress Disorder that's laid him low ever since 9/11, when she sees her wayward charge, self-aggrandizing KEY News medical correspondent Dr. John Lee, brandishing a test tube full of white powder on the morning news-her morning news-and hear him claim it's anthrax he's gotten in an unspecified way anybody could imitate. The police naturally descend and the switchboards go berserk. By the time Dr. Lee's white powder turns out to be confectioner's sugar, Annabelle's old flame, book-news producer Jerome Henning, is already dead of anthrax, along with Clara Romanski, his inoffensive cleaning woman. The vituperative tell-all that Jerome had been penning casts clouds of suspicion on all the Key to America newsroom coworkers whose peccadilloes he was about to expose. Executive producer Linus Nazareth never acknowledged Jerome as ghostwriter of his own upbeat tome. Entertainment editor Russ Parrish had let Jerome hook him on coke. Randy business correspondent Gavin Winston likes his dates young, fresh, and vulnerable. Ambitious lifestyle correspondent Lauren Adams doesn't mind sleeping her way to the top. As Clark ladles out the suspicion, the killer, seen far too often in strenuously unrevealing close-up, moves on to a third victim en route to a fourth-Annabelle herself, who'll be attacked while the building is under a long-portendedpolice lockdown. No detection-the vital clues all come flocking unbidden to Annabelle in the nick of time-but the dexterity in keeping so many guilty-looking characters afloat at once and the revelation of a truly surprising killer make Clark's sixth dispatch from KEY News her best. Agent: Laura Dail

Product Details

St. Martin's Press
Publication date:
KEY News Series , #6
Edition description:
Product dimensions:
4.18(w) x 6.75(h) x 0.87(d)

Read an Excerpt




Copyright © 2003 Mary Jane Clark
All right reserved.

ISBN: 0-312-28877-8

Chapter One

As Mike slid back into their bed, Annabelle got out of it, not bothering to ask him where he'd been or what he'd been doing. Another sleepless night for him, another lonely one for her. It was the rhythm of their lives now. Closing the bedroom door behind her, she switched on the lamps to brighten the early morning grayness and headed for the kitchen. Two plastic lunch boxes, one red, one blue, lay open on the counter. Annabelle placed a bologna sandwich, a bag of pretzels, and a small box of raisins inside each one and tucked a paper napkin on top. As the kettle whistle began to hiss, she whisked it from the burner, lest its screech wake the kids. She had fifteen minutes before she had to rouse Thomas and Tara to get ready for school. Fifteen minutes of treasured quiet that she was not eager to give up. She wrapped her fingers around the warmth of the ceramic mug and took a sip of the steaming green tea, wincing as the scalding liquid hit her tongue. The taste did nothing for her, but she took comfort in the idea that it was good for her, that she was doing something to fortify and cleanse herself. She knew she had to take care of Annabelle. No one else was going to now. With Mike the way he was, if she got sick too, the whole house of cards would come tumbling down. In bare feet, she padded across the living room and switched on the television set, making sure to keep the volume down. Her piece was scheduled to air during the first half hour of KEY to America, and she didn't want to miss it. This one had been a bear. It had entailed doing hours of research on an unfamiliar subject, obtaining the proper permissions to shoot, setting up for interviews and ordering video material, writing the script because her correspondent was too busy and preoccupied to do it himself, and working extra hours to make sure the story was edited on time. Right now, John Lee, M.D., KEY News medical correspondent, would be sitting uptown in the Broadcast Center, having his makeup applied, champing at the bit to go on national television and take all the credit for her hard work.

