The Odyssey: (Penguin Classics Deluxe Edition)

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The great epic of Western literature, translated by the acclaimed classicist Robert Fagles
Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning modern-verse translation. "Sing to me of the man, Muse, the man of twists and turns driven time and again off course, ...

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The Odyssey

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The great epic of Western literature, translated by the acclaimed classicist Robert Fagles
Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning modern-verse translation. "Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy." So begins Robert Fagles' magnificent translation of the Odyssey, which Jasper Griffin in the New York Times Book Review hails as "a distinguished achievement."

If the Iliad is the world's greatest war epic, the Odyssey is literature's grandest evocation of an everyman's journey through life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces during his ten-year voyage home to Ithaca after the Trojan War is at once a timeless human story and an individual test of moral endurance. In the myths and legends  retold here,

Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Renowned classicist Bernard Knox's superb introduction and textual commentary provide insightful background information for the general reader and scholar alike, intensifying the strength of Fagles's translation. This is an Odyssey to delight both the classicist and the general reader, to captivate a new generation of Homer's students. This Penguin Classics Deluxe Edition features French flaps and deckle-edged paper.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Editorial Reviews

From the Publisher
“[Robert Fitzgerald’s translation is] a masterpiece . . . An Odyssey worthy of the original.” –The Nation

“[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review

“[In] Robert Fitzgerald’s translation . . . there is no anxious straining after mighty effects, but rather a constant readiness for what the occasion demands, a kind of Odyssean adequacy to the task in hand, and this line-by-line vigilance builds up into a completely credible imagined world.”
–from the Introduction by Seamus Heaney

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Product Details

  • ISBN-13: 9780140268867
  • Publisher: Penguin Publishing Group
  • Publication date: 11/25/1997
  • Series: Penguin Classics Deluxe Edition Series
  • Edition description: Translation by Robert Fagles
  • Pages: 560
  • Sales rank: 22,598
  • Product dimensions: 5.70 (w) x 8.20 (h) x 1.50 (d)

Meet the Author

Ancient Greek poet Homer established the gold standard for heroic quests and sweeping journeys with his pair of classic epic poems, The Iliad and The Odyssey.


We know very little about the author of The Odyssey and its companion tale, The Iliad. Most scholars agree that Homer was Greek; those who try to identify his origin on the basis of dialect forms in the poems tend to choose as his homeland either Smyrna, now the Turkish city known as Izmir, or Chios, an island in the eastern Aegean Sea.

According to legend, Homer was blind, though scholarly evidence can neither confirm nor contradict the point.

The ongoing debate about who Homer was, when he lived, and even if he wrote The Odyssey and The Iliad is known as the "Homeric question." Classicists do agree that these tales of the fall of the city of Troy (Ilium) in the Trojan War (The Iliad) and the aftermath of that ten-year battle (The Odyssey) coincide with the ending of the Mycenaean period around 1200 BCE (a date that corresponds with the end of the Bronze Age throughout the Eastern Mediterranean). The Mycenaeans were a society of warriors and traders; beginning around 1600 BCE, they became a major power in the Mediterranean. Brilliant potters and architects, they also developed a system of writing known as Linear B, based on a syllabary, writing in which each symbol stands for a syllable.

Scholars disagree on when Homer lived or when he might have written The Odyssey. Some have placed Homer in the late-Mycenaean period, which means he would have written about the Trojan War as recent history. Close study of the texts, however, reveals aspects of political, material, religious, and military life of the Bronze Age and of the so-called Dark Age, as the period of domination by the less-advanced Dorian invaders who usurped the Mycenaeans is known. But how, other scholars argue, could Homer have created works of such magnitude in the Dark Age, when there was no system of writing? Herodotus, the ancient Greek historian, placed Homer sometime around the ninth century BCE, at the beginning of the Archaic period, in which the Greeks adopted a system of writing from the Phoenicians and widely colonized the Mediterranean. And modern scholarship shows that the most recent details in the poems are datable to the period between 750 and 700 BCE.

