Nowhere to Run: Not Without Risk\A Man to Die For [NOOK Book]

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Overview


Two timeless stories from the master of romantic suspense.

Not Without Risk

It began as a day's pleasure cruise on the crystal clear waters of the Gulf of Mexico. But then Emily Marshall stumbled into a deadly maze of drug smuggling and murder—and discovered that the only person who could help her was the man who had once torn her heart to shreds.

A sudden and passionate interlude showed Jim Keegan the truth he'd been hiding from for so long. Now he knew exactly what he lost when he walked away from Emily—and what ...

See more details below

Overview


Two timeless stories from the master of romantic suspense.

Not Without Risk

It began as a day's pleasure cruise on the crystal clear waters of the Gulf of Mexico. But then Emily Marshall stumbled into a deadly maze of drug smuggling and murder—and discovered that the only person who could help her was the man who had once torn her heart to shreds.

A sudden and passionate interlude showed Jim Keegan the truth he'd been hiding from for so long. Now he knew exactly what he lost when he walked away from Emily—and what he would lose forever if he couldn't save her.…

A Man to Die For

Carrie Brooks left her home, her job, her very existence, to run away with a murder suspect, a man whose only prior introduction to her was as her kidnapper. She has no reason at all to trust him. After all, he's the enemy—isn't he?

Felipe Salazar's been in disguise for so long, he's not even sure who he is anymore. But he knows two things: he's innocent. And he's waited all his life for someone like Carrie….

Product Details

  • ISBN-13: 9781426847738
  • Publisher: Harlequin
  • Publication date: 2/1/2010
  • Sold by: Barnes & Noble
  • Format: eBook
  • Sales rank: 64,974
  • File size: 774 KB

Meet the Author

Suzanne Brockmann
Suzanne Brockmann
Suzanne Brockmann is the award-winning, bestselling author of more than 20 category romances. Her first book was released in 1993, and since then, she's received 17 different awards, including Best Series Romance of 1996, a 1997 Career Achievement Award and 11 different W.I.S.H. Awards for creating completely irresistible romantic heroes, all from Romantic Times Magazine. Her books have appeared on the USA Today Bestseller List, the Waldenbooks Romance List and on the keeper shelves of romance readers everywhere.

Suzanne lives near Boston with her husband, a lawyer, and two children, both professional actors. When Suzanne isn't writing, she's busy making music. Formerly the lead singer and songwriter for an original Boston rock band, she is now vocal arranger, director, and lead alto of the eight-voice a cappella group Serious Fun.

Suzanne is also one of the founders and volunteer organizers of Natick's Appalachian Benefit Coffeehouse, raising money for the Cabell/Lincoln Country Workcamp, which rebuilds housing for the poor, elderly and disabled in West Virginia.

Biography

Although Suzanne Brockmann can't remember a time when she wasn't scribbling something (one of her earliest masterpieces was an action-packed radio play called "Mice on Mars"), she didn't begin to write seriously until she was married with young children. She spent several years trying to break into the super-competitive field of screenwriting before deciding to try her hand at genre fiction; and, it was only after months of intensive research that she finally homed in on Romance. In June of 1992, she sat down to write her first book. By year's end, she had completed ten manuscripts, and in August of 1993, she sold her first book, the contemporary romance Future Perfect.

Brockmann's first novels were stand-alones. But as her career progressed, she noticed that romance mini-series, with their opportunities for character development and intersecting story lines, had become extremely popular. Seeking to increase her readership, she decided to write a mini-series of her own. She found her "hook" in a magazine article on Navy SEALs and, in 1996, she released Prince Joe, the first novel in her Tall, Dark and Dangerous series. The alpha males of Brockmann's fictional SEAL Team 10 proved to be the perfect romantic heroes, and the series was an immediate hit with readers. Four years later, she launched a second series of military/romantic thrillers centered on the friendships, romances, and working relationships among a team of Navy SEALS and members of an elite security agency called Troubleshooters, Inc. Starting with The Unsung Hero in 2000, the Troubleshooters books have catapulted the author to the top of the charts.

