Odyssey

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Overview

STANLEY LOMBARDO is professor of classics at the University of Kansas. His translations of the Iliad and the Odyssey were originally published by Hackett Publishing Company in 1997 and 2000, respectively.

A retelling of Homer's epic that describes the wanderings of Odysseus after the fall of Troy.

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The Odyssey

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Overview

STANLEY LOMBARDO is professor of classics at the University of Kansas. His translations of the Iliad and the Odyssey were originally published by Hackett Publishing Company in 1997 and 2000, respectively.

A retelling of Homer's epic that describes the wanderings of Odysseus after the fall of Troy.

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Editorial Reviews

Washington Post
Susan Sarandon reads an introduction by Tom Palaima as well as synopses of each book, all of which are included in a useful little booklet. Lombardo, a veteran of many performances of his translation, delivers the poem himself in a well-modulated, walnutty voice that occasionally roars out dramatically to handle the more exuberant, even bumptious, passages.
—Katherine A. Powers
Publishers Weekly - Publisher's Weekly
Zwerger's (The Wizard of Oz) captivating cover image of the Mad Tea-Party for this edition of Carroll's 1865 tale conveys the psychological tension of the interior artwork: Alice, at the head of an elongated table with a pristine white linen cloth, stares at the pocket watch that the March Hare is about to lower into his cup of tea. The Hare, bug-eyed, gazes out at readers while the Mad Hatter to his right, wearing a hat box, fixates on a black upturned chapeau (in lieu of a place setting), and the Dormouse between them sleeps. Across the table, an empty red mug is placed in front of a vacant green chair, and a teacup and saucer trimmed in red seems to be set for the reader. The painting conveys the way in which Zwerger brilliantly manages both to invite readers into the story and to keep them at a distance. From the heroine's first appearance, as she falls down a well while chasing the White Rabbit, with a glimpse of orderly bookshelves at the upper left corner, Zwerger demonstrates the many layers to Alice's journey: a cutaway view reveals that the bulk of the other "shelves" are the result of rats and insects tunneling underground. The supporting cast conveys the artist's nearly sardonic perspective. The contrary caterpillar, with six of its eight arms crossed, would be at home in New York's East Village: instead of a hookah it smokes a cigarette and sips red wine, yet--unlike Sir John Tenniel's sedated counterpart--this caterpillar is lucid, defiantly staring out at an Alice (and readers) absent from the scene. Zwerger's penetrating interpretation reinvents Carroll's situations and characters and demands a rereading of the text. All ages. (Oct.) Copyright 1999 Cahners Business Information.
Children's Literature - Marilyn Courtot
Charles Dodgson wrote this story at the request of Alice Liddell, and for close to 150 years, it has been a favorite of young readers. Lisbeth Zwerger brings her award-winning artistic skill to the story and offers a very different look for a new generation. Her palette is brighter, the art has more of a layered look than in her previous works, and she offers more frontal views. The whimsy is there and the White Rabbit, Queen, Cheshire Cat and others will be quickly recognized. The illustrations range from full pages to spot art liberally sprinkled throughout the twelve chapters. The story can be read on one level as a magical adventure in which Alice faces a host of very strange things and variety of bizarre characters. It fills a child's need for fantasy and escape. The actual social commentary and satire will elude most contemporary readers, but it in no way diminishes the joy of reading this classic story.
From the Publisher
“[Robert Fitzgerald’s translation is] a masterpiece . . . An Odyssey worthy of the original.” –The Nation

“[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review

“[In] Robert Fitzgerald’s translation . . . there is no anxious straining after mighty effects, but rather a constant readiness for what the occasion demands, a kind of Odyssean adequacy to the task in hand, and this line-by-line vigilance builds up into a completely credible imagined world.”
–from the Introduction by Seamus Heaney

Stephen Coonts
"Homer's ancient song, The Odyssey, is a treasure waiting to be discovered by every generation. Eickhoff's fresh, bold, contemporary translation rival's Fitzgerald's. I highly recommend it."
The El Paso Times
"Why didn't something like this come sooner. Maintains the dignity of Homer's work while folding comfortably and well into today's vernacular. allows reders to read this masterpiece as comfortably as a modern novel."
Bloomsbury Review

McCrorie's new translation can be recommended without reservation to the generations of students to whom it is bound to be assigned and to any reader who'd like to get as close to the original as is possible without reading the original Greek. It is refreshing, accurate, and direct.

— Jay Kenney

Bryn Mawr Classical Review

Edward McCrorie's translation of the Odyssey into English hexameter has much to recommend it... I have developed an appreciation for the clarity and briskness of McCrorie's verse.