No one, however, disputes the fact that The Odyssey (and The Iliad as well) arose from oral tradition. Stock phrases, types of episodes, and repeated phrases -- such as "early, rose-fingered dawn" -- bear the mark of epic storytelling. Scholars agree, too, that this tale of the Greek hero Odysseus's journey and adventures as he returned home from Troy to Ithaca is a work of the greatest historical significance and, indeed, one of the foundations of Western literature.

Author biography from the Barnes & Noble Classics edition of The Odyssey.

Good To Know

The meter (rhythmic pattern of syllables) of Homer's epic poems is dactylic hexameter.

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Read an Excerpt


Athene Visits Telemachus

Tell me, Muse, the story of that resourceful man who was driven to wander far and wide after he had sacked the holy citadel of Troy. He saw the cities of many people and he learnt their ways. He suffered great anguish on the high seas in his struggles to preserve his life and bring his comrades home. But he failed to save those comrades, in spite of all his efforts. It was their own transgression that brought them to their doom, for in their folly they devoured the oxen of Hyperion the Sun-god and he saw to it that they would never return. Tell us this story, goddess daughter of Zeus, beginning at whatever point you will.

All the survivors of the war had reached their homes by now and so put the perils of battle and the sea behind them. Odysseus alone was prevented from returning to the home and wife he yearned for by that powerful goddess, the Nymph Calypso, who longed for him to marry her, and kept him in her vaulted cave. Not even when the rolling seasons brought in the year which the gods had chosen for his homecoming to Ithaca was he clear of his troubles and safe among his friends. Yet all the gods pitied him, except Poseidon, who pursued the heroic Odysseus with relentless malice till the day when he reached his own country.

Poseidon, however, was now gone on a visit to the distant Ethiopians, in the most remote part of the world, half of whom live where the Sun goes down, and half where he rises. He had gone to accept a sacrifice of bulls and rams, and there he sat and enjoyed the pleasures of the feast. Meanwhile the rest of the gods had assembled in the palace of Olympian Zeus, and the Father of men and gods opened a discussion among them. He had been thinking of the handsome Aegisthus, whom Agamemnon’s far-famed son Orestes killed; and it was with Aegisthus in his mind that Zeus now addressed the immortals:

‘What a lamentable thing it is that men should blame the gods and regard us as the source of their troubles, when it is their own transgressions which bring them suffering that was not their destiny. Consider Aegisthus: it was not his destiny to steal Agamemnon’s wife and murder her husband when he came home. He knew the result would be utter disaster, since we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife. For Orestes, as Hermes told him, was bound to avenge Agamemnon as soon as he grew up and thought with longing of his home. Yet with all his friendly counsel Hermes failed to dissuade him. And now Aegisthus has paid the final price for all his sins.’

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Table of Contents

The OdysseyIntroduction

The Spelling and Pronunciation of Homeris Names
1. Homeric Geography: Mainland Greece
2. Homeric Geography: The Peloponnese
3. Homeric Geography: The Aegean and Asia Minor

Homer: The Odyssey
Book 1: Athena Inspires the Prince
Book 2: Telemachus Sets Sail
Book 3: King Nestor Remembers
Book 4: The King and Queen of Sparta
Book 5: Odysseus-Nymph and Shipwreck
Book 6: The Princess and the Stranger
Book 7: Phaeacia's Halls and Gardens
Book 8: A Day for Songs and Contests
Book 9: In the One-Eyed Giant's Cave
Book 10: The Bewitched Queen of Aeaea
Book 11: The Kingdom of the Dead
Book 12: The Cattle of the Sun
Book 13: Ithaca at Last
Book 14: The Loyal Swineherd
Book 15: The Prince Sets Sail for Home
Book 16: Father and Son
Book 17: Stranger at the Gates
Book 18: The Beggar-King of Ithaca
Book 19: Penelope and her Guest
Book 20: Portents Gather
Book 21: Odysseus Stings his Bow
Book 22: Slaughter in the Hall
Book 23: The Great Rooted Bed
Book 24: Peace

Translator's Postscript
Textual Variants from the Oxford Classical Text
Notes on the Translation
Suggestions for Further Reading
Pronouncing Glossary

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Reading Group Guide


The Iliad and the Odyssey can be found on every list of the world's greatest books. From the beginning of Western literature, readers have appreciated these two epic poems for their ability to make us reflect on the full range of human concerns and emotions as well as for sheer entertainment. The influence of these poems on the work of other writers is so pervasive that to be familiar with the characters, themes, and episodes of the Iliad and the Odyssey is to be familiar with some of the most significant motifs of subsequent literature.