Brockmann is known in the industry as a risk-taker, having written stories around such sensitive topics as interracial romance and homosexuality, In 2004, she garnered attention for her eighth Troubleshooters novel, Hot Target, which involved one of her most popular recurring characters, openly gay FBI agent Jules Cassidy, in a romantic subplot. Brockman, who dedicated the book to her gay son Jason, was not sure how readers would respond. To her surprise, the reaction from gay and straight alike proved positive. She stated on her website: "I love the fact that the world I've created in my books -- a diverse American world filled with the same variety of people who live in my urban American neighborhood -- has been so enthusiastically embraced by readers."

Brockmann's distinctive literary blend has come in for its fair share of praise. Writing in the Chicago Tribune, veteran Booklist reviewer John Charles stated: "Brockmann strikes the perfect balance between white-knuckle suspense and richly emotional romance." And USA Today has called her "[t]he reigning queen of militaray suspense." As further proof of her mainstream appeal, she remains one of a handful of Romance novelists to have made the leap from mass market paperback to hardcover.

Good To Know

In an interview with the online magazine All About Romance, Brockmann says: "I started reading when I was three (my first 'real' book was Beverly Cleary's Here Comes the Bus -- I remember this because no one believed that I was really reading it and I got really upset when my older sister took it back to the school library before I'd finished it!)."

A serious history buff from her youth, Brockmann has read widely on WWII and has been known to incorporate stories from that era into the books of her Troubleshooters series.

Brockmann loves music. She attended Boston University as a film major with a minor in creative writing but dropped out to perform with a rock and roll band. She also sang with and served as music director for a Boston-based a cappella group called "Serious Fun" and produced its first and only CD in 1998.

Brockman is married to novelist Ed Gaffney.

The mother of an openly gay son , Brockmann is a proud member of PFLAG (Parents, Families & Friends of Lesbians & Gays).

In her writing, Brockmann employs a device she calls Deep Point of View. She explains it in an interview with the online writers' journal Writers Write: "In my books, I use subjective point of view, but I'm not satisfied with merely showing the reader what that camera sees from its perch atop a character's head. I bring the camera down, inside of that character's head, so we see the world through that character's eyes. We hear things through his ears. We smell what he smells, feel what he feels, think what he think. With deep POV, I write using words that that character would use. I tell the story with that character's voice."

Read an Excerpt


Emily Marshall was in the bathroom. No, not the bathroom, the head. On a boat the tiny bathroom was called the head.

And as long as you're correcting yourself, Emily thought as she leaned closer to the mirror to reapply her lipstick, this floating castle with sails can't really be called a boat.

Boats were unassuming, functional little things you sat in and used oars to row. Or they were things with sails attached that gave you calluses on your hands, sunburn on your face and a healthy lungful of fresh ocean air. Sometimes they took you from point A to point B, but mostly from point A to nowhere, and back again.

Despite the fact that there was, indeed, no destination for this evening's sail, there was nothing unassuming about the sailing vessel Emily was standing on. True, the Home Free wasn't large enough to be called a ship, but somehow the word boat didn't fit, either.

Yacht, thought Emily as she adjusted the straps of her new black party dress. Alexander Delmore's boat really had to be called a yacht.

She looked at herself critically in the mirror. She'd picked up this dress in a fancy department store's bargain basement. Even marked down the way it had been, it had put her out nearly half of one of her weekly paychecks.

Spending that much money was a big deal to her. It meant she'd have to watch her grocery money for the next few weeks, and really try to keep her expenses down. But to real estate tycoon Alexander Delmore, the amount she'd spent on the dress would have been laughably small. When Alex took her out to dinner, he spent that much on one bottle of wine.

Of course, he made significantly more money wheeling and dealing in real estate than she made as a high school English teacher. That was just one of the simple facts of life. And it was typical of Emily to have fallen in love with a job in a city school system that couldn't afford to pay a decent salary. Sure, she could have applied for a job in a more affluent district. Or she could have stuck to her original college major and gone into business or gotten a job working with computers. It was her own fault that she never seemed to have enough money.

Emily made a face at herself in the mirror. But even with her tongue sticking out, she still looked sophisticated, thanks to the elegant lines of the dress.

