Numbers in the Dark and Other Stories

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Overview

For the first time in paperback—a volume of thirty-seven diabolically inventive stories, fables, and "impossible interviews" from one of the great fantasists of the 20th century, displaying the full breadth of his vision and wit. Written between 1943 and 1984 and masterfully translated by Tim Parks, the fictions in Numbers in the Dark display all of Calvino's dazzling gifts: whimsy and horror, exuberance of style, and a cheerful grasp of the absurdities of the human condition. ...
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Toronto 1995 Hard Cover First Canadian Edition Very Good in Very Good jacket 8vo-8"-9" Tall. Quarter black cloth binding, lightly rubbed. Clean and unmarked. 276pp. Dust jacket, ... with short tear at spine heel, offered in a new mylar cover. Read more Show Less

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1995 Hardcover Very Good VG/VG. Lightly bumped spine ends, one corner very lightly bumped, and slight bowing. DJ has light edge wear and some rubbing. First Canadian Edition. ... First Printing. This book is from the extensive Gatenby Collection amassed over 30 years. Gatenby was the founding artistic director of the International Festival of Authors in Toronto, a hugely successful annual event that helped "Time Magazine" declare that Gatenby had made Toronto one of the literary capitals of the world. He also directed the readings at Harbourfront in Toronto, and is the author of "Literary Guide to Toronto, " among other books. Gatenby signature and date on ffep. SIGNED by Parks & INSCRIBED to Gatenby, and dated "Toronto 11/5/00". A unique Association Copy. Read more Show Less

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Numbers in the Dark and Other Stories

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Overview

For the first time in paperback—a volume of thirty-seven diabolically inventive stories, fables, and "impossible interviews" from one of the great fantasists of the 20th century, displaying the full breadth of his vision and wit. Written between 1943 and 1984 and masterfully translated by Tim Parks, the fictions in Numbers in the Dark display all of Calvino's dazzling gifts: whimsy and horror, exuberance of style, and a cheerful grasp of the absurdities of the human condition.

This collection of diabolically brilliant stories, fables, and "impossible interviews" confirms Calvino's stature as one of the essential writers of the 20th century. Written between 1943 and 1984, these several dozen short stories range over a panoply of concerns--politics, the nature of power, the quest for the truth, and the elusive possiblity of human connection.

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Editorial Reviews

Salon

In "The Flash," one of the short fictions collected in Numbers in the Dark, the narrator steps into the street in the middle of a crowd and suddenly discovers that "I understood nothing...I didn't understand the reasons for things or for people, it was all senseless, absurd. And I started to laugh." Everyday reality reasserts itself, but the narrator finds himself longing for another visitation, to once again "grasp that other knowledge, found and lost in an instant." His experience parallels the effect Italo Calvino's fiction can have on the reader: without warning other meanings, other forces, are revealed under the surface of our world.

In such distinctive works as The Baron in the Trees, Invisible Cities, and The Castle of Crossed Destinies, Mr. Calvino unearthed and celebrated the uncanny, the remarkable, the mysterious. Numbers in the Dark gathers a variety of miscellaneous works—fables, short stories, dramatic monologues, written between 1943, when Calvino was l9, and 1984. (Mr. Calvino died in 1985.) One of the surprises of the collection is that Mr. Calvino's distinctive style (droll, straightforward, exact in its descriptions) developed very early. Another is that much of his earliest work was overtly political, albeit a politics cloaked in fables.

Some of the pieces read like works dashed off and never picked up again (indeed, "The Queen's Necklace" is composed of the first pages of a novel Mr. Calvino began in the 1950s and put aside). Several of the short stories read like early versions of ideas Mr. Calvino would return to in his later, famous works of fiction. The pleasures here are the pleasures to be found in his 17 other volumes: an encounter with a profoundly original, humane, playful imagination, looking at the world with a fresh eye, inviting us to join him in a search for that nourishing "other knowledge" that lies somewhere just under the surface of the mundane world. Numbers in the Dark is a consistently entertaining and moving collection and a necessary addition to any Calvino admirer's shelf.

Publishers Weekly - Publisher's Weekly
A collection of previously uncollected stories from the late Italian fabulist. (Oct.)
Library Journal
Calvino is best known as a fabulist, and indeed his writing, nearly always short forms or broken up episodically in the case of his novels Mr. Palomar (LJ 9/15/85) and Invisible Cities (1978), justifies itself not by character or plot but in moral and meaning. As a teenager in 1943, Calvino wrote, "One writes fables in periods of oppression. When a man cannot give clear form to his thinking he expresses it in fables." The early pieces, written during the last days of fascism in Italy, reflect a concern with the survival of human relationships in a time of overweening government and takes a bitter delight in the unpracticed exercise of authority by ordinary men. Later stories reflect on the conflict between imagination and repetitive industrial labor. Both themes are picked up in "The Workshop Hen," about a man who squeezes in two-word thoughts about his son's engagement in between the careful manipulations of the four heavy machines he is charged with operating. At the same time he is plotting the abduction of the chicken kept by the security man in charge of maintaining factory production quotas. Later works include an interview with the sole surviving Neaderthal and a chat with Henry Ford about his invasive business practices. These stories reward the patient reader with wisdom, humor, and insight. Highly recommended for collections of literary fiction.—Adam Mazmanian, "Library Journal"
School Library Journal
This fine collection contains an interesting variety of selections, from parable to polemic, with complex and challenging characters, situations, and themes. Some of the older stories have allusions that may not be apparent to [the reader], but the universal ideas are expressed in a new and clever way. Calvino presents a different world view, expressed with wit, humor, irony, and wicked perception. Students who discover this book will be rewarded and tempted to read other works by this master storyteller. Margaret Hecklinger, R. E. Lee High School, Springfield, VA
From the Publisher