Each poem is dominated by an extraordinary man and his fate. Though the stories are self-contained, the brief, brilliant life of the warrior Achilles at Troy in the Iliad contrasts sharply with the endurance of long-suffering Odysseus. While Achilles excels on the battlefield, Odysseus is the strategist, manipulating circumstances to the best advantage, moving behind and through the scenes as a diplomat and trickster. We see in the Odyssey these characteristics flourish not only in making war; they are also critical in the multifarious world beyond the battlefield and its clear-cut ranks of adversaries.

When Odysseus and Achilles meet in the House of the Dead, in the exact middle of the Odyssey, the contrast between them is stunning. The living Odysseus has risked his life to come to this place beyond all earthly boundaries in order to acquire the knowledge to complete his journey home. The shade of Achilles is despondent, deprived of the narrow arena of war by which he was defined and his fame was secured. Each hero has sought happiness through action in different ways—Achilles in a concentrated blaze of glory, sacrificing youth and life for fame that will last forever; Odysseus by striving to experience the full range of possible worlds. When Homer has them meet in the House of the Dead, the place of final resolution for all mortals, he seems to be asking us to consider a fundamental question: What is happiness, and what kind of life is conducive to it?

Choose any prominent theme in the Odyssey—fathers and sons; the relationships of men and women, especially husbands and wives; the responsibilities of leadership; piety; the obligations and transgressions of hosts and guests; the relation between revenge and justice—and it is possible to chart a course through the entire book with that particular theme in mind. However, each thread of the story is woven with so many others that focusing on one soon brings into view the entire warp and weft of the story's fabric. Like its hero, Odysseus, and its heroine, Penelope, the Odyssey eludes attempts to reduce it to a few simple meanings, less because it is so ambiguous than because it is so complex.

In essence, the story of Odysseus is straightforward. A veteran of a long war, ten years away from his wife, son, and realm, he sets out to return home with his men. As the result of calamities, some brought on by himself and others beyond his control, he wanders for ten more years, along the way experiencing the breadth and depth of the world. Finally, after his men are lost, he is alone. At last he returns, kills the unwelcome guests who have laid waste his wealth and besieged his wife, seeking to marry her; resumes his role as father, husband, and son; makes peace in his kingdom; and then drops from sight as the poem abruptly comes to a stop, if not an ending.

The way the story is told, however, is anything but straightforward. Even the "man of twists and turns" announced as the protagonist in the first line of the poem is not identified by name until twenty-three lines later. There are stories whose truth lies in their directness; others, in their oblique approach. The Odyssey proceeds by indirection, like the many tall tales Odysseus tells to gain credibility among strangers, and even among those closest to him. Through flashbacks, simultaneous events, reminiscences, narratives by those whose stories have no witnesses, through rumor and legend, the Odyssey moves toward the single-minded goal of its central character—homecoming and reunion. The structure of the poem seems to emphasize that no homecoming is straightforward, and that every return raises complex questions about what has changed and what has remained the same—for both the one who returns and those who remained at home. What, we may ask, remains the essence of the "man of twists and turns" that allows him to maintain his identity as Odysseus?

This indirection reaches its pinnacle in the lengthy Book 19, during the conversation between the disguised Odysseus and his wife, Penelope. In the middle of Odysseus' invented autobiography, which touches her deeply enough to make her weep, the narrator interjects, "Falsehoods all,/ but he gave his falsehoods all the ring of truth" (p. 397). Her feeling for the stranger is strong before she even knows that he is her husband. On the surface, Odysseus' way of approaching Penelope after so many years is strategic; if he were to reveal himself too soon, he would risk failure in ridding his household of her suitors. More than that, he seems to be a suitor himself, winning again Penelope's love and loyalty because of what he is, not who he is. The facts of his tale are false; the sentiment is true. At the end of Book 19, as if by intuition, Penelope proposes a way to resolve the predicament of her unwelcome suitors—the contest of the bow and targets, which only Odysseus is likely to win. Has she recognized Odysseus? Homer is silent on this point, as if to make us ask ourselves where truth lies and how our shifting interpretations of fact and evidence can bring certainty and settlement.