But that was what it was to be Lee's producer. While Annabelle thought Lee was an ambitious horse's behind, less devoted to the Hippocratic oath than to parlaying his national television visibility into book deals, product endorsements, and an even bigger TV contract the next time around, she accepted her role of making him look good. She wanted to keep this job. She needed it. Mike's disability payments from the city weren't enough to keep their family going. As the theme music of the morning news program began to play, Annabelle marveled that she was working at KEY News again. When she left after two miscarriages, followed by fertility treatments that led to the birth of the twins, she hadn't expected to return full-time to the Broadcast Center ever again. She had worked too hard to have her babies, and she wanted to enjoy raising them. Mike's salary and overtime from the fire department, her occasional freelance producing or writing assignments, and a precious rent-stabilized apartment had allowed them to get by for the last six years.

It had been a golden time.

A strong, vital husband, with a great sense of humor and a quick wit, two healthy children, and a home full of warmth and laughter. Annabelle was glad, now, as she pulled her red flannel robe closer around her and gazed out the window, that she had appreciated those days, lived them fully, reveled in them. So oblivious were they of what was to come. Annabelle watched below as a lumbering street-cleaning truck brushed litter and dirt from the Perry Street curb, while a few early risers strode purposefully toward their destinations. A fat black pigeon landed on the railing of the iron fire escape. A morning like so many others in Greenwich Village, before and after everything happened. A quick glance at the clock on the bookcase told her that it was time to go in and wake the kids. She turned up the volume on the television set to ensure that she would hear the lead-in to her piece and headed to the twins' bedroom.

As she beheld the two little heads that lay cradled against the Barney pillowcases, Annabelle stopped, wondering yet again if she would ever get over the magic of having these fabulous creatures in her life. Rough-and-tumble Thomas, so quick to laugh, so eager to please. Thoughtful and artistic Tara, quieter and more complicated than her brother but, as Annabelle's mother used to say, "full of the devil." Two children who were conceived in such love and hope, and whose existence had exceeded their parents' most cherished dreams. She smiled and shook her head as she watched Thomas raise his thumb to his mouth in sleep. During the day, her son was trying so hard to break the habit, but he was addicted to the comfort of it. In the whole scheme of things, what did it really matter, she asked herself, watching his gullet move beneath the soft skin of his throat as he sucked. He would give it up when he was ready to give it up. As a matter of fact, sometimes she felt like crawling under the covers and sucking her thumb herself. But she couldn't. Thomas and Tara needed at least one parent who was acting like one. She hated herself for the resentment she had been feeling lately. At first, she had been understanding of and sympathetic to Mike's uncharacteristic dark moods and long, chilly silences. After what he had been through, it was all too predictable that he'd shut down. He'd been there, seen it, lost close friends, and attended too many funerals to count. The ghosts of the dead hovered in the firehouse. But his depression had been going on for too long now. Though Mike was dutifully attending his mandatory counseling sessions, "cuckoo time" he called it, Annabelle didn't see any improvement. He didn't want to leave the apartment, didn't want to ride an elevator, shuddered when he heard an airplane fly overhead. What hurt her most was observing his lack of interest in the children and seeing the puzzled, hurt expressions on their faces when Daddy refused to give them their baths or read them a favorite bedtime story. It fell on Annabelle to plug all the parental gaps and explain to the twins that, while Daddy wasn't feeling well now, he would surely be better soon, soothing them as she tried to convince herself.

She hoped the medication would kick in soon. It had been over two weeks since Mike had started on the new prescription. There had been no change Annabelle could observe.

She bent down and touched her daughter's thin shoulder. Tara's round, blue eyes popped open. The child was disoriented for only a moment, quickly recognizing her mother's face and taking in her surroundings. She sat upright, brushing her fine, tangled brown hair back from her forehead, and reached for the cardboard shoe box she had carefully placed at the foot of the twin bed the night before.

"There it is, honey. All set for show-and-tell today." "Good," said the child, opening the lid and inspecting the contents, as she had so many times before going to sleep last night.