— G.S. Bowe

Choice

A lively and engaging version of Homer's Odyssey that brilliantly blends pleasurable readability with fidelity to the original... McCrorie has simplified the choice of an English Odyssey even in a field of very skillful competitors (Lattimore, Fitzgerald, Mandelbaum, Fagles, Lombardo), providing the best available verse translation of the Odyssey for Greekless readers.

Anglo-Hellenic Review

McCrorie has produced an epic with its own rhythms, idioms and developing pleasures.

Classical Bulletin

Bold new translation.

— Emily Anhalt

From Barnes & Noble
The greatest adventure story of all time, this epic work chronicles Odysseus's return from the Trojan War and the trials he endures on his journey home. Filled with magic, mystery, and an assortment of gods & goddesses who meddle freely in the affairs of men.
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Product Details

  • ISBN-13: 9780760732687
  • Publication date: 2/1/2002
  • Format: Cassette

Meet the Author

Homer

Geraldine McCaughrean has written over 160 other books, including A Little Lower Than Angels, which won the Whitbread Book of the Year Children's Novel Award in 1987, A Pack of Lies, which won the Guardian Prize and Carnegie Medal in 1989 and Gold Dust, which won the Beefeater Children's Novel Award in 1994. She has written retellings of notoriously tricky classics including El Cid, the Epic of Gilgamesh, Moby Dick and The Pilgrim's Progress. In 2004, she won a competition to write the sequel to J M Barrie's Peter Pan. And in 2006, Peter Pan in Scarlet was published to great acclaim.

Biography

We know very little about the author of The Odyssey and its companion tale, The Iliad. Most scholars agree that Homer was Greek; those who try to identify his origin on the basis of dialect forms in the poems tend to choose as his homeland either Smyrna, now the Turkish city known as Izmir, or Chios, an island in the eastern Aegean Sea.

According to legend, Homer was blind, though scholarly evidence can neither confirm nor contradict the point.

The ongoing debate about who Homer was, when he lived, and even if he wrote The Odyssey and The Iliad is known as the "Homeric question." Classicists do agree that these tales of the fall of the city of Troy (Ilium) in the Trojan War (The Iliad) and the aftermath of that ten-year battle (The Odyssey) coincide with the ending of the Mycenaean period around 1200 BCE (a date that corresponds with the end of the Bronze Age throughout the Eastern Mediterranean). The Mycenaeans were a society of warriors and traders; beginning around 1600 BCE, they became a major power in the Mediterranean. Brilliant potters and architects, they also developed a system of writing known as Linear B, based on a syllabary, writing in which each symbol stands for a syllable.

Scholars disagree on when Homer lived or when he might have written The Odyssey. Some have placed Homer in the late-Mycenaean period, which means he would have written about the Trojan War as recent history. Close study of the texts, however, reveals aspects of political, material, religious, and military life of the Bronze Age and of the so-called Dark Age, as the period of domination by the less-advanced Dorian invaders who usurped the Mycenaeans is known. But how, other scholars argue, could Homer have created works of such magnitude in the Dark Age, when there was no system of writing? Herodotus, the ancient Greek historian, placed Homer sometime around the ninth century BCE, at the beginning of the Archaic period, in which the Greeks adopted a system of writing from the Phoenicians and widely colonized the Mediterranean. And modern scholarship shows that the most recent details in the poems are datable to the period between 750 and 700 BCE.

No one, however, disputes the fact that The Odyssey (and The Iliad as well) arose from oral tradition. Stock phrases, types of episodes, and repeated phrases -- such as "early, rose-fingered dawn" -- bear the mark of epic storytelling. Scholars agree, too, that this tale of the Greek hero Odysseus's journey and adventures as he returned home from Troy to Ithaca is a work of the greatest historical significance and, indeed, one of the foundations of Western literature.

Author biography from the Barnes & Noble Classics edition of The Odyssey.

Good To Know

The meter (rhythmic pattern of syllables) of Homer's epic poems is dactylic hexameter.

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Read an Excerpt

I

Athene Visits Telemachus

Tell me, Muse, the story of that resourceful man who was driven to wander far and wide after he had sacked the holy citadel of Troy. He saw the cities of many people and he learnt their ways. He suffered great anguish on the high seas in his struggles to preserve his life and bring his comrades home. But he failed to save those comrades, in spite of all his efforts. It was their own transgression that brought them to their doom, for in their folly they devoured the oxen of Hyperion the Sun-god and he saw to it that they would never return. Tell us this story, goddess daughter of Zeus, beginning at whatever point you will.

All the survivors of the war had reached their homes by now and so put the perils of battle and the sea behind them. Odysseus alone was prevented from returning to the home and wife he yearned for by that powerful goddess, the Nymph Calypso, who longed for him to marry her, and kept him in her vaulted cave. Not even when the rolling seasons brought in the year which the gods had chosen for his homecoming to Ithaca was he clear of his troubles and safe among his friends. Yet all the gods pitied him, except Poseidon, who pursued the heroic Odysseus with relentless malice till the day when he reached his own country.