Nothing certain is known about Homer. By the time of the Greek classical age—the fifth century B.C.—there was already a widespread belief that he was the blind, inspired author of both the Iliad and the Odyssey and that he had lived somewhere in the island culture of Asia Minor two or three hundred years earlier. The events depicted in the two epic poems were thought to have occurred several hundred years before Homer's lifetime. The Iliad and the Odyssey were considered fundamental writings at the time of Plato, and they frequently received dramatic public recitations. In addition, the poems were held to exemplify the ideals of virtuous behavior, civic duty, and religious piety on which all education should be based.

However, even in ancient times, there were dissenting opinions. A few scholars believed that Homer was fictional and that the two epics were composed by different authors. Later, others questioned whether Homer was the author or merely the editor or scribe who first wrote down the poems, organizing a long oral tradition. Even the language of Homer obscured his identity: he composed in a highly stylized form of Greek that was not known to be particular to any geographical region, but conveyed the stories of Achilles and Odysseus in an elaborate and flexible poetic meter. Modern scholars have enriched the debate with intricate theories about how oral poetry is memorized and transmitted through many generations of reciters, opening up the possibility that the Homeric epics are not the creation of an individual author, in our contemporary understanding of the word "author."

What transcends all the differing opinions concerning the identity of Homer is the remarkable interwoven complexity and profound consistency of the two epic poems themselves.

At the very beginning of the long sequence of political and cultural development commonly referred to as Western civilization, the Iliad and the Odyssey powerfully and coherently delineated the narrative patterns that literature has adopted ever since to convey the meaning of human experience.


  • Since Athena knows that Odysseus is alive, why doesn't she tell Telemachus, rather than sending him "in quest of news of your long-lost father"? (p. 86)
  • When she and Menelaus tell their stories about past times in Troy and the missing Odysseus, Helen drugs the wine so no one will feel any pain. Are we to think that she is wise or unwise in doing so?
  • Why does Odysseus reject Calypso's offer of immortality?
  • In Phaeacia, why doesn't Odysseus immediately identify himself to Alcinous and Arete?
  • In telling the story of the Cyclops, Odysseus says that he led some of his men to their deaths and then further endangered the rest of his crew by taunting Polyphemus as they escaped by boat. Since there are no other witnesses present when he tells this story, why does Odysseus show himself in such an unfavorable light?
  • How are the fate and death of Odysseus, as prophesied by Tiresias, different from those of Agamemnon and Achilles, both of whom Odysseus meets in the House of the Dead?
  • Why does Odysseus tell such long, elaborate, untrue stories about his life to introduce himself to Athena, Eumaeus, and Penelope? Are the stories in some sense truthful?
  • Why doesn't Penelope bring the suitors' courting to an end when she knows for certain that they have plotted to murder Telemachus?
  • Does Odysseus mean to warn Amphinomus about his plan to kill the suitors so that he can save himself? Why has Athena nevertheless "bound him fast to death"? (p. 381)
  • Why doesn't Odysseus explicitly reveal himself to Penelope before proceeding with his plans?
  • Why does Telemachus hang the serving women "so all might die a pitiful, ghastly death" (p. 454) instead of killing them as his father prescribes, cleanly with swords?
  • Why does Odysseus think it best to probe and test his aged father Laertes in every way, instead of revealing himself at once?

  1. At the beginning of the Odyssey, we are told that Odysseus suffered much on his long journey homeward. How much of his suffering was the result of his own choices and how much was beyond his control? How are the two distinguished?
  2. Odysseus has been absent from Ithaca for twenty years. What must he do to reclaim his standing as king, husband, and father, beyond killing the suitors? In returning home after a long absence, how can there be a balance between how we are remembered and what we have become?


* C.P. Cavafy, "Ithaka" (1911)
Writing at the beginning of the twentieth century, this Alexandrian poet interprets the meaning of Odysseus' wanderings and, by implication, that of all human wanderings.