"You did a beautiful job on those, Tara, you really did." Annabelle reached in to take one of the painted leaves from the box. As she examined it, she uttered a silent prayer of thanks that Mrs. Nuzzo had taken the kids to the playground yesterday afternoon, scouring it for the dried leaves and then supervising the painting activities. Every Thursday's show-and-tell got to be a real challenge for the parents, coming up with something new for the kids to bring in to share with the first-grade class. Annabelle had been relieved when she got home late from work the night before that this was one parental task she was being spared. Yet another part of her was envious of Mrs. Nuzzo. Gathering leaves with her children and sitting at the kitchen table to decorate them sounded exceedingly sweet.

"Thomas, big guy, time to get up." The boy pulled his thumb from his mouth and clamped his eyelids shut. "Come on, Thomas. If you get up right away, we'll have time to have French toast," Annabelle cajoled. "Otherwise it's Cheerios again."

"And sausage?" the child asked, keeping his eyes closed.

Annabelle fought the temptation to lie to him as an incentive to get him out of bed. "No, honey, sausage is for the weekend. But the French toast will be all nice and warm and syrupy. Just the way you like it. Come on now, get up." The child gave in to the inevitable, swinging his pajama-clad legs over the side of his bed and pulling his knit Spider Man-emblazoned top over his head. Annabelle left the kids to dress themselves in the clothes they had laid out the night before as she heard Constance Young's voice coming from the TV in the living room. Blond, expertly made up, and dressed in an electric blue suit, Constance was looking great again this morning. Annabelle was proud of the friend she had made in her first life at KEY News, when they'd both been starting out, Annabelle as a researcher and Constance as a young reporter. Constance had stayed the course, covering long stakeouts, volunteering for the stories none of the seasoned correspondents wanted to do, paying her dues. While Annabelle was home with her kids, Constance had devoted herself to her professional passion. Now she was cohosting the nation's highly rated morning program and making seven figures a year. Constance was beautiful, smart, successful, and unhateable because she was such a damned nice person.

If not for Constance, Annabelle doubted that she would be working at KEY News again. It was Constance who, upon hearing what was going on with Annabelle, put in the good word to the executive producer Linus Nazareth to hire her. Annabelle knew the producer had no use for mommy trackers, and she was sure Nazareth had decided to take her on just to keep his popular star happy. If Constance Young wanted Annabelle, then Annabelle was in.

Annabelle had been working her tail off to prove herself and satisfy Nazareth's latest ringing directive to "make bioterrorism sexy. Seduce me. Tell me why I should care and what I can do to save myself. Keep me and all the mommies at home riveted to our television sets lest our babies lose their lives." With those twisted marching orders, Annabelle had been forced to become all too knowledgeable about botulism, smallpox, tularemia, and plague. As she cracked eggs over the rim of a stainless-steel mixing bowl, Annabelle listened to Constance's introduction. "Now, in our continuing series 'What you need to know about bioterrorism,' KEY News Medical Correspondent Dr. John Lee reports this morning on anthrax. You may be surprised at what he's found." Annabelle turned to watch as the videotape rolled and a cluster of rod-shaped bacteria lit up the television screen. "Anthrax is the perfect killer, invisible and silent," began Dr. Lee's smooth voice. "But actually anthrax is a livestock disease and, usually, humans contract it through contact with diseased animals or their hides." The image on the television switched to a medical textbook picture of an ugly, black scab on a human hand. "Though anthrax spores can be ingested if infected livestock is eaten, most human infection, ninety-five percent of it, is through skin contact-what we call cutaneous anthrax. A small pimple or ulcer grows into a coal-like lesion. In fact, anthrax got its name because an infection looks like anthracite or coal. The good news is, while potentially deadly, cutaneous anthrax is highly treatable with antibiotics.

"But by far the deadliest form of anthrax is inhalation anthrax. Once someone has breathed anthrax spores into their lungs, flulike symptoms will appear. A fever, cough, body aches-symptoms that don't normally send you running to the doctor. But if there is no aggressive antibiotic treatment, the fever will elevate, breathing will become labored, and the body will go into shock."