Poseidon, however, was now gone on a visit to the distant Ethiopians, in the most remote part of the world, half of whom live where the Sun goes down, and half where he rises. He had gone to accept a sacrifice of bulls and rams, and there he sat and enjoyed the pleasures of the feast. Meanwhile the rest of the gods had assembled in the palace of Olympian Zeus, and the Father of men and gods opened a discussion among them. He had been thinking of the handsome Aegisthus, whom Agamemnon’s far-famed son Orestes killed; and it was with Aegisthus in his mind that Zeus now addressed the immortals:

‘What a lamentable thing it is that men should blame the gods and regard us as the source of their troubles, when it is their own transgressions which bring them suffering that was not their destiny. Consider Aegisthus: it was not his destiny to steal Agamemnon’s wife and murder her husband when he came home. He knew the result would be utter disaster, since we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife. For Orestes, as Hermes told him, was bound to avenge Agamemnon as soon as he grew up and thought with longing of his home. Yet with all his friendly counsel Hermes failed to dissuade him. And now Aegisthus has paid the final price for all his sins.’

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Table of Contents

Translator's Preface ix
Introduction xix
1 Trouble at Home 3
2 A Gathering and a Parting 16
3 In the Great Hall of Nestor 28
4 With Menelaos and Helen 43
5 A Raft on the High Seas 67
6 Laundry Friends 81
7 The Warmest Welcome 91
8 Songs, Challenges, Dances, and Gifts 101
9 A Battle, the Lotos, and a Savage's Cave 118
10 Mad Winds, Laistrugonians, and an Enchantress 135
11 The Land of the Dead 152
12 Evil Song, a Deadly Strait, and Forbidden Herds 171
13 A Strange Arrival Home 184
14 The House of the Swineherd 197
15 Son and Father Converging 213
16 Father and Son Reunited 229
17 Unknown in His Own House 243
18 Fights in the Great Hall 261
19 Memory and Dream in the Palace 274
20 Dawn of the Death-Day 292
21 The Stringing of the Bow 304
22 Revenge in the Great Hall 317
23 Husband and Wife at Last 332
24 Last Tensions and Peace 343
Notes 359
Names in the Odyssey 409
Bibliography 417
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Customer Reviews

Average Rating 4
( 474 )
Rating Distribution

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(271)

4 Star

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(48)

2 Star

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See All Sort by: Showing 1 – 20 of 475 Customer Reviews
  • Posted March 23, 2010

    I Also Recommend:

    An Epic of Odysseus' Return

    This is an amazing translation; the language is flawless, almost poetic. And, of course, a timless classic. I had to read this book for my English Honors course and expected boredom. However, I was pleasently surprised-- I enjoyed it! It's the story of the Greek hero, Odysseus, after the Trojan War. On the start of his voyage home, he provokes Poseidon, god of the sea. Thus, releasing the god's wrath. Odysseus faces many obstacles, on account of Poseidon's anger, including an encounter with Cyclops, Circe, and the Sirens, and a journey to Hades' Underworld. I would recommend this book to anyone who appreciates classic literature. Though the language does take time to become accustomed to, the hardest part of this book is the vast amount of characters. I recommend composing a list of all the gods and goddesses in addition to demigods and heroes.

    27 out of 28 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted July 27, 2009

    Completely unbelievable!

    I am amazed at this book! I was actually required to read this for summer reading and I wasn't exactly thrilled to see how thick it was of pages. But as I read it I became enchanted of the way the words are written and the characters, and the plot! I loved it so much I kept on reading, and before I knew it I was finished with it! An incredible tale written in ancient times that tells the story of an exiled soldier trying to return home with many sinister obstacles bloking his way. A great read for anyone who loves greek mythology, and for people who just love monsters and heroes.

    13 out of 15 people found this review helpful.

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  • Posted June 14, 2009

    I Also Recommend:

    Wonderful!

    Fagles makes this classical story accessible to everyone, using easy to read language while relating the adventures of Aeneas as he leaves Troy after being defeated by the Greeks and makes his way to Italy to found Rome. It contains travel tales like the Oddyssey and battles as in the Illiad. The introduction is also well worth reading.

    12 out of 15 people found this review helpful.

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  • Anonymous

    Posted June 16, 2007

    A reviewer

    The translations of the Iliad and the Odyssey by Robert Fitzgerald are more enjoyable to read, and are also more reliable and accurate. They are written in prose. If you want poetic versions, you can't beat the translations by Richard Lattimore. My personal favorites are the Fitzgeralds. I am a lawyer. I studied Greek subjects at U.C. Berkeley under professors Gregory Vlastos and Michael Frede. My favorite writers are Heidegger, Wittgenstein, and Proust.