Earlier this evening, Alex had asked her out again, for next Tuesday night. He wanted to take her to a party at a local country club. If she spent the other half of her paycheck on yet another expensive dress, she'd be eating pasta or tomato soup until the end of the month.

Emily didn't like eating pasta day in and day out. She liked lobster. And veal. And expensive cuts of filet mignon. She liked asparagus, regardless of the season. She liked watermelon in the winter, and imported chocolate.

She liked houses like Alex's, houses that overlooked the clear blue water of the Gulf of Mexico. She liked houses like Alex's, with six bedrooms and four and a half baths. She liked fluffy new towels that weren't fraying around the edges. She liked cleaning ladies and dinners out. She liked big floating weekend parties on Alex's yacht—parties like this one that started early in the afternoon on Saturday and didn't end until late Sunday night. She liked big-screen stereo TVs and state-of-the-art compact disc players.

She liked the thought of having enough money that she'd never have to worry about the phone bill or the electric payment. She liked the idea of vacations and cruises and trips to Europe.

She also liked Alexander Delmore.

But she didn't love him.

It was clear that he was interested in her. He had as much as told her that he was looking to settle down, to start a family. He was one of Florida's most eligible bachelors, and Emily was flattered that he found her attractive.

But… she didn't love him.

Her neighbor, Carly Wilson, said so what if you don't love him? Love was overrated. A good strong case of like could outlast the most passionate love affair, particularly if it was combined with an enormous bank account. How often does real love come along, anyway? Carly had asked. According to Emily's neighbor, the answer was usually never.

Emily stared at herself in the mirror, searching the familiar blue of her own eyes. She was amazed that she could be wearing this gorgeous, expensive dress that made her look like a million dollars, and be standing here, in the bathroom—head—of millionaire Alexander Delmore's luxurious yacht, thinking about… James Keegan.

After seven years, you'd think she'd be over the man. And she was over him, Emily told herself firmly. Her affair with black-hearted Jim Keegan was dead and buried, deep in the past. Jeez, it had been over almost before it even began.

So what the heck was she doing thinking about him?

Because of love. She was thinking about Jim because she had honestly loved him. As rotten and cruel as he had been, as badly as he had hurt her, the fact remained that Emily had loved James Keegan with all of her heart and soul. And deep inside she knew that never, not in a billion years, would she ever love Alex Delmore even half that much.

Still— Carly's voice seemed to echo in her head, as if she were a little devil perched on Emily's shoulder —who says you have to love Alex to marry him?

"I do," Emily said out loud to her reflection, then winced at her poor choice of words.

She gave the short skirt of her new dress one more yank southward and quickly ran her fingers through the short, blunt-cut of her chestnut hair. She took a deep breath to further exorcise James Keegan's too-handsome ghost, then turned to open the door that led out into Alexander's tiny shipboard office.

She heard the angry voices as soon as her hand was on the doorknob, but it was too late to pull back. The door swung open, and the arguing men immediately fell silent. Alex and another man—Vincent something—looked up at her, and she could see surprise and annoyance in both pairs of eyes.

"I'm sorry," she said. "I didn't mean to interrupt…."

Alexander Delmore shook his head. "No problem," he said, crossing the tiny cabin with a smile on his tanned, handsome face. "I didn't realize you were using the head." He glanced back at the other man as he took Emily's hand. "If I'd known, we would have gone somewhere else to have our… chat."

Emily couldn't remember the other man's last name. They had been introduced earlier that evening, when all the party guests first boarded Alex's yacht. Vincent what? she thought. Martino? Or was it Medino?

Whoever he was, he was a heavyset man. His dark complexion and body-builder's physique offset Alex's golden slenderness. And, unlike Alex, Vincent still looked annoyed at the interruption.

"If you don't mind…" Vincent said pointedly.

Emily slipped her hand free from Alex's. "I'll get out of your way," she said.

"It'll only be a second," Alex promised. "I'll meet you up on deck."

The office door closed tightly behind her.

Emily was halfway down the hall when she realized that she'd left her purse in the head. She turned back, but when she got to the door to the office she could hear that the two men were arguing again. They were keeping their voices low, but there was no mistaking the underlying current of tension.