The doctor Annabelle had interviewed the week before at New York Hospital was identified on the screen and offered his expertise: "When this severe stage sets in, it is almost always too late for a cure." Now, Lee appeared on the screen and began walking through a laboratory. "But anthrax, as it exists in nature, is not the perfect weapon. Purifying and concentrating the anthrax spores and weaponizing them, causing those purified spores to separate so they can linger in the air and be inhaled, requires real laboratory skill. There is no way to account for all the anthrax strains that exist. Hundreds of scientists and technicians can get ahold of anthrax, and they know how to weaponize it."

The medical correspondent paused to rest his hand on a piece of machinery on the lab bench. "One of the steps in making the powdered, airy form of anthrax is freeze-drying the spores. A tabletop freeze dryer can be purchased for under eight thousand dollars. So you see, the notion that only a state-sponsored biological weapons program could produce weapons-grade anthrax is a misconception." As the report ended, Thomas came out of the bedroom, shoes in hand. Annabelle bent down to tie his sneaker but looked up in time to catch Dr. Lee, live on the set, holding up a tiny vial of white powder. "Constance, we'd all like to think that anthrax is so dangerous, so deadly, that it must be well guarded, impossible, we hope, for anyone with evil intentions to get his hands on. But what I have here is a test tube containing weapons-grade anthrax. I can't tell you how I got it, but if I could get it, so could other people. This is a weapon you can use and you can hide." Annabelle watched openmouthed, not believing what she was seeing. The camera closed in on the vial, then pulled back to Constance, who shrank back in her seat across from the medical correspondent.

"What's wrong, Mommy?" asked Thomas.

"Nothing, sweetie. But Daddy is going to have to get up and walk you guys to school this morning. Mommy has to get in to work."

Chapter Two

The president of KEY News sat at her kitchen table, drinking her second cup of black coffee and scanning the OpEd page of The New York Times while keeping an ear on the television set playing in the background. "... What I have here is a test tube containing weapons-grade anthrax. I can't tell you how I got it, but if I could get it, so could other people."

Yelena Gregory's head whipped around to view the medical correspondent proudly displaying his booty. Linus had gone too far this time. She grabbed the telephone and punched in the numbers of the Broadcast Center control room.

"Gregory for Nazareth," she barked. It took three seconds for the executive producer to get on the line.


Excerpted from NOWHERE TO RUN by MARY JANE CLARK Copyright ©2003 by Mary Jane Clark. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Mary Jane Clark is the author of six novels, including: Do You Want To Know A Secret, Do You Promise Not To Tell, Let Me Whisper In Your Ear, Close To You, and Nobody Knows. She is a producer and a writer at CBS News in New York City and lives in New Jersey.

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Nowhere to Run (KEY News Series #6) 3.9 out of 5 based on 0 ratings. 8 reviews.
Anonymous More than 1 year ago
This is my favorite book so far! However, the quality of the ebook is poor - full of errors, same chapter included twice, some words cannot be figured out. BN can do better.
Guest More than 1 year ago
I read this book expecting something good, but not the best. I found a compelling story that I could hardly put down. The ending surprised me, and the plot overall was extremely well-written. There was an even balance between characters and their personal and social lives, which I found wonderfully refreshing after the stereotypical one character, one side of their lives. I would definitely recommend this book to anyone 14 or older.
Guest More than 1 year ago
This is her best yet! This really hits home with the latest in the news the past two years, but this was a very exciting and enticing story. Characters very vivid and real. Great Job Mary Jane. Get this book or borrow from friend or library! Well worth reading!
Guest More than 1 year ago
Ripped from the headlines, 'Nowhere to Run' is Mary Jane Clark's best media thriller -- I defy anyone to put this book down once you've started! At the center of the anthrax-as-murder-weapon suspense, KEY News medical producer Annabelle Murphy is one of Clark's best-drawn heroines, with a firefighter husband still trying to recover from his own 9/11 World Trade Center heroism, and a pair of twins who, themselves, become the target of a killer who will stop at nothing. Breathless pacing and a truly WOW revelation at the end!
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