    9 out of 19 people found this review helpful.

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  • Anonymous

    Posted September 13, 2004

    A delightful introduction to epic literature.

    This is a great book for those who are new to epic poetry, like myself. It's written in prose (in paragraphs, rather than poetic stanzas). Squillace has done a fine job of introducing contemporary terms, where appropriate, without interrupting Homer/Palmer's story-telling rhythm. It's an engaging story, and the characters are fascinating, and I enjoyed it so much that I read all the footnotes at the end. Somewhat-interesting discussion questions at the conclusion. Read the Introduction after you read the book, not before. I wish I could find a translation of the Illiad by Palmer/Squillace, as they did a very good job of making the story, the characters and the language approachable. 'O'Brother Where Art Thou'? Ain't nothing like the real thing, baby.

    5 out of 5 people found this review helpful.

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  • Posted September 20, 2011

    This is not complete

    Starts at Book XVII

    2 out of 6 people found this review helpful.

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  • Anonymous

    Posted August 18, 2008

    It was required

    i read this book, and I found it interesting at first but when it got to the part where he kept on talking about ALL of his journeys that were actually in Iliad to the Phaeacians, it got VERY annoying, long, and never ending. In addition, it was boring to hear about all his other journeys because it had so many different characters that unless you actually knew them all you would get confused. Honestly, I would not recommend this book because I did not find it fascinating. I found it annoying, and boring. Maybe I am just not interested in these types of books. The only reason I read it was because it was a requirement on the summer reading list.

    2 out of 12 people found this review helpful.

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  • Anonymous

    Posted December 20, 2007

    GREAT ADVENTURE STORY

    i read this book as part of a school assignment but i absolutely LOVED IT. it is a great adventure and love story. i really enjoyed the read and i strongly recommend this book to all readers. it was not difficult for me to understand at all either. when i read it, it was not written out in prose so it is pretty easy if you read the sentence full on until the period. overall great read!!

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted January 8, 2006

    THE book OF LYYYYYYYFe

    This was a required book for school, so I thought it would be extremely boring, and it was. Only until the late middle of the book do you get fully into it. Though it was not one of the best books I have read I do reccomend reading this classic adventure of odysseus's return home from Troy.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 17, 2001

    JUST ONE WORD IS REQUIRED : EXTRAORDINARY.

    THIS IS THE MOST MAGICAL NOVEL IN THE WORLD AND IT HAS BEEN BORE AS SUCH. THE ADVENTURES AND THE ROMANCE IS WHAT KEEPS YOU HOOKED TO THE PAGES, WITHOUT LETTING YOU GO.THE ILIAD AND THE ODDESSEY ARE BY FAR THE GREATEST STORIES EVER TOLD BESIDES THOSE OF THE BIBLE,AND OF GODS AND GODDESSES.THIS NOVEL SHALL FOREVER REMAIN THE GREATEST AND DEAREST TO MY HEART.

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted May 31, 2012

    Homer is an amazing story teller!

    I had to write the Iliad for a school project and recammend it; I also love the Odyssey;Odysseus has always been my favorite character!He has cunning kindness, all wrapped into one man

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 17, 2012

    To all you Homer Haters out there......

    This book is SUPER INTRESTING! I don't see how it could be boring at all...... You must be very immature.....well whatever DEUCES:)

    1 out of 5 people found this review helpful.

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  • Posted September 21, 2011

    Line numbers missing?

    I love the odyssey and this version was particularly clear, but I would like a version with the original lines of poetry listed out so I can take notes properly.

    1 out of 1 people found this review helpful.

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  • Posted September 5, 2009

    more from this reviewer

    Nicely performed.

    Great performance of an old classic.

    1 out of 5 people found this review helpful.

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  • Anonymous

    Posted December 9, 2007

    Review

    I read this book for a high school english assignment and, breaking the stereotype of my generation, found it very enjoyable. Our teacher required us to use Fagles translation and I had no problem understanding it. I would reccomend using online resources only to clarify or answer any questions if you arent familiar with the culture of Homers time.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 11, 2006

    Interesting

    I had to read this epic. I was wrapped in the story from the moment I started reading it.Although it is complicated, it is very exciting to know about ancient Greece...and Odysseus' flings.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 6, 2000

    outstanding

    This book should be in the hands of every student reading The Oddyssey. Some translations really stink, but not this one.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 28, 2000

    Awesome

    Awesome

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 16, 2015

    A kit

    Th..thankyou she said in a soft voiice and looked t the adult scared and abbandond

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  • Anonymous

    Posted February 9, 2015

    Mist

    She looked around.

    Was this review helpful? Yes  No   Report this review
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