She had just lifted her hand to knock when Vincent's voice rose slightly.

"If you don't like that deal," she heard him say quite clearly, "how about this one—I waste you and take all of your profits."

Waste? Had he said waste? As in… kill?

Alex's voice rose enough for Emily to hear him, too.

"I had a deal with your uncle that worked out fine for years," he said, his voice shaking with emotion.

"My uncle's dead," Vincent said. "And I'm in charge now. You want to deal, first you gotta deal with me."

"Fine," Emily heard Alex say. "In that case, you can deal me out."

Vincent laughed, but there was no humor in it. "You don't expect me to believe that you'll get out of the business just like that, do you?"

Emily could almost see Alex's shrug. "Believe what you want, Marino."

There was a loud thump from inside the office, as if someone's head had hit the bulkhead, hard. Emily's heart was pounding, but she couldn't move, couldn't run away.

"I believe," Vincent's voice growled, "that I just might break your face. I know that there was a snowstorm somewhere off the Gulf Coast last night, and I know that this pretty little boat of yours was there to intercept. You cut me my share, or you're dead. That's your deal. Take it or leave it."

A snowstorm? In July? In Florida?

With sudden clarity, Emily remembered waking up in the early hours of the morning to the sound of a small outboard motor. The yacht's motorized dinghy had quietly pulled up alongside the bigger boat, and even as she watched out her cabin's tiny porthole, the gentle throbbing of its engine had been cut.

Someone had been out on the deck. Emily hadn't been able to see who it was, but she had heard the sounds of movement. The little boat had been secured to the side of the yacht with a rope, and a ladder had been thrown down. The person in the boat had turned, and in the early dawn Emily had had a clear view of his face.

It had been Alex.

When she asked him about it at breakfast that morning, he'd apologized for disturbing her, and told her that he'd been out fishing.

Fishing? Fishing for what? Something Vincent Marino would threaten to kill Alex for?

Snowstorm. Snow. Snow was slang for cocaine, wasn't it?

God in heaven, was it possible that Alex was dealing cocaine?

Emily turned and ran.

Emily sat at the interrogation room table in the St. Simone police precinct, her hands clasped tightly in front of her.

The police officer who had first taken her statement had called this the interview room, but Emily knew better. It was an interrogation room. A mirror lined one wall. It was clear that it was really a window, and that people could stand on the other side and observe and hear the conversation without being seen.

The clock on the wall was covered with a protective grid, like the clocks in the gym at the high school where she taught English. The walls were a drab cross between beige and green, and the tile on the floor was gray. It was pitted and cracked from age.

Yes, this was an interrogation room. And after three hours, with seven different police officers asking her the same questions, she could safely assume that she was being interrogated.

The room smelled like stale cigarette smoke—until the police detective she'd been talking to came back into the room, carrying two ceramic mugs of steaming coffee.

"We have those foam hot cups," he said, in his gentle Hispanic accent, "but I don't like to use them—not now that I know what they do to the environment. But these mugs are okay—I washed them myself, and I am very careful to get them clean."

Emily could believe it. The detective—Felipe Salazar, he'd said his name was—was neatly dressed and meticulously well-groomed. He was a young man, probably even younger than her own twenty-five years, with short dark hair and a face with high, exotic cheekbones that might have looked dangerous if not for his open, friendly smile. He reminded her of a puppy—a Doberman puppy who had potential, but hadn't yet learned to be dangerous. With the exception of the few minutes he'd spent getting coffee, he had remained with her for the duration of her questioning.

Six other police officers had come into the room, and she'd told her story over and over and over again. She realized they didn't believe her when she told them that Alexander Delmore—one of the pillars of St. Simone society—was running drugs. She knew that was why she had to tell what she had heard and seen again and again— the police were waiting for her to slip up, to make a mistake, to mess up on the details, to change her story in some way.

All the other police officers and detectives had expressed their doubts about what she was telling them. Some had said she must have misheard the conversation between Delmore and the man she'd ID'd as Vincent Marino. Some had said she must have mistaken someone else for Marino, allegedly the new kingpin of a statewide crime syndicate. Others had implied that her story was a load of baloney. They had implied that she had some dirty, rotten motive for wanting to smear Delmore's good name.