* Dante, Inferno, Canto XXVI (1321)
Consigned in Dante's Hell to the region in which the sin of fraud is punished, Ulysses (Odysseus) tells of his last overreaching voyage, extending the Homeric story.

Homer, The Iliad
The epic story of the warrior Achilles' all-consuming anger and its consequences for both his fellow Greeks and for the Trojans defending their city. A profound depiction of the meaning of heroic human achievement in a world of war and strife, the Iliad is the essential complement to the Odyssey, showing Odysseus in his role of soldier, commander, and diplomat.

James Joyce, Ulysses (1922)
Like Odysseus, the protagonist of Joyce's novel, Leopold Bloom, undertakes a complex journey consisting of encounters that test his sense of personal identity and his resolution to restore his domestic life with his wife, Molly. In innovative, many-layered language that captures the inner life of its early twentieth-century Dublin characters, Joyce encompasses two millennia of Western literary tradition, beginning with Homer.

* Alfred Lord Tennyson, "Ulysses"; "The Lotos-Eaters" (1842)
The Victorian poet expands on Homer's episodes and comments on the temptations of forgetfulness and enervation, emphasizing the insatiable restlessness of Ulysses (Odysseus).

Virgil, The Aeneid
Modeled on Homer's Iliad and Odyssey, this grand Latin epic poem follows the Trojan hero Aeneas from the destruction of his city by the Greeks to his invasion of the Italian peninsula and the founding of Rome. Superficially a glorification of Roman imperial ambitions, The Aeneid is also a subtle critique of personal and public responsibilities and the costs of great political dominance.

Derek Walcott, Omeros (1990)
Imagining the journeys of a present-day Odysseus in the postcolonial world of the Caribbean, the 1992 Nobel Laureate's epic poem is an exploration of cultural identity and a meditation on the persistence of suffering and displacement.

* Cavafy's "Ithaca," Canto XXVI of Dante's Inferno, and Tennyson's "Ulysses" and "The Lotos-Eaters" are all based on, and implicitly comment on, the story and characters of Homer's Odyssey. Read together, these poems challenge us to reflect further on the nature of Odysseus and his journey.

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Customer Reviews

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( 474 )
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See All Sort by: Showing 1 – 20 of 475 Customer Reviews
  • Posted March 23, 2010

    I Also Recommend:

    An Epic of Odysseus' Return

    This is an amazing translation; the language is flawless, almost poetic. And, of course, a timless classic. I had to read this book for my English Honors course and expected boredom. However, I was pleasently surprised-- I enjoyed it! It's the story of the Greek hero, Odysseus, after the Trojan War. On the start of his voyage home, he provokes Poseidon, god of the sea. Thus, releasing the god's wrath. Odysseus faces many obstacles, on account of Poseidon's anger, including an encounter with Cyclops, Circe, and the Sirens, and a journey to Hades' Underworld. I would recommend this book to anyone who appreciates classic literature. Though the language does take time to become accustomed to, the hardest part of this book is the vast amount of characters. I recommend composing a list of all the gods and goddesses in addition to demigods and heroes.

    27 out of 28 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted July 27, 2009

    Completely unbelievable!

    I am amazed at this book! I was actually required to read this for summer reading and I wasn't exactly thrilled to see how thick it was of pages. But as I read it I became enchanted of the way the words are written and the characters, and the plot! I loved it so much I kept on reading, and before I knew it I was finished with it! An incredible tale written in ancient times that tells the story of an exiled soldier trying to return home with many sinister obstacles bloking his way. A great read for anyone who loves greek mythology, and for people who just love monsters and heroes.

    13 out of 15 people found this review helpful.

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  • Posted June 14, 2009

    I Also Recommend:


    Fagles makes this classical story accessible to everyone, using easy to read language while relating the adventures of Aeneas as he leaves Troy after being defeated by the Greeks and makes his way to Italy to found Rome. It contains travel tales like the Oddyssey and battles as in the Illiad. The introduction is also well worth reading.

    12 out of 15 people found this review helpful.