"The curious quirks that would shape Calvino's eccentric orbit can be described, along with the exuberant talent and sense of magic that would make that orbit a flaming one." -Los Angeles Times

"With seventeen books in print, Italo Calvino enjoys a privilege that few foreign writers ever achieve here: virtually all his works can be read in English... Calvino's ready availability is of course a sign (and support) of his canonical status in world literature, the capacity of his fiction to be significant in many different cultures... Tim Park's translation is perfectly in tune with the various dialects and discourses that Calvino assimilated during his career. By the '80s his supple Italian was tossing off polylingual arpeggios, technical jargons, nonce words... More than accurate and readable [Park's] version is inventive." -The New York Times Book Review

"Numbers in the Dark is a glorious grab bag... with gems from every phase in Calvino's career." - San Francisco Sunday Examiner & Chronicle Book Review

"Warmly and expertly translated by Tim Parks, a gifted writer himself." -Esquire

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Product Details

  • ISBN-13: 9780394281414
  • Publisher: Knopf Canada
  • Publication date: 11/28/1995

Meet the Author

Italo Calvino (1923-1985) was born in Cuba, and grew up in San Remo, Italy.  He was a member of the partisan movement during the German occupation of northern Italy in World War II.  The novel that resulted from that experience, published in English as The Path to the Nest of Spiders, won widespread acclaim.  His other works of fiction include the Baron in the Trees, The Castle of Crossed Destinies, Cosmicomics, Difficult Loves, If on a Winter's Night a Traveler, Invisible Cities, Marcovaldo, Mr. Palomar, The Nonexistent Knight & The Cloven Viscount, t zero, Under the Jaguar Sun, and The Watcher and Other Stories. His works of nonfiction include Six Memos for the Next Millennium and The Uses of Literature, collections of literary essays, and the anthology Italian Folktales.
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Table of Contents

Preface 1
Fables and Stories 1943-1958
The Man Who Shouted Teresa 7
The Flash 9
Making Do 11
Dry River 13
Conscience 18
Solidarity 20
The Black Sheep 23
Good for Nothing 26
Like a Flight of Ducks 31
Love Far from Home 38
Wind in a City 47
The Lost Regiment 54
Enemy Eyes 60
A General in the Library 64
The Workshop Hen 70
Numbers in the Dark 79
The Queen's Necklace 90
Becalmed in the Antilles 115
The Tribe with Its Eyes on the Sky 122
Nocturnal Soliloquy of a Scottish Nobleman 125
A Beautiful March Day 129
Tales and Dialogues 1968-1984
World Memory 135
Beheading the Heads 142
The Burning of the Abominable House 156
The Petrol Pump 170
Neanderthal Man 176
Montezuma 184
Before You Say 'Hello' 195
Glaciation 203
The Call of the Water 206
The Mirror, the Target 211
The Other Eurydice 218
The Memoirs of Casanova 227
Henry Ford 237
The Last Channel 254
Implosion 260
Nothing and Not Much 265
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Customer Reviews

Average Rating 4.5
( 5 )
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Sort by: Showing all of 5 Customer Reviews
  • Anonymous

    Posted July 8, 2002

    The Magritte of the Quill

    While not every story works (certain stories feel more like didactic interpretations of historical figures, most notably his stories about Montezuma and others) it is his more pristinely surreal stories that play around with narrative styles and the nature of reading and writing which most fully transport the reader into a world of playful mirth and ecstatic imaginations, that make this posthumous collection worth perusing. The best of the collection (including Cassanova's nostalgic reveries over past lovers) trigger memories of Calvino's masterpiece 'If on a Winter's Night a Traveller'. Conjuring up the ghosts of Borges and Lorca (as the book jacket implies) with the simplicity of a Magritte painting, Calvino proved himself the master of the medium. Post modern, yet never distancing or elitist in his musings, Calvino proved to be both accessible and erudite, without ever ostracizing his audience. A wonderful introduction to the world of Italo Calvino, but not the be all and end all of his prolific menagerie of works.

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    Posted June 24, 2011

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    Posted December 28, 2010

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    Posted February 24, 2011

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    Posted July 4, 2011

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