Emily had been asked countless personal questions about the nature of her relationship with Alex. Had they recently had an argument, a falling-out? How long had she been seeing him? How long had she been sleeping with him?

Emily couldn't see how those questions had anything to do with Alex's involvement in drug running. But she'd answered them truthfully. And the truth was, she wasn't intimately involved with Alex. When they went for weekend sails on his boat, his crew had always been on board with them, and she had always had her own cabin. She had not slept with him.

But she could tell that none of the other police officers believed her about that, either.

But young Detective Salazar had been nothing but kind. He'd said he did believe her. He'd asked her to be patient and put up with the skeptics. He said that if Delmore was guilty of distributing cocaine, then Delmore should go to jail—regardless of the amount of money the man had donated to the widows-and-orphans fund over the past few years.

As Emily took another sip of black coffee, Salazar shuffled the pages of notes he had been taking throughout the three hours of questioning.

"Do they believe me yet?" she asked him bluntly.

He smiled at her apologetically. "My boss, Lieutenant Bell, will be coming in to talk to you," he said. "And my partner is around here somewhere. He'll be in soon, too."

The door opened, and Emily looked up to see a woman come into the room. She, like most of the others, wasn't wearing a police uniform. She was wearing a dark blue jacket and skirt and a utilitarian white shirt.

Customer Reviews

Average Rating 3.5
( 42 )

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See All Sort by: Showing 1 – 20 of 42 Customer Reviews
  • Posted February 5, 2010

    DON'T DO IT...Written 15 Years ago.

    I am a great fan of Suzanne Brockmann.I have read all of the Troubleshooters books, several of them multiple times. I love the characters & lives that come alive for me in her stories. The banter between them and the storyline always keep me hooked. I have even turned to audio books a lot of the time so I don't have to wait to actually read the print. I can have the story while I do chores, drive, etc.
    SOOO I grabbed this book only because of her name on the cover. It took only several pages before I knew I should have checked it out more closely. The copyright for both stories is 1995. It is definitely from early in her publishing career. The first story "Not Without Risk" is 277 pgs long. I gave it til pg 118 before I had to put it down. I was pushing myself to read it. I plan to return the book today. The characters, their internal/actual dialog, & the plot were uninteresting & superficial. No development of any aspect to actually draw me into either the lives of the characters or the storyline. It wasn't even FLUFF reading. I was very disappointed.I hate when publishers try to fool us into thinking we're getting somethine new when they slap a new cover/title on old material. At least my bookstore will refund my money. The disappointment though is mine to keep.

    6 out of 6 people found this review helpful.

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  • Posted April 18, 2010

    more from this reviewer

    I Also Recommend:

    So So

    I was not really impressed by this book which was a shame since I am a huge fan of Suzanne Brockmann and have read many of her novels and always loved them.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted February 20, 2010

    could be better

    I love all the other books from the author, but this one needed more. There was too much on the characters thinking the same thing over and over. There needed to be more to the stories.

    2 out of 2 people found this review helpful.

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  • Posted October 14, 2011

    OK if you skim

    Not Without Risk is trite but OK (skip over the repetitive parts). A Man to Die For is pretty dumb - the main man's character is much more likeable in Not Without Risk - and the main woman is really stupid despite possessing a lot of intelligence. Overall, plan to skim this book and enjoy it just for what it's worth. Not one of Brockmann's crowning achievements, but it's great for when you are stressed out and just need to relax with a dose of unreality.

    1 out of 1 people found this review helpful.

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  • Posted May 5, 2010

    SUZANNE BROCKMANN ALWAYS WRITES A GOOD STORY

    I really enjoy all of Suzanne Brockman's books I look for total entertainment, not the deeper meaning. and she pulls it off.

    1 out of 1 people found this review helpful.

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  • Posted April 16, 2012

    I purchase every Brockmann. Love her books.

    One Brockmann is not enough. When they come two page tyurners between the covers it's going to be a dou ble fun read.

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