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  • Anonymous

    Posted June 16, 2007

    A reviewer

    The translations of the Iliad and the Odyssey by Robert Fitzgerald are more enjoyable to read, and are also more reliable and accurate. They are written in prose. If you want poetic versions, you can't beat the translations by Richard Lattimore. My personal favorites are the Fitzgeralds. I am a lawyer. I studied Greek subjects at U.C. Berkeley under professors Gregory Vlastos and Michael Frede. My favorite writers are Heidegger, Wittgenstein, and Proust.

    9 out of 19 people found this review helpful.

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  • Anonymous

    Posted September 13, 2004

    A delightful introduction to epic literature.

    This is a great book for those who are new to epic poetry, like myself. It's written in prose (in paragraphs, rather than poetic stanzas). Squillace has done a fine job of introducing contemporary terms, where appropriate, without interrupting Homer/Palmer's story-telling rhythm. It's an engaging story, and the characters are fascinating, and I enjoyed it so much that I read all the footnotes at the end. Somewhat-interesting discussion questions at the conclusion. Read the Introduction after you read the book, not before. I wish I could find a translation of the Illiad by Palmer/Squillace, as they did a very good job of making the story, the characters and the language approachable. 'O'Brother Where Art Thou'? Ain't nothing like the real thing, baby.

    5 out of 5 people found this review helpful.

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  • Posted September 20, 2011

    This is not complete

    Starts at Book XVII

    2 out of 6 people found this review helpful.

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  • Anonymous

    Posted August 18, 2008

    It was required

    i read this book, and I found it interesting at first but when it got to the part where he kept on talking about ALL of his journeys that were actually in Iliad to the Phaeacians, it got VERY annoying, long, and never ending. In addition, it was boring to hear about all his other journeys because it had so many different characters that unless you actually knew them all you would get confused. Honestly, I would not recommend this book because I did not find it fascinating. I found it annoying, and boring. Maybe I am just not interested in these types of books. The only reason I read it was because it was a requirement on the summer reading list.

    2 out of 12 people found this review helpful.

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  • Anonymous

    Posted December 20, 2007


    i read this book as part of a school assignment but i absolutely LOVED IT. it is a great adventure and love story. i really enjoyed the read and i strongly recommend this book to all readers. it was not difficult for me to understand at all either. when i read it, it was not written out in prose so it is pretty easy if you read the sentence full on until the period. overall great read!!

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted January 8, 2006


    This was a required book for school, so I thought it would be extremely boring, and it was. Only until the late middle of the book do you get fully into it. Though it was not one of the best books I have read I do reccomend reading this classic adventure of odysseus's return home from Troy.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 17, 2001



    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted May 31, 2012

    Homer is an amazing story teller!

    I had to write the Iliad for a school project and recammend it; I also love the Odyssey;Odysseus has always been my favorite character!He has cunning kindness, all wrapped into one man

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 17, 2012

    To all you Homer Haters out there......

    This book is SUPER INTRESTING! I don't see how it could be boring at all...... You must be very immature.....well whatever DEUCES:)

    1 out of 5 people found this review helpful.

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  • Posted September 21, 2011

    Line numbers missing?

    I love the odyssey and this version was particularly clear, but I would like a version with the original lines of poetry listed out so I can take notes properly.

    1 out of 1 people found this review helpful.

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  • Posted September 5, 2009

    more from this reviewer

    Nicely performed.

    Great performance of an old classic.

    1 out of 5 people found this review helpful.

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  • Anonymous

    Posted December 9, 2007


    I read this book for a high school english assignment and, breaking the stereotype of my generation, found it very enjoyable. Our teacher required us to use Fagles translation and I had no problem understanding it. I would reccomend using online resources only to clarify or answer any questions if you arent familiar with the culture of Homers time.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 11, 2006


    I had to read this epic. I was wrapped in the story from the moment I started reading it.Although it is complicated, it is very exciting to know about ancient Greece...and Odysseus' flings.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 6, 2000


    This book should be in the hands of every student reading The Oddyssey. Some translations really stink, but not this one.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 28, 2000



    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 16, 2015

    A kit

    Th..thankyou she said in a soft voiice and looked t the adult scared and abbandond

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  • Anonymous

    Posted February 9, 2015


    She looked around.

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